A Cardinal Caught My Eye – a poem by Lara E. Lehman

A Cardinal Caught My Eye

A flutter of wing in the corner,
at the edge.
You caught my eye,
Cardinal.

At first, I marvelled at your color:
royal, regal, rageful red.
A crisp and sunny crimson,
aside the bloody sunset–

But your black eye stared, teasing me.
It said you had a message meant for only me.
Are you a messenger, Cardinal, sent from above?
Or elsewhere? Is that why you caught my eye today?

You caught my eye this morning, you did!
You caught my eye, and I caught my breath…
Your vermillion coat shimmered with a thousand diamonds of tender, white snow,
and I felt the cold that blankets my heart begin
to melt
for grateful, graceful
Beauty.

Cardinal:
I think you are here to sing
a new love to me!
Is that the substance of your song?
New love?
New love for me?

Are you here to catch my eye
and my breath
and my heart
in my throat?

For they are there now, Cardinal,
standing at the ready.
Soldiers, chanting their surrender
into the howling
winter
wind.

Cardinal, please sing to me of new love!
Sing a song for someone
who desires to know of my too-large heart.
What flutters inside this swelling cage but hope?

What swells in time, dwells in mine…
Is that a lyric spilled from new love’s lips, Cardinal?
I did not know how sorely my ear ached for this melody
Until you sang it into my eye
and my breath
and my heart
in my throat.

Cardinal:
Who is this new love?
By what name
will I know him?

Sing to me, Cardinal!
Pour your song into this chalice, Cardinal,
filling its far too-largeness with
love’s light at long last.

Cardinal stops.
And sings to me,
and I laugh
at the familiar sound
of
my
own
name.

Lara E. Lehman is a former teacher and performer, now in her West Coast writing era. She enjoys writing about writing, creativity, nature, consciousness, and faith. Currently, she is at work on a novel that reconsiders the Salem witch trials. Essays on craft are forthcoming in The Artisanal Writer and The Writer’s Chronicle while other work has appeared in The English Journal and Text and Performance Quarterly, among others. She is a reader for The Broad Ripple Review Literary Journal. Find her on Medium @thestorydoctorisin.

Dear Mr. Pope – a poem by Danielle Isbell

Dear Mr. Pope,

I am writing to you from my kitchen table,
where the clouds of summer have resumed,
and in this factitious time, the chill sets in.

Here there are fewer disasters
than in other homes. We are sitting
in wait of the next sign
or wonder, and I wanted to ask if
you know what it could be. There are
better questions like:
Who shaped the round body of the bird?
Who set forth the silver flicking of the fish tail? Who
measures the brilliance of the air on
the days it drips cleanly into the lunged world?

And, there is one more thing. In my
many years of mourning god, I seem
to have found god once again – perched
and in flight. In these years I have learned
god does not wish to be forced on anyone,
in fact, god does not even want to be
conveniently suggested. So, Mr. Pope, What fresh
faces of god will surprise you today?
And if they were to pass by, what shape would
your own face take? And what is eternal life,
but the stretching and joining of each moment
to the next - which is happening here, now, today.
So then if eternal life is here and now (surely it is!)
Then how can we pick up and begin to live?

Sincerely.

Danielle Isbell is a writer, dialogue facilitator, and poetry reader for Vita Poetica. She has a background in theological studies and conflict transformation, and keeps coming back writing that breaks open new possibilities of language and imagination. Her writings center on the spirituality of nature, the sacredness of the unknown, and the window she loved in her childhood home. You can find other writings of hers on danielleisbell.org.

Priddy in the Mendips – a poem by Adam Flint

Priddy in the Mendips

At Priddy in the Mendips, Just-in-Roseland,
Talland, or wherever a Chiltern sunray
each new day shoots through the Vale,
birdsong's sinewy cheer runs long and
young down Swithun's firgrove.
Eyefulls of king fern seed invisibility,
grant a centre to embrace the lean
and gaunt redeemer's summer rain
St. Swithin weeps, christens apples.

I prest unblest content to my lips
awaiting an orchard in sequence of quincunx
on this road. Up ahead,
early April infant light:
new warmth and flower,
black foal in blossom,
shadow of kestrel circling haze;
the cooling down in daffodil shadows,
a chill having travelled from water somewhere.

Somewhere Sin was merely the Truth cloaked in a context of Matter,
the falsely occulted in a crevice of gorse
shadow made blacker by the force of the sun,
yellows of ling a calm arbiter –
for angel shadow, edge of halo,
trace of weightless mountain,
hint of limitless sentient volume –
the promises, the days to come,
the nights as one out the corners of our eyes
was a vast white bedsheet frozen
mid-billow, the thrill of space suspended
before, upon our faces,
the gentle kiss of the fall.

Adam Flint was born in North London and is currently based in Berlin. Previous poems have appeared in/been published by Shearsman magazine, Blackbox Manifold, Pamenar Press, and Corbel Stone Press, among others

Dehydration – a poem by Paul Bavister

Dehydration

Grief is falling through me, draining my skin
salt white. I feel darkness spread around
my aching eyes. I am filled with dryness.

Flakes of paper ash rise from the open fire,
are sent swirling by an unseen coat, a breath.

I reach out to touch an invisible hand,
touch ash that dries to grey on my skin.
My body shakes, I have thought too much

about the futures sensed, I fear that signs
will stop, the ash and feathers settle.

I fear leaving the slow routines of grief.
As I breathe out, a feather strand moves
across the table. When I hold my breath

it dances back. Tricked by the phone’s echo
I get up, sit down. Grief has made me lazy.

I am watchful for reminders, pointers,
coincidences, the times when meanings
flow together. Paper ash rises from the fire

I hold my breath as a strand of feather
moves slowly across the table, rises.

Paul Bavister has published three volumes of poetry, including The Prawn Season (Two Rivers Press). His work has appeared in numerous magazines.

The Shrine on the Corner of Cottage and Pine – a poem by Liz Dolan

The Shrine on the Corner of Cottage and Pine 


On this fierce morning when I beseech
the piercing wind to linger at my back,

I turn onto Pine from Cottage Lane.
Soon the shrine’s morning glory vine

will trumpet purplish-blue flutes
in and out of a three-foot-high wrought iron fence.

Raucous clusters of black-breasted sparrows
will flock to the backyard birch, then splash

in the font’s cool water. Like hedonistic heretics
they will ignore the front yard’s granite Francis.

Of late I have not seen the cronish owner
fetch The Post from her driveway.

Even the rusted bikes leaning for eons
against her fence have vanished.

Could Francis and the glory be next?
Aztecs used the vine for mystic self-transcendence.

From its roots they knew
ecstatic visions might blossom.

Robin's wings might sprout from their spines,
an orchard of orchids explode from their chests.


A nine time Pushcart nominee, Liz Dolan has published 2 poetry collections and will soon have her short story collection, Catholic, Practicing, published by Cave Moon Press.

Praise for the American Dipper – an essay by Josh Stone

Praise for the American Dipper

After five miles of mostly uphill hiking, I stood on an exposed ridge over ten thousand feet above sea level, catching my breath and staring at rows of pine trees twisted so tightly by the wind that they looked like braided rope. The prevailing winds are extreme, and everything—everything—bends or breaks. Adapt or die. Those are the only choices. I ran my fingers across the bark of a large, limber pine that had finally surrendered and whispered, “We are more alike than you realize.”

As much as you can have a “destination” on a trail like this, mine was Lake Ouzel—a mostly frozen glacial lake just ahead. The scene could not be more picturesque: a small, almost perfectly round, crystal clear lake with a single slab of ice floating in the center. Completely calm and unassuming, set against jagged cliffs that rose hundreds of feet into the bluest sky. Snow draped the smaller pines. Taller ones poked through like witnesses. Behind me, the morning sun illuminated everything, casting long shadows at my back.

Where the edges of the lake had thawed, small shards of ice drifted, kissing the shoreline before gliding back toward the center, as if to tell the larger piece what it was missing. If I were a lake, I thought, I’d want to be this one—nestled in what surely must be the neighborhood where God lives.

I expected that familiar mix of elation and achievement—the grounding effect that comes when you finally reach your destination. I have been on dozens, maybe hundreds, of hikes, all ethereal in their own way. I expected calmness to wash over me.

What rose in my spirit was not calmness or achievement, but anxiety—and strangely, embarrassment. I felt my cheeks go hot.

So, I ran.

I ran to the water’s edge like someone trying to catch an elevator door before it closes. I ran like I was late to a meeting scheduled thirty-nine years ago, the one where they would evaluate my life so far and present the deadlines and productivity expectations for the years ahead. I nearly ran straight into the lake, stopping only when my boots sank unexpectedly deep into the soggy bank. Cold water seeped into my socks. I stepped back and nervously looked up at the jagged mountains surrounding me, straightened my shirt and cleared my throat.

“I’m so sorry I’m late,” I wanted to say. “You wouldn’t believe the traffic.”

“Take a seat,” said the tallest mountain in the middle. “She’ll be with you shortly.”

Oh.

I assumed he was in charge.

I lowered my head and looked behind me. There, positioned with uncanny precision, was a rock exactly the right height and width for sitting. A custom fit. So I sat. I waited. I chewed my fingernails until one bled – my least favorite nervous habit.

Then something moved. A straight, clean ripple shot away from the shoreline as something swam beneath the surface, pointing my attention to the verdant life below. Fish? Something else? For a moment, I imagined myself fly-fishing here. 

But the daydream snapped when a small black bird appeared on the ice. She looked at me. I looked at her.  

Is this her?

Surely not.

She didn’t look aquatic. She looked like a songbird. Then she cleared her throat and released a melody—a songbird indeed! She began bouncing, dancing, wiggling her tail feathers, bobbing her head. She bobbed her head so many times, I lost count. She. Was. Vibing.

I laughed out loud.

And then – without hesitation – she leapt off the ice and disappeared under the water.

Gone.

That little feathered phantom.

There was no way a tiny songbird could have just dove headfirst into a mostly frozen lake that surely housed fish big enough to swallow her whole. Songbirds don’t – can’t – shouldn’t do that.

But she did. And she didn’t give two flaps about my opinion on the matter.

Shocked, I pulled out my phone and filmed her. She resurfaced, empty-beaked, danced again, dove again, repeating the whole sequence for several minutes. Then she vanished.

I didn’t know whether to cry, applaud, or ask for forgiveness for assuming to know so much about the habits of birds. So I did all three.

Clouds gathered quickly over Lake Ouzel, and we half ran down the mountain to avoid a storm.

Back home, I searched: small songbird that dives underwater. There is only one aquatic songbird in all of North America. The water ouzel, also known as the American Dipper. And she met me at the one and only Ouzel Lake to encourage, inspire, and convict.

I think she suggested it might be time I learned how to dance. 

I’ll have to sleep on that one, little dipper.

My favorite theology book has always been a trail map.

My favorite faith community swims in Mother Earth’s waters, sleeps in her dens, scrambles up her trees, and soars through her skies.

The greatest sermons I’ve ever heard were delivered from the most surprising pulpits by the gentlest creatures.

Josh Stone is a poet, percussionist, and assistant principal from Owensboro, Kentucky. He holds a BA in Education with an emphasis in English and an MA in School Administration from Western Kentucky University. Josh enjoys spending time on the marching band field and hiking with his family. His poems have appeared or are forthcoming in the Harrow House Journal, The Pensieve, Half and One, Made from Midnight: A Poets in the Pines Anthology, Wingless Dreamer, Mad Persona Magazine, and elsewhere. He is currently working on his first poetry manuscript. You can connect with Josh on Instagram & Bluesky @joshstonepoetry.

For A Friend Who Doesn’t Believe in Heaven – a poem by Carolyn Martin

For A Friend Who Doesn’t Believe in Heaven

I tell her about the mansions on tree-lined streets
and the curated parks where the deceased
reunite with their dogs. Together once more,
they play blissfully with no need to scoop up anything.

But she believes at death her molecules will hitch
a ride on asteroids and fly around the stars.
She seems content with no resting place,
identity, or friends and family.

I explain that while she’s exploring the galaxy,
I ‘ll picnic with Shakespeare and Frost
who confirm that life is a diverging road
in a tragi-comedy. But, I promise her, every night
I’ll scan the moon-filled sky, waiting
to catch her essence floating by.

When I gather enough of her particles,
I’ll take them to my mansion’s roof
where we’ll mingle our energies
and commiserate about our lives on earth.
Then I’ll offer her a choice: stay here
with my new friends and play with poetry
or spread her sparkle throughout the universe.

“See that Painted Lady down the street?”
I try a desperate ploy. “It’s built for you
and every dog you shared love with.”
She pauses, as if to reassess her belief,
so I throw her a smile and tempt her
with a ring of polished keys.


Carolyn Martin is a recovering work addict who’s adopted the Spanish proverb, “It is beautiful to do nothing and rest afterwards” as her daily mantra. She is blissfully retired––and resting––in Clackamas, Oregon where she delights in gardening, feral cats, and backyard birds. Her poems have appeared in more than 200 publications throughout the U.S., Europe, and Australia and her sixth collection, Splitting Open the Word, was released by The Poetry Box in March 2025 For more: www.carolynmartinpoet.com.

A chapel now dedicated to Christ the Servant – a poem by Helen Evans

A chapel now dedicated to Christ the Servant


Daylight from two slit windows falls
on the cross above the altar, casts
that familiar double shadow, and there

it is again – the shape of my calling.
How brief these moments are
and how enduring, under the waggon roof

of a chapel whose original dedication
was lost in the Blitz, under these
eleven curved medieval beams,

some carved into rainbows. Eleven,
they say, to record Judas’s betrayal –
or, I prefer to believe, to create a place

for any one of us who might choose
to re-dedicate their bombed-out life.

Helen Evans is a poet and creative writing tutor published by HappenStance Press (Only by Flying, 2015, shortlisted for the Callum McDonald Memorial Award) and Mariscat Press (in Mariscat Sampler One 2024). Website at http://www.helenevans.co.uk and intermittent social media posts on Bluesky at @helen-evans.bsky.social

Restoration – a poem by Gloria Heffernan

Restoration

I don’t remember when it broke or how—
the statue of the Infant of Prague my mother
gave me more than forty years ago.
But I remember gathering up the pieces,
frantically reaching under the bed and nightstand
heedless of the sharp edges,
slipping the shards into a white cotton sock
to keep them from getting separated,
swaddling them between two thick sweaters
in the bottom drawer to prevent further fracture.

I kept it in that drawer for decades,
until the day I watched you repair
the porcelain frame that held our wedding picture
with such tender care, and measured pace,
your patience as you held each fragment
in place until the bond was permanent.
When I asked you to restore my mother’s gift,
you withdrew the fragments like an archeologist
unearthing an ancient treasure with nothing
but tweezers and glue and steady hands.

Now I keep it on a high shelf safe from traffic,
where no one can see the delicate web of cracks,
or the hole in the back where the tiny bits
had shattered into such fine powder
they couldn’t be repaired, but you gathered them
like gold dust and poured them into the cavity,
restored, repaired, remembered.



Gloria Heffernan is the author of four poetry collections, most recently Fused (Shanti Arts Publishing). Her craft book, Exploring Poetry of Presence (Back Porch Productions) won the CNY Book Award for Nonfiction. She received the 2022 Naugatuck River Review Narrative Poetry Prize. Gloria is the author of the collections Peregrinatio: Poems for Antarctica (Kelsay Books), and What the Gratitude List Said to the Bucket List, (New York Quarterly Books). Her forthcoming collection, Moments of Color and Cloud will be published by Shanti Arts in 2026. To learn more, visit: www.gloriaheffernan.wordpress.com.

image: © Jorge Royan / http://www.royan.com.ar

The Definition of Joy – a poem by Agnes Vojta

The Definition of Joy
After a painting by Monique Belitz

Joy is a surprise in a wounded world.
Joy is a purple aster, buzzing with bees.
Joy is a parliament of magpies.
Joy is an apple tree, laden with fruit.

Joy is the exuberance of sunflowers.
Joy is the pink gate to the courtyard.
Joy is the companionship of dogs.
Joy is the squash, heavy on the trellis.

Joy is resting under a tree in silence.
Joy is kneeling, lifting, carrying.
Joy is raising your arms towards the sky.
Joy is pushing the wheelbarrow heaped with harvest.

Joy is the laughter of women working side by side.
Joy is the well-trodden path from your house to mine.
Joy is the evening light on the mountain.
Joy is the whisper of grace.

Agnes Vojta grew up in Germany and now lives in Rolla, Missouri where she teaches physics at Missouri S&T and hikes the Ozarks. She is the author of Porous Land, The Eden of Perhaps, and A Coracle for Dreams (Spartan Press), and her fourth collection Love Song to Gravity has come out from Stubborn Mule Press in 2025. Agnes is associate editor of Thimble Literary Magazine and host of the Poetry at the Pub reading series in Rolla. Her poems have appeared in a variety of magazines; you can read some of them on her website agnesvojta.com