When Oak Leaves Shimmy in The Heath
I can’t forget the few
confused green
sprouts that brighten
naked blueberry twigs – nor,
embodied by claret oak leaves
pinned to branchlets –
the body. Each suspended
hand is brittle, erect
and slick as tanned hide
greased by sun.
I see multitudes waving
to be noticed. I see
the starkness of drought.
As each palm sways
with skeletal abandon,
I think I see spirit –
or just wind – release,
as if to counter
porosity of bone,
stiffening flesh.
I don’t forget the frailty
of bodies, mine, yours –
too soon to join
beneficent ghosts passing
silently through houses, wafting
over gardens
or waiting, abashed,
with the blueberries, for their turn.
Kathryn Weld’s full-length debut Afterimage, is forthcoming from Pine Row Press (Fall 23). Her poetry and prose appear in American Book Review, The Bellevue Literary Review, The Cortlandt Review; Midwest Quarterly, The Southeast Review, Stone Canoe, Valparaiso Poetry Review, and elsewhere. Her chapbook is Waking Light (Kattywompus Press 2019). She is Professor of Mathematics at Manhattan College.
