Wine of Soul – a poem by Yuan Hongri

Wine of Soul

By Yuan Hongri
Translated from Mandarin by Yuanbing Zhang

I picked a bunch of fairy flowers from the garden outside,
to make you instantly recall the prehistoric days of immortals
that travel leisurely by the light.
The golden car of the Dragon and Phoenix stayed on the island of fairyland,
and the layering of mountains of towers soared straight up into the purple sky;
a chant of a jade flute attracted the angels,
as if a bevy of birds hovered in succession
which made time sweet, like top-quality wine of soul.

灵魂之琼浆

我采撷天外花园的一束仙葩
让你瞬间忆起史前逍遥的乘光而行之仙人岁月
那龙凤之金车在仙岛上驻留而那层叠之楼台直上紫色云霄
一曲玉笛之吟弄引来了天使若群鸟纷飞而让时光甘美恍如灵魂之琼浆

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Hongri Yuan (b. 1962) is a Chinese poet and philosopher. His poetry has been widely published in the UK, USA, India, New Zealand, Canada and Nigeria. He has authored a number books including Platinum City, The City of Gold, Golden Paradise, Gold Sun and Golden Giant.

Yuanbing Zhang (b. 1974), who is a Chinese poet and translator, works in a Middle School, Yanzhou District , Jining City, Shandong Province, China.

 

Interstellar Kingdom – a poem by Yuan Hongri

Interstellar Kingdom

By Yuan Hongri
Translated from Mandarin by Yuanbing Zhang

My snowflakes are white flames
and death is a singing of golden car from the kingdom of heaven.
I walked through the black forests for many years and slept soundly on the rocks
forgot images of the world, until the wings of gold were like clouds
when I heard a call from the outer world,
which was as sweet as the sun rays
I opened the doors of the ninety-ninth floor of heaven
the interstellar kingdom, with fragrant words of honey.

那词语芳馨甘醇的星际之王国

我的雪花是白色的火焰而死亡是一曲天国之金车的吟唱
我穿过多少岁月的黑色森林且在岩石里熟睡而忘了世界之画图
直至黄金的翅翼如云而听见了天外的那一声召唤甜蜜若太阳之闪电
我打开了那九十九层天宇之门扉而回到了那词语芳馨甘醇的星际之王国

 

Hongri Yuan (b. 1962) is a Chinese poet and philosopher. His poetry has been widely published in the UK, USA, India, New Zealand, Canada and Nigeria. He has authored a number books including Platinum City, The City of Gold, Golden Paradise, Gold Sun and Golden Giant.

Yuanbing Zhang (b. 1974), who is a Chinese poet and translator, works in a Middle School, Yanzhou District , Jining City, Shandong Province, China. He can be contacted through his email- 3112362909@qq.com.

Flowers for the Body – a poem by Anna Evas

Flowers for the Body

1 Bronze Chrysanthemum

In October,
I garnish pumpkin stew with your sunburnt petals.

In November,
I intinct bygones in your radiance sipping a glass of Viognier.

What turns gold,
I overwinter like cabbages.

 

2 Daylily

Daubing my palette with invisible color,
your buds in butter sate my tongue.

Blind taste, you brighten the blanks
of my unfinished self—

a canvas taken by surprise.

 

3 Indian Cucumber

Turkey-foot stigmata,
tepals curved like moons—

your flowers can’t compare
to your souterrain salad—

a flourish of roots.

 

4 Hibiscus

My pom-pom filaments tipped with five rubies could be
the crown of an underworld goddess rising in benediction.

Or a maiko, beads in hair, brewing petals for ceremonial tea,
even a caterpillar’s ghost before the Monarch change,

its last hope dangling by a thread.

 

5 Nicotiana

I go up in smoke—
leave behind ash on a face
without lips, nose or eyes.
After fresh leaves are applied as a poultice,
I burst into a shooting star.

 

6 Indian Pipes

Shamans of the wood, we make groundwater broth
of mushrooms and roots shared with healers.
June rain is our summons, spirit our garment.

Staining the hands purple,
we awaken what stands between
what’s not and is.

 

Anna Evas: Published internationally in literary journals such as Irises (The University of Canberra Vice-Chancellor’s International Poetry Prize), Michigan Quarterly Review and, soon, Long Poem Magazine (England), Anna Evas works as a lyricist, recording artist and composer.

 

EXPECTATION – a poem by Elaine Fletcher Chapman

EXPECTATION

Outside I looked
for carnage,
there was none
that I could see.
No sign from the night,
nothing amiss.
We rarely look up
at the night sky.
Stars dimmed
by so much light.
Searching
for any change,
or perhaps a sign
of significance,
a message from Sophia.
I wonder how the heron
stands in the cold water
for such a long time,
waiting.

 

Elaine Fletcher Chapman (formerly Elaine Walters McFerron) is the author of a volume of poems, RESERVOIR forthcoming with Saint Julian Press in late 2020, Hunger for Salt published by Saint Julian Press and a letterpress chapbook, Double Solitude published by Green River Press. She is an Adjunct Assistant Professor teaching Literature at Old Dominion University, Chapman worked on staff at The Bennington Writing Seminars, Bennington College for 18 years. She founded The Writer’s Studio where she teaches poetry, nonfiction and an ongoing class, On Keeping a Journal. She also provides editing services and organizes Poetry Readings and Crossing Over Writing Retreats.  For the last 39 years she has worked as a therapist in private practice. Also she is a Certified iRest Yoga Nidra Meditation teacher. She has poems forthcoming in Hoot Review, Cloudbank and Poetry Pacific. Her poems have been published in 8 Poems, Rabid Oak, The Tishman Review, The EcoTheo Review, The Cortland Review, Connotation, The Sun, Calyx, Poet Lore, 5AM, Salamander, and others. She was guest blogger on The Best American Poetry Blog and The Solstice Literary Magazine blog. She now lives on the West side of the Chesapeake Bay near the James River in Newport News, Virginia. She also spends a great deal of time in the San Francisco Bay area. Trailer and Poetry Videos for Hunger For Salt: www.vimeo.com/elainefletcherchapman or http://www.elainefletcherchapman

The Halfway House of the Sea – a poem by Don Brandis

The Halfway House of the Sea

The sea is a land-bed’s life
spread out over it like the kingdom of heaven
a flowing poem over rigid empty prose
calling to us the uncovered from within,
…..beneath our common hearing
of birdsong, fly and cricket themes, even digital chatter

traffic rumble, the low hum of inhouse motors
muffled rants of memories
The sea is an endless wash;
we need its multiple self-clearings
of old days, old moments spent

or we would never awaken
From a resort on a modest bluff
the sea scene spreads like a mountain range
marking the curve of the planet
out beyond our hearing

in closer waves dance
a chorus of young French women
thrashing their layered petticoats at us
the Can-Can in an old movie
legs flying, high cries above the music

In time or out of it we somehow begin to hear
what the sea offers us; that we be to it
…..a not-so-rare inclusion
It sings a work tune, building a halfway house
for a new we

for when the old we, always failing, falls away
and the refugee camp of the sea falls away too
leaving no place, needing none
other than our inattentive hearing un-revised
the coughing of passengers on a bus

the tramp of a crowd on a stadium walkway
…..into ballgame repetitions
If we couldn’t hear again what we’ve already heard
we couldn’t hear at all, even these
original sea-calls subtly but vitally new
among old chants and verses

The halfway house of the sea ever rebuilds itself
around us, for an us more basic than either seemed
alone together a moment ago understood separate;
now out of the time of each
into a mythic time of wordless surprise

appearing out of discards, scraps and planks
sawed off, mis-hit nails bent
empty paint cans, brushes too stiff to carry and spread
only when nothing is wasted do we begin even poorly
to see at a distance, to hear up close

 

Don Brandis is a retired healthcare worker pursuing his passion for poetry.  He’s had poems published in Leaping Clear, Free State Review, Neologism Review, The Hamilton Stone Review, and elsewhere.  A book of his poems, Paper Birds: 40 Poems,  is pending publication with Unsolicited Press.

Between Decades – a poem by Diane Elayne Dees

Between Decades

On the last day of the decade, I decide
to make an effort. I begin with a restorative
yoga class, and when the instructor tells
us to float our bodies toward the sky,
then bring them back to the earth, I am
surprised to learn that I can do this.

Then she tells us to forgive ourselves,
and levitating my body suddenly feels
like a piece of cake. I twist myself through
the class, then walk two miles among oaks
and pines on what is a perfect cold
and sunny day, my favorite music blaring
in my ears. I don’t exactly embrace
my loneliness, but I don’t resist it, either.
I manage not to cry.

I make an old-fashioned and drink it
while I prepare a stew, ending the day
with a bit of old-school style and substance.
My own new decade arrives in just days.
It is an advanced one, and I become frightened
when I anticipate it. I cannot fight time,
though I would like to kill it. Perhaps,
in this new decade, I can learn to forgive myself.
In the meantime, I can float my body toward
the sky, and maybe—for now—that is enough.

 

Diane Elayne Dees has two chapbooks forthcoming. Her microchap, Beach Days, is available for download and folding from Origami Poems Project. Diane also publishes Women Who Serve, a blog that delivers news and commentary on women’s professional tennis throughout the world. Diane Elayne Dees

 

Between Sky and Sea – a poem by KB Ballentine

Between Sky and Sea

Clouds hang heavy above the swollen river.
Cragged granite juts over tumbling water –
briny tongue gulping silt, swirling rock.

Terns and cormorants shriek as rain whispers past.
Foam fizzes, seasons the shore
to mingle in pools of jade and teal.

Squeals from curlews, oystercatchers,
sand dense, speckled with kelp and broken coral,
shells sea-washed and shiny through the mizzle.

Trust this day, this hour –
memorize this moment, a softness unexpected,
when the world was not about you.

.

KB Ballentine’s sixth collection, The Light Tears Loose,
appeared this summer with Blue Light Press. Published in Crab Orchard
Review and Haight-Ashbury Literary Journal, among others, her work also
appears in anthologies including Carrying the Branch: Poets in Search of
Peace (2017) and In Plein Air (2017). Learn more at
www.kbballentine.com.

Say prayer’s correctly rubbing God’s back – a poem by MEH

[Say prayer’s correctly rubbing God’s back]

Say prayer’s correctly rubbing God’s back
like a rabbit’s foot clutched in a pocket,
or an ancient Persian lamp gathering
dust on a shelf, one wish held in reserve.
it’s making sure the horseshoe’s heel faces
up, lest the blessings leak. perhaps prayers
are dreamcatchers aligned like satellites
transmitting psalms to celestial spheres,
or some other means of snapping fingers
in front of God’s face: grabbing attention
without the need for screams emanating
from the red-soaked earth, clay calling Potter
to account for—or at least questioning—
the cracks in the crucifix on the wall.

~ MEH

.

MEH is Matthew E. Henry, a Pushcart and Best of the Net nominated poet with works appearing or forthcoming in various publications including Amethyst Review, The Anglican Theological Review, The Other Journal, Relief, Rock and Sling, Spiritus, and The Windhover. The author or Teaching While Black (Main Street Rag. 2020), MEH is an educator who received his MFA from Seattle Pacific University, yet continued to spend money he didn’t have completing a MA in theology and a PhD in education.

Sunrise Variations – a poem by David Chorlton

100_5404Sunrise Variations

I
Frost on the moon; a windy glow
moves down the street
sweeping yesterday aside.
The asphalt warms and the thrashers
thaw from their overnight roost
while long shadows crawl
back into hiding.
……………………..This is the moment
all is quiet after the long
dark hours, quiet enough
to hear hope arrive, tapping
its cane as it goes.

II
It begins with a tremolo
on the horizon before the violins make way
for a mockingbird solo, followed
by the woodwinds playing random phrases
between the waking calls
of Mourning doves. Cellos raise
first light
……………from the underworld, then comes
the brass in all
its shining glory, and trumpets blaze
white fire from the dark.

III
A dove on every streetlamp
is waiting, always
waiting for the sky to awaken. It begins
with an eyelid
folding back, then a yawn releasing
pink edged clouds, and the laser
rays of sunlight piercing Heaven.

IV
The last strands of rain
are tangled in an ocotillo’s arms
and a cloudbank hangs
…………………………………on the slim hook
the moon has become
in the course of a nocturnal vigil
overseeing the conflict
between good
and evil
that masquerades as politics
and never rests,
……………………….not even
when the grackles flock together
to dream their one black dream
until the eucalyptus feels
a ray of warmth and spills them
into daylight.

V
It’s a postcard opera, the breakthrough
light makes when all
the world lies still except a sparrow
in a birdbath washing
darkness from beneath his wing.

VI
Across its east
facing slope the mountain
glows to welcome back wild
creatures from the night. For those few
minutes rocks
…………………..give up their weight. The ravens
at the ridgeline have
their shadows projected so
they float in airborne sunlight
even when the birds descend to pick
their daily ration from the Earth.

VII
The wooden cogs creak
as wheels turn
to pull back the curtains
from a baroque stage
upon which the sun
sits on its throne
wearing a wig with streaming curls
of light and wielding
a scepter with which
to signal time
for the fates to resume
their daily bickering.

VIII
Where two palms stand
next to the back wall, with a sheet
of reeling sky behind them,
yellow bleeds
into red and a pale strip darkens to
the day’s first blue
and a woodpecker clings
to its luck from the flake
of a trunk.

IX
The weight of a departing storm
presses down into the space
between fact and fantasy, from which
the golden message travels
through millennia
to be a moment at the threshold
of a day.

X
Although the details
of each day are different, the hope
remains constant
that no iniquity avoids the searing glare
that strips a monarch
to his bones.

XI
The clouds call out for sacrifice
on days the sun god
wakes up hungry. A gloomy mass
weighs down upon the Earth
with one small crack
where the universe has offered
its own blazing heart
to bring life to the planet or see it
perish.

XII
Even deathly tired, the sun
always finds a way up through the earth
between roots and tendrils, up
the wall to a railing
it can balance on, or it climbs out from
the pond of dreaming water
and shakes itself dry before
it continues its infinite trajectory
inch by incendiary inch.

.

David Chorlton lives in a part of Phoenix where the roofline is low and the dawn view from his front door is often striking, as in this photograph used with permission. (Some more sunrise photos at: http://davidchorlton.mysite.com/ ) In poetry, his latest work is Speech Scroll, a long poem published by Cholla Needles Arts and Literary Library.

Prime Real Estate – a poem by Emily-Sue Sloane

Prime Real Estate

Before anyone carves up the moon and sells it
to the highest bidder for condo-ringed golf courses,
fake palms and wrought iron gates,

tell me, please,

will it be the bright one I see poking through the branches
of the majestic maples in my backyard when I draw
the shades before turning in for the night?

Or the huge orange one surprising drivers
rushing toward the Jericho Turnpike horizon?
As that moon rises, the contours of a face emerge,
happy just to be there. Like Humpty, before his famous fall?

I hope they don’t choose the one lighting up the Long Island Sound
on warm summer nights when fishing boats sidle up to the dock
to unload weary passengers clutching their catch of the day,
poles and tackle boxes perhaps lined with empties

Or the thin crescent of light that floats effortlessly in a crisp dark sky
after the first snowfall, before the plows arrive.

The moon draws the tides into a dance with life itself,
so, no, my moons over Long Island are not for sale.

 

Emily-Sue Sloane lives in Huntington Station, NY, where beautiful vistas hide beyond crowded roadways. Writing poetry helps her to frame her personal observations within wider, more universal truths. Her work has appeared in Front Porch Review, The Bards Annual 2019 Poetry Anthology, Avocet, The Weekly Avocet, and other anthologies.