Abraham – a poem by Jeffrey Essmann

Abraham

In the salt marshes of Ur you first heard the voice,
though not yet a voice, nor a whisper:
Something wordless and soft,
like the rattle of cattails,
the sigh of papyrus,
it soughed in your ear,
your inner ear,
like a desert breath,
and suddenly
the whole world
went off
balance.

And something said:
“Move.”

“Go.”

Something said:
“Elsewhere.”

And if someone had asked
(though no one asked),
“Who is this god?”
you would have said,
“I do not know his name,
but he smells of mud flats
and salt and…”
(though no one asked)
“no other gods attend him.”

Jeffrey Essmann is an essayist and poet living in New York. His poetry has appeared in numerous magazines and literary journals, among them Dappled Things, the St. Austin Review, Amethyst Review, America Magazine, Pensive Journal, Forma Journal, and The Society of Classical Poets. He is a certified catechist with the Archdiocese of New York, a Benedictine oblate of St. Mary’s Abbey in Morristown, NJ, and editor of The Catholic Poetry Room.

Protect Us From All Anxiety – a poem by Tim Dwyer

Protect Us From All Anxiety        

A wind gust slips into our house
pushing open the living room door.
Shadows of branches and powerlines
bounce upon the sunlit wall,
and though I’m alone
and afterlife has become make-believe,
the guardian angel of my childhood
appears through the window
and sits by my side again

Tim Dwyer’s debut poetry collection, Accepting The Call (templarpoetry.com), has won the Straid Collection Award. His Japanese form and longer poetry appears regularly in Irish, UK and international journals and anthologies. Raised by Irish immigrant parents in Brooklyn, since 2019 he has lived in Bangor, Northern Ireland. He was a psychologist in New York State prisons. He is a previous contributor to Amethyst Review.

Finding the Luminous in a Safe Deposit Box – an essay by Miriam Krasno

Finding the Luminous in a Safe Deposit Box

King David wrote in Psalms (147:4): “He counts the numbers of the stars; He gives a name to each of them.” 

A torn piece of yellowed paper with a pink border, and English and Hebrew lettering, It bears signatures from my parents and Rabbi Barras, and the stamp of Temple Israel. For all the years I’ve had this document — at least 35 — it’s been in a safe deposit box inventoried as a birth certificate. Along with other miscellanea that people put in those boxes like jewelry appraisals, car titles, deeds etc. Oh yes, and old passports and mom’s jewelry.

Yesterday, my husband emptied the box to prepare for our bank branch closing. “Take a look at this stuff and let me know if it needs to be in a vault or not,” he remarked.  I did and realized that the paper with the pink border wasn’t a birth certificate. It was a precious piece of family history — my naming certificate given to my parents after a ritual marking my entrance into Jewish life.

It wasn’t imposing enough to imprint on my brain earlier, but now that my sister, Ina, and I are getting up in years, and our family’s health has diminished instead of flourished, it is part of a time capsule linking me to my Jewishness. The naming ceremony places me in the particular Jewish community of Wilkes-Barre, Pennsylvania’s Temple Israel on South River Street, right next to the Victorian building where we lived for 20 years. (My father was a conveniently located minyan member if the count needed of ten men ran short.) When a Jewish baby girl is named in the synagogue, the first blessing is for the mother’s health, and the second is that the baby will grow to be a wise and understanding Jewish woman of goodness and greatness. 

The ceremony was probably the first at this new temple centered on one of my parents’ occasions. I know that my mom must have been dressed in her almost-Dior suit, sewed by my grandfather after he came home from work as a Dior tailor. Her appearance was critical to her since going to Temple Israel was torturous for her. A newcomer to this old community, she never felt that she fit in with the other women. The wives of the community, who populated the Temple Sisterhood, the local Hadassah chapter, and the county club, would look her up and down as she walked into the sanctuary. It didn’t make a difference that they assessed anybody new who came down the aisle – she was too insecure and shy to dismiss their appraisal. 

Ma was a former piano teacher married to a psychologist in a community where their generation of Jews owned factories or shops — just one or two generations up from the peddlers who came from Ellis Island. Temple Israel was comprised of businesspeople who had been left their businesses by relatives. Often the original store or factory was a small retail shop or even a peddler’s wagon. My parents’ generation had made good on their inheritance by expanding sales outside of the area and marketing outside of the Jewish community. The other professionals — the doctors, lawyers, and accountants – were cliquish since they were mostly the sons and daughters of the town’s earliest Jewish settlers who had the means to send them to university. Ma was acutely aware that my father’s income wasn’t enough to buy their way into the temple hierarchy or clubs. In addition, since my father was the only therapist in town, he knew all the town’s secrets and private suffering. He, and my mom, were kept at arm’s length. 

 Unlike me, my sisters weren’t born in Wilkes-Barre. The family moved there once my father completed his Ph.D., a Veteran’s Administration (VA) internship, and was offered a job at the local Northeast Pennsylvania VA hospital. My parents were thrilled to be sent to a community only a few hours from their New York and New Jersey families, and one that boasted a large Jewish community. How were they to know that it would be like an exile for them both, particularly my mother?

On that day at the end of May 1956, in Temple Israel, I officially became Miriam Rachel, a name that honored two deceased great aunts. In Hebrew it had several derogatory translations — rebel, bitter — showing the unease the patriarchs felt about Miriam’s scandalous behavior in the desert. The Bible asserts she organized dancing and other worship of a golden calf when her brother, Moses, went off to get the Ten Commandments. The patriarchs remind us that she was stricken with leprosy for this transgression.  Other Hebrew translations of my name, however, include more positive definitions: wished for child, star of the sea, and beautiful. That wasn’t the preferred take in my family. My sisters would tell me frequently that when they found out the newborn wasn’t a boy, they told my parents to give me back. As my life unfolded, the rebel appellation seemed fitting. Bitter — not really, sad, maybe; rebel, yes.

I liked my name, except for the fact that no one where I lived had ever heard of it. This led to all kinds of uncomfortable interactions, beginning when I arrived in my first-grade class. Teachers called me Mimi, Marion, or Mary Ann. My mother had to intervene when one of the grade school teachers insisted on calling me Mimi despite my letting her know that it wasn’t my name. Ma called the teacher, irate, telling her that my name was Miriam and that she was not to call me Mimi. That worked and I have never warmed up to that nickname. Through the school years, I got used to spelling my name for my teachers, and mostly accepting it when people called me Mary Ann. 

 By the time I got to college I “found” my people and stopped having trouble with my name being misspelled and mispronounced. I cruised through life with fewer corrections needed on critical documents or butchered introductions. That is, until I moved to the southern states in my late fifties.

In the South is where it got bad again, and so finding my Jewish naming certificate was so comforting for me. Everywhere I went — especially in my workplaces — my name was mispronounced and the spelling became even more creative than up north. I worked in health care settings as a psychotherapist and people needed to know my name. Patients would be told variations of my name that I couldn’t even spell. I started to wonder if I had a speech impediment, which could explain why my new bosses and colleagues introduced me with these odd appellations. I tested that theory with family and was told I was nuts and taking it too personally. “No, you haven’t developed a speech issue with old age. People are just ignorant,” Ina “reassured” me. That proved to be true. It wasn’t just the sound of my name — it was the entire package. Pale, red-headed northerner in mostly black and grey fancy clothes who didn’t celebrate Christmas. Yep, the Jewish piece. For most of the people I met, especially at work, I was the first Jew they had ever encountered. I heard antisemitic slurs that I hadn’t heard since high school. When I complained to our billing person that her billing numbers, recorded in our official medical record, didn’t correspond with my tally, she responded: “I’m not trying to Jew you.” When I complained about her comment, I was investigated for having a racist attitude by questioning her work. HR informed me that I should be more careful about telling someone that their work was wrong, even though her numbers were wrong and resulted in shorting my fees. When they concluded that she would not also be reprimanded, I felt humiliated and deep in my brain surfaced another incident where I was embarrassed because of my Jewishness. Post-traumatic stress (PTSD) had been triggered.

I flashed back to a day in adolescence that I hadn’t thought about in 45 years. All those years later, I reexperienced a day in the high school cafeteria when a boy in my senior class threw a pocketful of change at me and exclaimed, “Pick it up kike.” What I can’t remember is how I responded — I was cheeky enough, like my namesake, Miriam, to imagine I told him to ‘fuck off’, but I don’t think that’s what I did. I think I ran out of the room, distraught with shame, so intense only a teenager could experience it. I was shocked. Never had I encountered anything like this from a peer. Someone who actually knew my name felt the need to single me out for embarrassment.  I don’t, however, remember the aftermath; it’s as if my brain froze as the coins hit the linoleum and his words : pierced the air. I can clearly see where he was in the room and where I was. The room was packed. Experts say when you experience trauma the brain erases the memory through a biochemical reaction. For me, all that came back was the event – the rest is lost in PTSD. 

Unlike now, there was no social media to support me and no well-meaning club to put on a diversity event to undo the incident. I cannot remember if he got into trouble, if I cried, if friends tried to make me feel better, if my parents even knew. It was the worst of the anti-Jewish incidents I experienced in my school years, but certainly not the only one.

 Mr. Boyle, my eighth-grade science teacher, intentionally scheduled exams on the High Holidays when the five Jews in the school (all in my grade) would be in synagogue instead of school. Did he identify us by our Jewish-sounding names. In a school full of Italian and Polish kids both our first and last names stood out, I’m sure. When challenged on the schedule, first by the students and then by our parents, he became belligerent and refused to change his mind. Again, I still feel the anger and outrage, but I don’t remember the result. I’m sure that if he gave the tests, there were no consequences for us or him.  We weren’t transferred to another teacher and, since the holidays are at the beginning of the year, the five of us suffered through the year with him. I can still see him — tall, thin, white haired and almost spitting with anger when he found out we had told our parents. The spittle of an old man’s outrage marks the visual I have of the incident. 

All of this comes back to me when I hold that pink-bordered piece of paper. My Jewish self, buried by the acts of others, now rises to comfort me from the page. The Hebrew letters of my parents’ names dominate the sheet; their English names recede. A deeper, ancient calendar, belonging to my people, notes my entry into life. I have too often in the last few years been alerted to the yahrzeit of my beloveds by these lunar-based dates. I convert the Hebrew months and days to the calendar I must use in this life, so I can honor their memories every year on the anniversary of their deaths. Otherwise, I rarely think of that link of my soul to the moon’s cycles, which the Jewish calendar marks.

This year I am lucky: I’ve unearthed a document heralding my entry into Judaism, that,  hopefully was, hopefully, a kind of rebirth of joy for my parents.  I say a silent prayer as I study the paper: “May I discover many more of these sacred pages as my one good life endures.”

Miriam Krasno is a retired social worker/psychotherapist. Currently working on a book of creative nonfiction about intergenerational transmission of trauma. Her poem, “Separation”, was published in the anthology, Her Soul Beneath the Bone, University of Illinois Press. Her essay, “The Joke People” was published in the Winter 2024 issue of River and South Review and her poems, “Runs in the Family” and “Why Brides Wear Blue” appeared in the Spring, 2024 issue of HerWords. Mud Season Review chose her poem, “When the Strat A Stat Ride Broke Loose” for inclusion in their section ‘The Take’ in Fall of 2024.

Grain of God – a poem by Johanna Caton, O.S.B.

Grain of God

In memory of my brother.

I adored him, as a very little girl,
my big and princely brother, a runner,
and long of leg and arm and hand; a sailor
with a sailor’s shoulder-span,
stronger than God.

When I was five he told me:
Nice little girls don’t say damnit.
A blow, for then, perplexed, I had to cram it back
into my throat, this satisfying word—
I’d merely copied him.

I was ten when he confided
he’d discovered maths to prove that God
existed—a path of spirit and of stardom—a race track
not too long for him
to run and win.

Soon his sun would shine
on all the sleeping world: his dreams
of God were beams from God, he said. His mind—
I saw it delve and rocket,
sail and run.

Years would pass
before I’d really know
the unkind truth that he was mortal,
that his maths of God
were flawed.

Old, without the fame
he had foretold, he’s died now,
finally caught by God like a kite that’s caught
on a steeple by its string,
bucking, wild

as an enigma
no one can bear.
And all his written works were like so many logs
adrift on choppy seas. And yet,
I gained,

I gained in him
a grain of God, more sublime
than all blue holes combined, honeyed as a heartbeat,
and spirited,
as silence.

Johanna Caton, O.S.B, is a Benedictine nun of Minster Abbey, in Kent, England. Her poems have appeared in The Christian Century, St Austin Review, Ekphrastic Review, Amethyst Review, One Art, Today’s American Catholic, Fathom, Fare Forward, Windhover, The Catholic Poetry Room, and other publications. She is a Pushcart Prize nominee.

In those days – a poem by Kit Willett

In those days

I would put the kettle
on the stove and wait
for it to whistle,

meanwhile watching
the world go on
out the window.

The tūī might find its perch
in the kōwhai
and suckle its nectar.

I would only need
three heaped scoops
of Earl Grey for a pot;
I would count them.

One.
Two.
Three.

The cup would find its home
on the saucer,
and maybe I would notice
that the tūī had found a friend;

I might crack the window,
so they could be my friends, too.
The water would join the leaves,
and I would sing aloud a hymn for God.

It would never matter
the number of verses;
the tea would be ready
when I was.

Its perfume
would meet my nose,
its taste,
my tongue.

Well,
now God is dead,
and I have no one to sing to.

My kettle is electric,
and I drink my tea
one cup at a time
from a mug.

Still, the tūī sing,
even if I have stopped.

I gave life
so much more meaning
in those days;

perhaps it might be time
to start again.

Kit Willett (he/they) is a bisexual poet, doctoral student, Third Order Franciscan, and executive editor of the Aotearoa poetry journal Tarot. His debut poetry collection, Dying of the Light, was published by Wipf and Stock imprint Resource Publications in 2022.

Guardian Mine – an essay by Monica T.S. Flores

Guardian Mine

Bruce has been with me since I was sixteen. That’s not his real name, guardian angels don’t have names we know. He looks like Danny Trejo, from Machete: he’s the baddest, ugliest dude, he looks like he got jacked in prison. He wears a gray sleeveless t-shirt. He’s strong because the warfare for my soul is great. When I stand, he’s on my right side, and he sits in the passenger side when I drive, which comforts me during my everlasting fear of dying in a vehicle collision. 

When I think about him and all the others, he stands at the twelve o’clock position. I feel him alongside the color red, and he blocks malice. I believe he stepped forward, from his side, when I almost died that one time, and he’s been with me ever since. I’ve always been wary of February, because one wintry February when I was sixteen I overdosed on sleeping pills, due to being stupid, and inexperienced, and broken in my heart. My husband’s birthday is in February, which helps a bit. Because of Bruce, I’m able to deal with February. 

He’s an ever-present friend. He first came to me, visibly, when I was dealing with the passing of my second pregnancy, through miscarriage, this was as traumatic an event as you can imagine. I didn’t sleep for weeks and became dehydrated from crying. I saw him in my car, sitting next to me, when I was exhausted from lack of sleep, but still needing to take my son to school in town. Him flickering into view woke me right back up. Anyway, out of the ass end of that time, he is my constant bodyguard, and blocks me from wrongdoing. He fights on my behalf. He helps me evaluate my options. 

The Ice Princess typically pairs with him – she associates with the color blue, and is directly opposite from Bruce at the bottom of the clock, at the six o’clock position. She’s as fiery-tempered and impetuous as he is cool and unbothered–which conflates the typical understanding of red and blue for me. People house multitudes. The princess unlocks Southern Sky mysteries. She shares the universe’s clockwork with me. Tick-tock, she says, as I draw in a checkbox from a grid that shows every week of my current lifetime remaining. She unpacks life’s disc records with their shining white etchings. She explains what they mean from a navigational standpoint. I count on her to initiate any conversations that need to be had, as she’s an emissary, and brings a more galactic perspective. She’s not from here. 

There are two more who travel next to each other, I think of them at the two o’clock and four o’clock positions–the Sage (yellow) and the Teacher (greenish-colored, a hunter green). They are friends, the Sage is similar to Ogra from The Dark Crystal. A troll-hag with gentle humor, she chuckles at our inconsistencies and stupidities. She gives hugs and is always showing something: a pebble, dolphins giggling on the waves, a double rainbow in late afternoon. She stays in her cozy hut, and maintains friendly relations with the sasquatch, and advocates to them on our behalf. Her methods are not quite of this reality–they feel slightly adjacent. This sage-like woman, with her wrinkly face and her sparkly hazel eyes, works closely with my Teacher, a professor, who is a scholarly, petite humanoid with almond-shaped eyes. The Teacher strikes me as being interested in knowledge, books, maps, and history. He’s gay, or rather, he was at one time, but is now beyond all that. He’s also not from here, and feels even further removed from the first three. That is, he connects to our earthly learnings, and exhibits curiosity (he documents everything), but takes a historical, galactic perspective. This Teacher is not as approachable as the rest, but he’s full of wisdom and desires to share. He wears a brown cloak, made from a rough waffle-weave textile, with a hood to cover his pointy ears. At first I was afraid of him, with his hood and his eyes with no pupils, but since he started wearing “glasses,” I’m feeling better about him. He doesn’t appear much, but when I ask specific questions, he finds answers. He’s in a library. He might be telepathic, as I’ve not sensed him opening his “mouth” when he “speaks.”

The Warrior often appears with his horse, and both of them are covered entirely in metallic armor. I’ve not seen his face. He is associated with the color black in my mind, and sits between the seven o’clock and eight o’clock section on the clock face. He lives ten thousand years in the past, and when he fights, he demonstrates lethal skill with a sword and spear. He carries a shield, which glints on moonlit nights. I see him galloping off to inform his troops and rally them to the battlefield. He’s an excellent rider. The one battle I imagine remembering, or remember imagining, is in a desert climate, against a horde of evil creatures against whom he strikes continuously, circling against the adversaries, destroying them with a golden-tipped spear, that looks like it is made of fire, a lance forged of bright light. No mercy from this one. He has excellent manners, and is unfailingly courteous in every situation. This Warrior travels very closely alongside a bolt of purple lightning, which has been my most obscure guardian to understand so far. This obscure one I like to think of as a Cosmic Flame, and it slices through dimensions, heralds the life-giving rain, renders consciousness, and brings the Light of Understanding from the heavens down to our plane. An elemental creature, it doesn’t have the same type of sentience I feel from the others. It sits near the eleven o’clock hand, and is most near whenever I glimpse 11:11 on a digital display, like a microwave, or the car clock, or my phone.

I’ve only experienced the flame two or three times, but it’s reliably there for moments of great transformation. It gave me knowledge and a sense of security during the birth of my son, when it flashed as I lay grunting in the hospital bed. As a first-time mom, I was slow to progress. When the lightning bolt flashed behind my eyes, it showed me the electrical spark at the moment of my son’s conception, when sperm and egg connected into a new being. This spark of knowledge allowed me to let go of the sense of responsibility for whatever would happen, and with fear removed, I was able to labor, push, and give birth.  These guardians stand in council when I’m sick or in the deep of sleep. They bring me ideas, created out of the ether and consolidated for me to review. Some are tasks: “go to Iceland for the eclipse,” or “call your sister.” Others are concepts: “teach about crystals” and “prepare for The War.” The guides travel in interlocked pyramids in a stellated octahedron. Humans once received instructions on how to fly these merkaba, soul chariots

We strap ourselves in, and raise up our energy fields to lift off. Surrounded by Guardians, we soar to wherever our hearts desire.

Monica T. S. Flores lives in Michigan and works in project management. She revisits Filipino folklore and myth in her writing mixing mermaids, giants, manananggal, and engkanto enchanted ones with cryptids, aliens, and the undead. She’s excited to explore what makes us human through the lens of her immigrant perspective.

Amethyst Online Workshops and Writing Hours May – July 2026

Amethyst Online Workshops and Writing Hours are running again from next week, and I’d be delighted if you would join me! The format is the same as with previous sessions – a themed generative workshop hour on Tuesday evenings, and a companionable writing hour on Thursday evenings.

I’m running the Tuesday Workshops in blocks of 5 this time, and have set one ticket for the whole first block of five. The process should be simpler for you and I’m hoping a block of 5 weeks isn’t too much to commit to. (If you can’t do that, please let me know, and I’ll devise a workaround) And thank you so much to those who have already registered!

***

Generative Online Writing Workshops on Tuesdays (restarting May 5th 2026) 6-7pm UK time£25 (plus registration provider fee) for each block of 5 sessions. 

Each session will have a theme with a connection to writing and the sacred. The hour will include consideration of published extracts, discussion, prompts and writing time. Register for Block 1:

Provisional themes are as follows:

Block 1

May 5th – Little Things

May 12th – Psalms

May 19th – Fruit

May 26th – Bread

June 2nd – Hands

(June 9th Break – no workshop)

Block 2: (registration link to come)

June 16th – Voices

June 23rd – Dreams

June 30th – Birds

July 7th – Patterns

July 14th – Grace

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Thursday Writing Hours (Free!)

If you already have work in progress, or simply like the idea of a concentrated hour of writing then please join me on Thursdays for a writing hour:

Online Writing Hours on Thursdays from May 7th, 6-7 pm UK time. Write in companionable and supportive silence with some optional chat at the end. No requirement for you to attend a Tuesday workshop. 

Completely free! Register via Eventbrite. (or just email me for the Zoom code). Come to any or all sessions.

With all best wishes,

Editor Sarah

Holy Space of Day – a poem by Debora Tremont

Holy Space of Day
Lake Pontchartrain— a view from the 24-mile bridge

The bridge slices across
lake water like a dull knife.
Sky and water an open oyster,
soft gray, pearlescent.
Only the ruffled edge
hints at where oyster ends
and shell begins. I ride
the edge of the knife,
my thoughts shucked loose,
wandering into clouds
with the birds. Terns
and pelicans perch silently
on the roofs of utility sheds
watching the gray water
for signs of fish.
I’m inside an oyster shell—
a sacred place,
a dive into the holy space
of things, a chance to find
what nourishes me
inside the shimmering light.

Debora Tremont pursues a daily poetry practice, exploring memories, time, the beauty of daily life, and the adventure of aging. She lives on the Northshore of Lake Pontchartrain, an hour from New Orleans. Debora loves engaging with other poets on the art and craft of poetry. Her poems have been published at Silver Birch, Braided Way, and Humana Obscura. She earned an honorable mention in Concrete Wolf’s 2025 Chapbook contest.

After Lectio, Psalm 139 – a poem by Kathleen O’Toole

After Lectio, Psalm 139


If I take the wings of the morning
red-shouldered hawk, catbird, wren
settle at the farthest limits
that spacecraft surveying Mars
even there your hand
reaching into the rubble of Khan Younis, Kharkiv
for signs of life.

Surely the darkness will cover
each morning’s litany: a cousin with ALS, each fragile friend,
then the strangers— victims of war, indifference
and the light around me
scant, with shorter days, and the headlines’ rage that encroaches
even the darkness is not dark —
But how to apprehend
night bright as day
without some inner reckoning, descent
for darkness is as light to you.

Kathleen O’Toole is the author of four poetry collections, most recently This Far (2019, Paraclete Press). A retired community organizer and former Poet Laureate of Takoma Park, MD, she delights in offering poetry retreats for retirees, faith communities and other circles of seekers and creatives, on line and in person. Find her at https://kathleenotoolepoetry.com

mercy – a poem by Olga Dugan

mercy
(for Sofia Curtis)

my friend often talks about
the one whose life will shape
her life, that person who
contributes to the world, takes
care of health, of what enriches
like gardening, baking, taking
walks, but knows the garnish
of power, achievement, success

but I see the one as a virtue
compassion like the wind
combing back her hair, like
all the summers she’s ever had
coming to warm her, like
today’s sun that she reveres
dabbing at her fingers—a mercy
like what the flowers show

across the street, a bouquet-trail
of mini floral buds blossom
along the ruddy curb, spright
white, may yellow, soft
peach sheltering green-brown
stems that nod to spring gusts
but do not grumble over the other
just do a gift they have to serve
the other, to support each other
in a soughing wind’s rise, fall
whisks—the same kindness
and relief that can center our core
generate by what we receive
transform by what we give away
sometimes in a gentle touch
or a tough love, sometimes in an
understanding or soothing ear
for a friend who seeks an unearned
unmerited wholeness, a one
only God can give really—
like what the flowers show


Olga Dugan is a Cave Canem poet. Nominated for Best of the Net and Pushcart prizes, her award-winning poems appear in many anthologies and literary journals including Ekstasis (now Inkwell), Spirit Fire Review, Reformed Journal, The Windhover, Relief, The Sunlight Press, Lived In, Litmosphere, The Write Launch, Ariel Chart, Channel (Ireland), Cave Canem Poetry, Kweli, Sky Island Journal, evolution: The Red Moon Anthology of English-Language Haiku, Munster Literature Centre’s Poems from Pandemia, and many others.