In Time – a poem by Charles Hughes

In Time

Watches don’t make good gifts for children,
Certainly not the very young,
To whom time seems at first a foreign
Country where children don’t belong.

They learn. We learn. Time overtakes us
The way a language will if we
Must daily speak that language only.
We’re students of necessity.

My friends died, in their early forties,
Two friends from high school and before.
Time dims the light. I didn’t mourn them.
I hardly knew them any more.

But now, in age, I know them better.
I see them now through younger eyes.
Time weakens, and the light grows stronger,
Till in God’s mercy, children rise.

Charles Hughes is the author, most recently, of Ifs, a Few Buts, and Other Stuff, a book of poems for children, published by Kelsay Books, and of two previous poetry collections, The Evening Sky and Cave Art, both from Wiseblood Books. He worked for over 30 years as a lawyer and lives in the Chicago area with his wife.

Lodgepole Pine and Moon Slivers – a haibun by Cit Ananda

Haibun: Lodgepole Pine and Moon Slivers

under the moonlight
a powerful night snares me—
confronting demons

Dictum suggests waiting. I do not wish to wait. The path before me is narrow but true. I take my first step as a chill rises through my spine. The trees open, shed their needles and dance as I walk tentatively forward. Where am I going?

The wind sings a whispered tune through the canopy of this lodgepole pine forest. It harkens angels and demons. The latter come first in the roar of the impending clouds and darkening skies. But once the rain begins, the whispers grow soft, and moonlight slivers the highest peaks with silver radiance. I am certain the voices of the dead no longer linger here, their silence a tribute to the way light flickers and beckons the heart forward. A quiet carpet of soft needles beneath the moonglow now feels like an invitation. I hear the music of the spheres in the resonance of the trees.

And so, I step, one more step, onto the path and ask that the voices in my head that have been so unruly listen to the silence, listen for my footsteps. I ask that the wisdom of the sky flood my mind, knowing full well that this means these voices must eventually become the silence, cocooned in moonbeams.

wind serenades trees
opal coy moon shines above—
my bucket brims full


Cit Ananda’s poetry is inspired by direct experience, captured in moments between perception when the mind falls quiet and deep silence shares an offering that touches the mystery of life. She will tell you she catches poetry on the winds of the universe. She has had work published or forthcoming in The Mountain Path, Tiferet Journal, Amethyst Review, Offerings: A Spiritual Poetry Anthology from Tiferet Journal, El Portal, and Medicine and Meaning. She is also the author of When Silence Speaks: Messages from the Heart, a full-length poetry book. Explore more at https://www.beingcitananda.com/publications.

a pilgrim’s faith – a poem by Karlo Sevilla

a pilgrim’s faith

gray overcast afternoon
he stands foot forward atop
one end of a tightrope so high
looking down
the deep is just a blur
almost imperceptible

the martyrs say it’s best to refrain
from downcast glances
so he fixates forward
the invisible other end
a destination so far
beyond there’s not
a single hint of horizon

all around mostly silence
as with his every cautious step
and few and far between
a dirge hums across the mesosphere

the pilgrimage so long
it seems mid-journey in perpetuity
no matter how much distance
his caved soles have covered

and nobody knows that longing
itself secretly longs
to cease being a word
but he’ll get there
first



Karlo Sevilla is the author of seven poetry collections, including the full-length Metro Manila Mammal (Soma Publishing, 2018) and the self-published Figuratively: A Chapbook of Shape Poems (2024). Shortlisted for the 2021 Oxford Brookes International Poetry Competition and thrice nominated for the Best of the Net, his poems appear in Philippines Graphic, Philippines Free Press, PILGRIM: A Journal of Catholic Experience, The Catholic Poetry Room, Academy of the Heart and Mind, and others. He is a 2024 International Fellow of the International Human Rights Arts Movement (IHRAM) for poetry.

Inventory – a personal essay by Carolyn Alessio

Inventory

“How will I know?” my mother asked in a thin voice over the phone. If we’d been joking around—something she still relished with advanced cancer—I might have replied, “It’s like what the Supreme Court said about pornography; you’ll know it when you see it.”

But that night my elderly mother was pensive, her words unusually clear despite the heavy pain medication. “Nobody can tell me the signs,” she said. “How will I know when it’s close?”

I glanced at the rosary on my night table, tangled with a phone-charger and wrapper for a collagen face mask. “There’s signs,” I said, my throat thickening. Sleeping most of the day while drinking and eating less were huge clues, I suspected. My mother could check off both.       

“Want me to call hospice?” I said. “Or ask Brenda?” My cousin was an oncologist.      

My mother paused, and I could hear her drawing in air. “It’s hard to pray right now,” she said. “I’ve read it can be like that.”

In the past, I had suggested meditative exercises that I learned from the Examen of St. Ignatius. A former soldier, Ignatius had secluded himself in a cave and composed a frank self-inventory. But TBH, as my high school students would say, now I wasn’t praying much either. 

“Mom,” I said. “How are you on medicine? Paperwork?”

U.S. Insurance plans tend to cover grief counseling for 13 months, purposely extending four weeks past the anniversary of one’s loss. Three years after my mother’s death, I still wonder if her skill at comforting others may have inadvertently stunted my own ability to calm myself, like a baby who never learned to “self soothe.”

During her final months, I sometimes slipped into the small school chapel at work. For weeks, I tried to offer specific intentions for my mother, but my mind balked. Remaining in the pew felt wrong, like an insomniac lingering fruitlessly in bed.       

“My mom had the most frightened look on her face when she died,” my mother told me one day. “Not like those people who see a light.”

I sat up on her carpet where I was deflating my air-mattress. “You sure, Mom?” I said. “Maybe she was squinting?”  

My mother shook her head. “It was the most awful thing, seeing the look in her eyes.”

The mattress sagged as I tried unsuccessfully to recall my Grandma Curtin’s pale blue eyes from visits to her hospital bed, some 30 years before. 

“The soul does what it needs to,” our second hospice nurse told me shortly afterwards, when we moved my mother into a unit, and I had sheepishly asked if she knew how long my mother might have left.  

I tried visiting the school chapel again, two weeks before my mother died. Looking over at the altar for the Virgin of Guadalupe, I stared at her starry green cape and remembered something. More than a decade before, when one of my promising teen students had died violently, our stunned school held a memorial service. But at the time, I felt too filled with shock and anger to even think about praying. I remembered telling my mother that I felt like a teen myself, blaming God for everything bad.      

My mother listened and said, “Try praying to Enrique.”   

Praying to a bright and sarcastic teen didn’t strike me as the best solution, but a quick and awkward attempt showed it might create more opportunities for honesty. The thick tightness in my chest had loosened just a little. Now, as I sat back the pew years later, I tried my mother’s method again.    

Grandmother, mother, daughter: we all helped carry each other’s anxiety, part of the genetic twisting that marked us kin. Shortly after my mother moved to hospice, my family and I spent the afternoon with her. We updated her like normal, about my daughter’s college science classes and part-time job selling doughnuts, my son’s new clarinet lessons, and even the plot of the film “Gattaca.” Despite heavy sedation, my mother’s pale face had flickered with recognition at our banter. When we left that day, we had crowded around my mother’s bed and said her favorite prayer, from St. Francis of Assisi. 

Lord, make me an instrument of your peace.
Where there is hatred, let me sow love;
where there is injury, pardon;
where there is error, the truth;
where there is doubt, the faith;
where there is despair, hope;
where there is darkness, light;
and where there is sadness, joy.

A few hours later, my brother called to say that my mother had passed away while he and his family sat with her.  

“Was she scared?” I asked in a trembling voice. 

“No,” my brother said. “The nurse told us that after you guys left, it was like she was ready.”

O Divine Master, grant that I may not so much seek
to be consoled, as to console;
to be understood, as to understand;
to be loved, as to love.
For it is in giving that we receive;
it is in pardoning that we are pardoned;
and it is in dying that we are born to eternal life.

Carolyn Alessio lives and works on Chicago’s Southwest Side. Her writing has appeared in The Pushcart Prize anthology, Chicago Tribune and Sweet. Two of her essays were named Notable for Best American Essays.

Atmospheric – a poem by Amy Wilde

Atmospheric

the ones who loved me
into existence are gone
with them went their souls

but, then, if souls are
energies decentralized
when our bodies die

I choose to conclude
that their love now surrounds me
in all directions

Amy Wilde is a writer in Austin, Texas. Her poetry, reportage, and essays have appeared in Poets for Science, Lonely Planet, The Collective Quarterly, and elsewhere, and her creative nonfiction work was shortlisted in the Ploughshares 2024 Emerging Writer’s Contest. Her newsletter, Brown Paper Packages, offers shareable pleasures and connective ideas for These Here Times.

A Red-Winged Bird – a poem by Cynthia Pitman

A Red-Winged Bird

A simple thing
like a red-winged bird
feeding on seed left for it
in a yellow wooden birdhouse
sends me into a deep reverie.
How often we exercise dominion
with kindness, giving sustenance
to living things that can give us
no reward but for the beauty
they bring us with their mere existence.
Our bond with them is a covenant,
a resistance to the void of space
and the threat of time.
Just a flash of a red wing
leads our eyes up
and is more than enough
to bring us to our knees
and humble us.

Cynthia Pitman, author of three poetry collections, The White Room, Blood Orange, and Breathe (Kelsay Books), has been published in Amethyst Review, The Ekphrastic Review, Spirit Fire, Third Wednesday (One Sentence Poem finalist), Saw Palm: Florida Literature and Art (Pushcart Prize nominee), and other journals, and in Vita Brevis Press anthologies Pain and Renewal, Brought to Sight & Swept Away, Nothing Divine Dies, and What is All This Sweet Work?

Children of the Middle River – a poem by Mark B. Hamilton

Children of the Middle River
--for the Osage


The Earth and the Moon,
footsteps in the dust on a road
to purity, dreams the very breath
of spirits, their voices beyond
each spoken word, tongues planting
bulbs like truths in the heart, like seeds
birthing from the soil, water and air,
knowing the need to be nourished
by the milk of their Mother, sustained
by her to endure each day, each month,
and year, the river renewing the future
as the Earth and the Moon move,
so that all living Nations might grow,
the rocks and trees flowing
silently within us.

Mark B. Hamilton works in ecopoetry, often focused on the riparian zone of the Missouri River, where he has traveled extensively by kayak. His special interests include: First Nations cosmologies, pre-industrial America, and the poetics of change.

Recent poetry volumes are: LAKE, RIVER, MOUNTAIN (2024), the chapbook UPSTREAM (2024), and OYO: The Beautiful River (2020). A forthcoming volume of traditional verse, 1803: The Wintering, a history-based book founded upon research and field studies on Lewis and Clark, will be published in 2026. View additional author info at: MarkBHamilton.WordPress.com

Shabbos After Shiva – a poem by Jacqueline Jules

Shabbos After Shiva

The Shabbos after I sat shiva for my son,
I lit candles 18 minutes before sunset
somehow not questioning the point of blessings
when I was burning with the flame I’d lost.

The crystal candlesticks stood on the sideboard,
as they had since the day he’d handed them to me
in a paper bag with a grin, “A souvenir for you, Mom,
found in an Israeli street market.” And like any other
Friday night I kindled lights as commanded.

Not for any stray belief in a benevolent power,
after watching him wither by bits in a hospital bed,
but because I needed something in my life
to remain unchanged. So that Friday night
I covered my eyes and recited Hebrew words
learned from my mother when I was barely
taller than her aproned waist.

And somehow it helped—to do what I
always did at the same time in the same way,
making it possible the next morning to put my feet
on the floor and choose clothes from the closet.

I still light candles on Friday evenings,
still clinging to what sustained my own flame
through those first weeks of fresh grief.

Jacqueline Jules is the author of Manna in the Morning (Kelsay Books, 2021), Itzhak Perlman’s Broken String, winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press, and Smoke at the Pentagon: Poems to Remember (Bushel & Peck, 2023). Her poetry has appeared in over 100 publications. Visit her online at http://www.jacquelinejules.com.

Gran – a poem by Jeffrey Essmann

Gran

My gran was Irish, said her rosary
Before a lithograph above her bed
Of Jesus sweating at Gethsemane.

The other mysteries then were overspread
By agony and its pervasive pall,
Their glory and their joy suffused with dread.

Yet maybe that’s not how she felt at all
And prayed the manger scene with joyful mien
Full seeing where the baby’s fate would fall.

More likely yet she sensed each mystery’s sheen
Was color only, not the deeper tone
That pulsed beneath His human life unseen.

She too had knelt and sweated by the stone
And, even with the angel, all alone.


Jeffrey Essmann is an essayist and poet living in New York. His poetry has appeared in numerous magazines and literary journals, among them Dappled Things, the St. Austin Review, Amethyst Review, Pensive Journal, America Magazine, The Society of Classical Poets, and various venues of the Benedictine monastery with which he is an oblate. He is editor of The Catholic Poetry Room page on the Integrated Catholic Life website.

Beyond Beyond – a poem by John Whitney Steele

Beyond Beyond

Subatomic particles revolve beyond beyond—
boom! The universe is born, evolved beyond beyond.

Watch the nimble gods of rain tiptoe cloud to cloud
as lightning, thunder, hailstones, sleet resolve beyond beyond.

God in human flesh dies, crying out why has thou
forsaken me? Are all sins thus absolved beyond beyond?

Ever since Shams sent Rumi whirling into ecstasy
Rumi’s dervishes have circumvolved beyond beyond.

When lovers slip gold bands over their knuckles, who knows how long
their vows will last—must all bonds dissolve beyond beyond?

I have no catchy name, I only go by John. And yet,
when I do tai chi chuan, cloud hands revolve beyond beyond.

John Whitney Steele is a psychologist, yoga teacher, assistant editor of Think: A Journal of Poetry, Fiction and Essays, and graduate of the MFA Poetry Program at Western Colorado University. A Pushcart Prize nominee, his poems have been published widely. His chapbook, The Stones Keep Watch, and his full length collection of poetry, Shiva’s Dance, were published by Kelsay Books in 2021 and 2022.