Angels and Scars; Scars or Angels – a poem by Rinat Harel

Angels and Scars; Scars or Angels

In a parallel existence, we are pure-white
beings, flying abreast, tips of wings
touching-not-touching.

Midflight, I glimpse your scar;
the sweet pink, the stitched
skin that must have settled by now.

And we glide over
valleys and crags, meadows
carpeted green, dotted with crisp
lakes and red-roofed farms.

I have my scars too — carried
in the pocket of my breast
bone; kept warm under the feathers.

Riding a gale, or the golden breeze,
heading onward — always onward — we
are angels, nonetheless. Wounds aside.
No: angels for our scars.

Spreading wide wings, we swoop
down for the night; a hidden branch to nestle
close, head against a shoulder.
The air soon softens into rhythmic tunes:
serenading crickets, courting bullfrogs,
the occasional hoot of an owl.

And we fall asleep to the music.

Rinat Harel holds a Ph.D. in Creative Writing from the University of Exeter, England. Her writing has been published in various literary magazines and received several awards. She currently works on a poetry collection titled Poems from the Boidem.

Ode to the Tree across the Street – a poem by Janet Krauss

Ode to the Tree across the Street

It locks itself in my eyes
as I sit at the kitchen table.
Branches stretch with the strength
a human strives for. The tree
lets the elements take care
of its well being. It follows
by instinct the Tao which I try
to convince myself to accept--
learn from the tree to bend
with the intrusive changes of wind
and stand straight on a calm day.

I smile to see the branches joining
with those of another tree over the fence
and want to believe they are protecting
each other. They become one
under their whelming summer green
surpassing the roofs of the houses
that disappear beneath them.

I smile as my arms, like the limbs
of the tree, lock with another’s
under the canopy of our faith in each other.

Janet Krauss, after retirement from teaching 39 years of English at Fairfield University, continues to mentor students,  lead a poetry discussion at the Wilton Library, participate in a CT. Poetry Society Workshop, and one other plus two poetry groups. She co-leads the Poetry Program of the Black Rock Art Guild. She has two books of poetry: Borrowed Scenery (Yuganta Press) and Through the Trees of Autumn (Spartina Press).  Many of her poems have been published in Amethyst Review, and her haiku in Cold Moon Journal.

Three’s a Minyan – a poem by Yermiyahu Ahron Taub

Three’s a Minyan

This building, our sanctuary, has seen better days.
Nights, too, sure enough.

The black and white tiles are worn into almost-ash.
Where did I once hear that marble is forever?

The floor is buckling.
The paint is cracking overhead.

Its flakes drift without hurry onto the grand chandelier,
confetti among crystals.

Here I was called into a manhood
I resisted, kicking and screaming

until my legs ached and my voice grew hoarse.
A manhood I still haven’t found.

Here was the kiddush for the miracle of Malkah,
whose parents had so long hoped to welcome.

Outside, the needles litter the sidewalk.
The dealers and their customers negotiate in lethal embrace.

Some step away and rest on our benches.
Who would we be if we evicted them?

Their pleas—please—
mingle with our prayers.

Even the dollar store may soon be closing.
Such brazen theft, they say. Not even bothering to pilfer.

And still the nectar of the cantor’s voice washes over me,
causing me to weep if I think about it

as he calls out the High Holiday liturgy
“Hineni he-oni ….”/Here I am, impoverished …

In the ritual bath of that voice,
I am forgiven. Patched into crazy quilt.

And still we three assemble to honor what was
and what still is.

We see to it that the electric candles on each of the bimah’s four posts
glow beneath their glass globes.

We ensure the suaveness of the prayerbook bindings.
We gather the page shards for burial.

And we gather to read the weekly Torah portion.
Instead of a single reader, we three take turns.

We will never surrender our Torah scrolls.
See their unstolen finials sparkle in this incandescent gloom.

We understand Jacob’s devotion,
his love. We will wait, too.

We remember when one hundred was not unusual.
We remember when we hoped for ten.

Now we are content with, grateful for, three.
We mark the passage of days. And yes, again, the nights.

We stick with the texts, the songs.
The reminiscences on more recency/decency are in our blood,

our bones.
We won’t rehash them.

Who are we?
We are three of fluidity tending a sliver of holiness.

We are three who shall not be moved.
We will stay until we are two or one.

Until our days are done.
Only let us not dwell there. But only here.

Though we are not ten,
we are still three.

We are neither patriarchs nor matriarchs.
We are without child. But children nonetheless.

Our prayers on that front were not answered.
That’s sometimes how it is with prayers.

This building, our sanctuary, your sanctuary, sways amid the ruins.
We are the caretakers of this corner of supplication.

Come to us, child. You are welcome here.
Our melody flits and darts, gathers force as it rises,

east, and elsewhere,
somehow finding just the right key to open the gates of heaven.

Yermiyahu Ahron Taub is a poet, writer, and translator of Yiddish literature. He is the author of two books of fiction and six volumes of poetry, including A Mouse Among Tottering Skyscrapers: Selected Yiddish Poems (2017). His recent translations from the Yiddish include Dineh: An Autobiographical Novel (2022) by Ida Maze and Blessed Hands: Stories (2023) by Frume Halpern. Please visit his website.

Woolly Bear – a poem by Thomas R. Smith


Woolly Bear

Among the leaves flailed down by fall rain,
we find a woolly bear caterpillar.
How liquid its black eyes shine! I pleasure
at its slight tickle curling on my palm,
carry it to a safer thicket.
Littlest bear, with luck you’ll make a lovely
Isabella tiger moth on the other
side of this winter we both feel coming.

How does your body know the changes
that will unlock your pale orange wings
in some future sun past loss and cold?
As a boy I loved you for yourself
long before any knowledge of what you
might be, as we all have hoped to be loved.

Thomas R. Smith is a poet, editor, essayist and teacher living in western Wisconsin.  His most recent books are Medicine Year (poetry) and Poetry on the Side of Nature: Writing the Nature Poem as an Act of Survival (prose).  His poems and essays can be found at www.thomasrsmithpoet.com.

Uphill – a poem by Mark J. Mitchell

Uphill

To honor Lyle Grosjean


—It’s steep,
—Of course it is.

—And hard.
—Many things are hard.

—You won’t stop anything.
—Not today.

—So, you climb over
and again without hope.
—No. Hope’s our companion.

—You climb against
the wind and the world.
—And we’ll do it again.

—How long?
—Until we’re done.

—How long will you? —
—The day’s journey
takes the whole long day.

—And tomorrow?
—We climb again.

Mark J. Mitchell  has been a working poet for 50 years. He’s the author of five full-length collections, and six chapbooks. His latest collection is Something To Be from Pski’s Porch Publishing. A novel that includes some poetry, A Book of Lost Songs is due out next Spring. He’s fond of baseball, Louis Aragon, Dante, and his wife, activist Joan Juster. He lives in San Francisco where he points out pretty things.

https://www.mark-j-mitchell.square.site/

Permanence – a poem by Kristy Sneddon

Permanence

I walk through my days in a hologram
deeper and wider than the earth.
I swallow God into the vortex. Over
and under and up and through. Where
and how and who have I been?

Sometimes a chick in a hand, once an ocean.
The hologram’s pattern of interference
a mystery. Beams of light play on the lake,
bounce off opals strung across the wave,
the laser focused by an unseen hand.

Kristy Snedden is a trauma psychotherapist. Her poetry appears in various on-line and print journals and anthologies, including Snapdragon, CV2, and storySouth. Among other honors, her work has been nominated for a Pushcart Prize. She serves as the Book Review Editor for Anti-Heroin Chic. She loves hiking near her home in the foothills of Appalachia and listening to her husband and dogs tell tall stories. She believes deeply in the power of poetry to heal. To learn more about her, follow her on Instagram at kristy_snedden_poetry.

A penance of sparrows – a poem by Patrick T. Reardon


A penance of sparrows

A penance of sparrows I offer
to the flat steel sky, a humble exercise
from the gladiator circle, a wind formula.

The person-owl tolls my sins —
wild human that I am,
and timid, and fragile,
my need for firm amendment.

Here I am.

The black eagle, big as a forest,
chants from the alley altar. I join in.

I swim the red poison, the judas air,
the steel rain.

Three fragments for flute and harp.

Each body on the sunset airplane
droning above Lawrence Avenue, I am,
each body in the night-bright Cottage Grove bus,
each body in lakeshore towers
and in cottage stumps on gray side streets,
each lost locksmith, each body afraid,
each angry McDonald’s customer on Western,
each vagrant limo rider, each body growing out
of the black soil of the Humboldt Park empty lot
awaiting brick walls and hoping for mountains,
each one holding death’s ticket, I am,
each poor one passing as not poor,
each definite walker in the sad night,
each stunned refugee outside the supermarket,
each spirit spinning in a freedom frenzy,
each awaiting word from the naming committee,
each hotel handmaid, each lucky mistake,
each body with no shadow, each crow,
each flesh wound, each unseen wound,
each sum of incalculable unworthiness, I am,
each body giving up the ghost,
each body taking self-exit,
each body getting out of bed,
each body asweat, each body denial,
each one shocked by the red and
feathers pigeon carcass on the snow.
each open heart, each closed heart,
each kneeling petitioner, each fistful shouter,
each body empty of direction, I am.

I climb ivy like a wall.
I lose myself in the abbot’s garden.
I am present at the nest.

Poppy and cowslip,
garlic and pansy, thistle, rose,
clover, hyssop, marigold and vetch.

Here I am.

I race run, faith kept,
the wagon road under the wall,
three times around,
past the sentry place,
past the wild, beaten fig tree
and the two springs arising out of stone,
unapproachable baptism.

Deep night, bird song, Neptune light.

Patrick T. Reardon, a three-time Pushcart Prize nominee, was a newspaper reporter with the Chicago Tribune for 32 years.  He is the author of six poetry collections including Salt of the Earth: Doubts and Faith Puddin’: The Autobiography of a Baby, A Memoir in Prose Poems. His poetry has appeared in America, Rhino, After Hours, Heart of Flesh, Autumn Sky, Silver Birch, Burningword Literary Journal, The Write Launch, Poetry East, The Galway Review, Under a Warm Green Linden and many other journals. His history book The Loop: The “L” Tracks That Shaped and Saved Chicago was published in 2020 by Southern Illinois University Press. 

EM Field Day – a poem by J E Shipley

EM Field Day

I

Standing: Statio, at the workstation
Then lug portable ––
Until the tablet with cell support, and view
of platform, from carriage, or car.
Low latency and jitter, passing through Lent,
We see at 3pm Friday, Dolorosa.
And later, near the Fourteenth.


II

Animated, sighs the soul; log out of this waiting state!
In anticipation: to bake, dust, bathe, elapse all hours before
a priest, flint lighter sparks the Vigil fire ––
Now blesses modest water for Eastertide.


III


Surrexit holiday of peace and solar cells ––
returning warmth for a festival,
after the first full moon of equinox.
Happy rush, all coastal.
Before meditations on
a cousin’s satnav set for home.





EM Electro-Magnetic

J E Shipley is a new writer from the East Midlands of England.  She is working on her first poetry collection. Contact: js.bookbench@gmail.com

green alkanet – a poem by Tim Mitchell

green alkanet 


why green

when it flowers blue
blue of deepest blue heavens

when its swords stand
flickering blue flames
guarding the trees

there is no way back to Eden
a predicament green denies

bees tell you it is a blue plant
uninterested in green
they float and pulse their haloes
round the petal
pieces of sky

my aunt at eighty-six
is beautiful on the outside and inside
and one of her friends
can tell on their walks
all the birds from their song

you are what you are and
your song is what you sing
are the two great laws
of that small blue thing
you sense is heaven


Tim Mitchell is a retired social work manager living in Dorset. He has had poems published in magazines in England and commended by editors of international journals. He has had poems used in three art exhibitions. and has been asked for poems for weddings and for a celebration of a life. He is preparing a collection, Edges, to be published through Amazon.





As Dusk Arrives – a poem by Larry D. Thomas

As Dusk Arrives


Lucifer, carried away
with his watercolors,
darkens the clouds
into dogs of war,

greens their raised
hackles, and looses
their sopping carnage
to the wind

as the sparrows,
into whose hollow bones
God breathed life
to demonstrate

the love of Jesus,
tighten the tourniquets
of their claws, clearing
their passage to the dawn.

Larry D. Thomas is a member of the Texas Institute of Letters and served as the 2008 Texas Poet Laureate.  Among the journals in which hiss poems have recently appeared or are forthcoming are the Amethyst ReviewSaint Austin ReviewThe Windhover: A Journal of Christian LiteraturePetrichor JournalGrey Sparrow Journal, and elsewhere.