Late Night Meditation – a poem by Peggy Heitmann

Late Night Meditation
Dark and light, bad and good, are not different but one and the same.
										- Heraclitus:
The wooden bowl,	
hollow and full 
of golden light
bubbling over with radiant beams
to fill itself to the brim,
where shadows flirt  
and hide their wings 
seeking solace 
in the darkness
beneath the rim
of the wooden bowl.

Peggy Heitmann has published poems and forthcoming in Remington Review, Last Leaves, The Impostor, and Deep Overstock among others. She considers herself both word & visual artist. Peggy lives in Raleigh, NC area with her husband and two cats.

The Spirit, Maybe – a poem by Felicity Teague

The Spirit, Maybe
August 2022
 
I don’t think God is with us on this bay
in 9B Geriatrics. “It’s quite tough,”
confides a rather workworn HCA
one morning, during obs. And I'm stern stuff,
experienced with hospitals yet tired
of illness sometimes, thirty-plus years in,
arthritic, fractured, but the brain is wired
to cope. I don’t know why. Where to begin?
I do know that I watch the sun descend
each evening, note the purple, red and gold,
and dare to hope I might be on the mend,
the broken bone at least. My joints are old
and well beyond repair, but something’s good –
the spirit, maybe? I’d dance if I could.

Felicity Teague is a poet from Pittville, a suburb of Cheltenham, UK. She has had inflammatory arthritis since she was 12 yet is able to work from home as a copywriter and copyeditor, with her foremost interests including health and social care. Her poetry features regularly in the Spotlight of The HyperTexts; she has also been published by The MightySnakeskinThe Ekphrastic ReviewThe Dirigible BalloonPulsebeatLighten Up Online and a local Morris dancing group. In December 2022, she published a small collection of poems, From Pittville to Paradise. Other interests include art, film, and photography.

Amplitude – a poem by Lisken Van Pelt Dus

Amplitude



No greater fox-ness than against the white
sunlit brilliance of ice: fox glowing

silver bronze gold as it glides
in front of us, paw-perfect over

the jagged freeze
stretching far across the lake.

We cannot look away, just like the time
we turned in unison walking in Kyoto,

to find a 500-year-old pine, a giant bonsai
that spun us to it as if we were 

magnetic. That day was sultry, 
but the tree glowed as the fox does today,

their draw a primal kind of light, 
its wavelength so long 

as to be almost sound – fox infrared, 
tree pulsing to a beat inside us.

And both times, you and I adjacent,
thrumming, our brightness augmented.


Lisken Van Pelt Dus teaches languages, writing, and martial arts in western Massachusetts. Her poetry can be found in many journals, including most recently Sand Hills Literary Magazine, Book of Matches, Split Rock Review, Beltway Poetry Quarterly, and the Ekphrastic Review, and in anthologies such as the Crafty Poet Anthology Series, as well as in her book What We’re Made Of (2016). A new chapbook, Letters to my Dead, was released in 2022.

Goleta Butterfly Grove, 2022 – a poem by Elizabeth Kuelbs

Goleta Butterfly Grove, 2022



Myriad tiger wings warming 
on eucalyptus branches,
now shut, now the sun’s confetti
ascending,
re-starring the starved blue, cracking
chrysalises from every dusty body—
here. All of us—children, sky-kissed,
singing, here. 

Elizabeth Kuelbs writes at the edge of a Los Angeles canyon. Her work appears or is forthcoming in Scientific American, Lily Poetry ReviewRust & Moth, and other publications. A Pushcart Prize nominee, she holds an MFA from Vermont College of Fine Arts. Her chapbooks include Little Victory and How to Clean Your Eyes. Visit her online at https://elizabethkuelbs.com/.

An Amethyst Retreat – a poem by Janet Krauss

An Amethyst Retreat

in memory of three friends


I have to know the right rock
to split open and find a forest
of miniature violet crystals
waiting for me,
its own light its sun
beckoning me to wander within
until I reach a clearing
the sky reveals, the sky
a steadfast blue
as I visit my three friends
leaning against a fountain,
their laughter mingling
with the burble of the water,
and weaving whispers of welcome
to warm my back.

We walk together
along a dogwood white path
that echoes their words--
one friend finds the glove
lost in her poem, another keeps
sending the snow child
back to her elderly parents,
and another shares again
with me the story
of the two brothers
who cannot live without the other.

When my friends blur
and  I cannot hear their voices,
it is time to leave
my amethyst clutched in hand.


Janet Krauss, who has two books of poetry published, Borrowed Scenery, Yuganta Press, and Through the Trees of Autumn, Spartina Press, has recently retired from teaching English at Fairfield University. Her mission is to help and guide Bridgeport’s  young children through her teaching creative writing, leading book clubs and reading to and engaging a kindergarten class. As a poet, she co-directs the poetry program of the Black Rock Art Guild.

No “The” – an essay by Angela Townsend

No “The”

You get very ragged hunting The dogma. 

Even if you wear waders, leeches hug your jeans. Even if you wear burlap over buffalo plaid, surly branches poke through your sweater. 

Even if you find the tree with the knothole — the one that holds the whitest scroll with the blackest letters — you will be wet and hungry and always rather worried.

How much fairer to lay on your back on the far side of the forest.

The forest people will not let you down, but they will not let you in on the secrets you assume somebody knows. They will show you where the night flowers gather and where the careful voles dig. 

They will show you the pleasure of not digging.

In my nights of wildest fear, I have wanted neither pleasure nor peace.

I have wanted to dig, to unravel, to be spent by the hunt for The dogma. 

I was not raised to hunt or to fish, and to this day my mother asks “did we do this to you?” The answer is “no.” 

I was raised to braid the clover and daisies, a child of peace under willow and oak. I was raised to run with the animals, elbow-deep in the river where laughing tadpoles told tales. 

I was raised with an expansive faith.

Although I am as Dutch as a calzone, I was raised among the Reformed, sturdy faithful with -Oes and -Ees and -Ostmas in their names. 

They read and taught and fought. They declared that “many hands make light work.” They loved their hymns and their neighbors. 

They slapped together thousands of mutant ham-salad sandwiches, telling me I looked like Audrey Hepburn as I “waitressed” our Pot Luck Suppers. They loved their thrift store, outfitting me in blazers older than my mother and stories of old men reportedly once young. 

They crocheted me pocket crosses and carried my crosses. 

They came to our house, galumphing hordes at a time, for mysterious pie-scented meetings of Consistory. They came to our house, tearful ones at a time, for eggplant parmigiana and crinkly renditions of “What a Friend We Have in Jesus.”

They made it as easy as the backyard creek to believe in our friend Jesus, the Jesus who loved weeping Mary Magdalene and sprightly Zacchaeus and all the earnest Easter pageant characters and me. 

I never doubted, from age three, that Jesus loved me. 

I never asked if there was an outer limit to the forest.

I never heard the -Oes or the -Ees ooh or ahh about who was in or out.

I never locked the door to my cabin. I was raised with an expansive faith.

But danger came, and danger wears a doubt-pelt, a dead thing whose eyes have been replaced with black marbles. 

Danger came, and danger sells insurance.

When danger picks off your people, you you start buying locks and reels and rifles to hunt The dogma. 

That’s what you do if you are eighteen and away from home for the first time, away from the daisies and away from the blue expanse. Danger knows that you are away from your dying deacon Dad and your poet Mom with the Complete Treasury of Bible Quotations under her arm. 

Danger tells you that you had better find some arms to hold you, or else you might blow out the cabin window. Danger has some promising candidates. 

Fundamentalism, for instance. 

My college friends and I wouldn’t have used this word. We would have been properly offended by it. But we were nothing if not a pack of control bandits, certainty thieves in the heist of our lives. We were earnest and anxious, never-doubters who had never felt so scared; awkward innocents who had never held a weapon. 

Certainty felt powerful in our arms. 

Lock-tight answers held us fast. 

The world was wicked and unwieldy, our bongo-balmy classmates and zinging professors as dangerous as the demons who surely had footholds on their hairy feet.

The world was lean and lonely between these lines, but you knew your fellow travelers by their dialect.

We had no idea how to be free, but we knew how to behave and what to believe. 

We were elite and extreme and “on fire for Jesus.” 

Fortunately, the forest people were guarding the trees.

The -Oes and the -Ees sent me love letters, my 88-year-old “prayer partner” knitting me bookmarks that I tucked into my tracts. In the shower, I still sang “What a Friend We Have in Jesus” and “This Is My Father’s World,” groundwater beneath the brittle limestone of come-lately praise choruses.

The Dutch sent for their Scottish cousins, the smart sapphire Presbyterians, who sent for me. Somehow I staggered into a seminary so spacious, I was in love and in deep before I could crawl ashore to clean black-and-white lines. 

The Presbyterians claimed to do everything “decently and in good order,” but they were as wild as sunrise. They believed Jesus was bigger than the Bible. They believed grace was not just amazing but reckless, torrid. They believed mercy is God’s ace. They believed the most shameful shammy hams had places at God’s table.

They made it easy to believe that God was too good to comprehend.

They picked my fears like scabs. If Moses didn’t write the Torah, how was I supposed to survive life or death? If so much is poetry, can love be prose? If truth laughs like a tadpole, can it keep me safe? If we write in pencil, will God remember our story?

Danger didn’t like any of this. Danger shook its pelt. The dead eyes rattled in their sockets.

But danger is lazy and overconfident, and danger dropped the pen while I was picking up sticks at the forest edge. There were so many, cherry and pine and ebony and ham-salad pink. I had to keep wandering further in, had to drop my rifle to hold them. 

The next thing I knew, I fell in the river. 

I started spilling water everywhere.

I started seeing Jesus everywhere.

I started singing “This Is My Father’s World” in Walmart parking lots and long walks, oohing and aahing at peculiar people who hymned me home in a thousand languages. 

I kept company with lithe cats who claimed The dogma is imaginary but cacophony is kind. 

I squinted into a rainbow coalition of kindness, the nones and the gunless with empty hands and whitewater hearts. I kissed the mystery. I had missed the mystery. I lay under the willows. 

I ran repeatedly. But prodigals don’t surprise The Lover. 

I dated danger when I lost my name, trying on old waders in a new color. Perhaps Catholicism, heavy as velvet, stinging as incense, could hold the tarp down over my broken heart. Perhaps The dogma would bark to quiet the contempt, shooting the sharp end off my marriage. 

Perhaps I could be right, or alright, for awhile.

Perhaps my prayer partners were praying still. Again I ran free, crying oe and ee.

Perhaps someday I will forgive myself for the days and ways I betrayed my spirit, pressing it into a damp, dour box for safekeeping. Perhaps someday I will abandon the need for The anything, the lock or the key or the one. 

In the meantime, I cast my lot with the -Oes and the -Ees, the forest people and the disarmed, Zacchaeus and my parents and the voles and tadpoles, and my Jesus, my Jesus, my gigantic Jesus, my everything. 

I am not a Protestant or a Catholic, not O/orthodox by even the most tortured definition. I am a child, dressed in thrifty blazers or clover crowns depending on the day, dressed in Great Mercy, elbow-deep in peace that passeth understanding.

My doors are unlocked. The forest is overgrowing. The river and the rocks gab questions. Everywhere I go is home.

Story is the soul of Angela Townsend’s calling. As Development Director at Tabby’s Place: a Cat Sanctuary, she has the privilege of bearing witness to mercy for all beings. This was not the vocation Angela expected when she got her Master of Divinity from Princeton Theological Seminary, but love is a wry author of lives. Angela also has a Bachelor of Arts in Anthropology from Vassar College. She has had Type 1 diabetes for 32 years and lives in Bucks County, PA with two shaggy comets disguised as cats.

Impression: Morning Fog – a poem by John Muro

Impression: Morning Fog
 
Fog holds and puddles air             
like a luminous gauze
that seamlessly draws
in both form and light.
 
Now, one can hardly hear
the tides that stumble
towards shore in crumpled
flight.
 
A gull suddenly appears,
broken body shifting
and wings tilting;
it’s sequin-bright
 
descending to blur
then dissolving into
a brilliant absence of blue
and white.    
 

Twice nominated for the Pushcart Prize, as well as the Best of the Net award, John Muro is a resident of Connecticut, a graduate of Trinity College and a lover of all things chocolate. He has published two volumes of poems – In the Lilac Hour and Pastoral Suite – in 2020 and 2022, respectively, and both volumes were published by Antrim House. John’s poems have appeared or are forthcoming in numerous literary journals and anthologies, including Acumen, Barnstorm, Delmarva, Moria, New Square, Sky Island and the Valparaiso Review. Instagram: @johntmuro.

Belshazzar’s Feast – a poem by Shanta Acharya

Belshazzar's Feast


In the Dutch room amid Rembrandt’s paintings,	
I sit sharing my reflections with myself –
my woollen jacket no comparison with Belshazzar’s
mantle of ermine studded with jewels,
his silk turban, white and resplendent,
crowning his distracted gaze.

The room acquires the aura of a court in session,
members of the jury appear unmoved,
floating like creatures treading on the moon.
The wooden bench, the murmuring crowd,
the parched sensation in my throat,
deeper rumblings in my stomach,
tired eyes and cold feet, a bone-marrow fatigue
alienates me from the artistic feast.

The haloed hand, the writing on the wall,
offer unexpected food for thought.
Mene Mene Tekal Upharsin: You have been
weighed in the balance and found wanting!
Belshazzar’s face aghast with such a revelation.

Do not despair, one was saved; do not presume, one was damned.

I close my eyes thinking of God mercifully
adjusting the divine scales in my favour –
myself poised on one side, insubstantial;
my burden of sins on the other, weighing down
heavy, leaving me quite unbalanced.

So God kept adding extra weights of suffering
to help me overcome my unbearable lightness of being

like an ingenious doctor shrewdly intent
on restoring me to life by increasing daily
the bitter pills of my life in self-exile.

I had a vision of grace reconciling me
to myself, to see me poised and not wanting.

You may have mistaken my strength, dear God
to emerge from your gift of suffering balanced.

Shanta Acharya’s latest poetry collections are What Survives Is The Singing (2020), Imagine: New and Selected Poems (2017), Dreams That Spell The Light (2010). Her doctoral study, The Influence of Indian Thought on Ralph Waldo Emerson, was published in 2001 and her novel, A World Elsewhere, in 2015. www.shanta-acharya.com

Angels in Late Summer – a poem by M.J. Iuppa

Angels in Late Summer                                                                                                                         
 
Sunset, in a field full of wild carrot, two lavender horses
stood side by side beneath an old sycamore’s shade.
 
They looked to be in deep thought, staring into distance.
A daydream dissolved to ashes in twilight.
 
Something was coming: their ears flicked; coats rippled
electricity to their hoofs. Wide-eyed and shining, they
 
turned to face each other with compassion, which
was without pity or reservation.
 
They galloped away— leaving me  
on the periphery of a world
 
I wanted to know.

M.J. Iuppa’s fifth full length poetry collection The Weight of Air from Kelsay Books was released in September 2022; and, a chapbook of 24 100-word stories, Rock. Paper. Scissors., from Foothills Publishing in 2022.  For the past 33 years, she has lived on a small farm near the shores of Lake Ontario. Check out her blog: mjiuppa.blogspot.com for her musings on writing, sustainability & life’s stew.