Pond Fountain – a poem by Dominic Palmer

Pond Fountain

It shoots up straight at first,
the solar pump powering
a bright, smooth column of sheer
water. Then gravity begins to grip,
the sides ripple, glitter, and refract
before the edges crack. The column
swells, the risen water hanging quite still
for a moment imperceptible to the naked eye,
till, after its brief sojourn in the sky,
fountain-water falls to resting-water
with that pattering release
which over all the garden
throws a scent of peace.

Dominic Palmer grew up near Oxford, studied in Cambridge, and now lives in Manchester with his wife and son. His poetry has been published by or is forthcoming in several journals, including Blue UnicornAmethyst Review, and EGG+FROG. Having worked as an English teacher and a musician, he is soon to begin training for ordination in the Church of England.

Farewell – a poem by Michael J. LaFrancis

Farewell

What if this will be our Last Supper?
The way we make each other feel
after all is said and served will be our echo.

No amount of watching horror movies
over and over in our mind, withdrawing,
or denial can prepare us for a moment like this.

Bumble bees seem to know the way
by the sweet fragrance of being lost in love
to the last filament of nectar in a Rosa Ragusa.

One conscious breath, then another, trusting
in love and life, we are always together,
even after a dream comes to an end.

Michael J. LaFrancis is a trusted advisor, advocate, author and connector supporting individuals, groups and organizations aligning purpose and capabilities in service of their highest ideals. Writing poetry is a contemplative practice providing him with insight and inspiration for living a creative life. LaFrancis’ hobbies include landscape gardening, nature walks, collecting fine art and writing. He and his partner Sharon are co-authors of their autobiography: Our Wonderful Life.  They have two sons and have recently been promoted to being grandparents.

Embodied – a poem by Kellie Brown

Embodied

My hands
trace jagged wall seams,
grope bulky curtain folds.

My feet
prod loose floorboards,
nudge worn furniture.

My eyes
scan packed bookshelves,
peer within dark wardrobes.

My nostrils
sniff dank cellar air,
inhale musty attic dust.

My face
peeks through dense hedges,
lingers on a mirrored reflection.

I am searching for
a secret passageway,
a veiled threshold,
a forgotten alcove.

I seek fantastical places where
a trellis ascends to a magical garden,
a labyrinth opens to a bountiful orchard,
a litany leads a weary soul to solace.

Dr. Kellie Brown is a violinist, conductor, music educator, and award-winning writer of the book The Sound of Hope: Music as Solace, Resistance and Salvation during the Holocaust and World War II. Her words have appeared in Galway ReviewEarth & Altar, Ekstasis, Psaltery & Lyre, Still, The Primer, Writerly, and others. More information about her and her writing can be found at www.kelliedbrown.com.

Mary, Star of the Sea – a story by Abigail E. Myers

Mary, Star of the Sea

Father Kevin sat back in the kitchen chair and offered his most reassuring smile, conserved for the confessional and the sickbed, and the house was both. “Idolatry?” he echoed. “Mary Angela, you’re one of the most pious women I know.”

            She shrugged and looked out her window. Her gardens and those of her neighbors, separated by low lichened stone walls, overlooked the sea. “It’s still idolatry.”

            “Well, tell me the nature of this idolatry.”

            Mary Angela lifted her chin towards the sea, the thin tubes feeding oxygen into her nose sliding back as she did so. “Ronan is out there,” she said. “He promised me, when he was younger, that he wouldn’t swim alone. He used to go with his friend Fintan, sometimes almost every day. When he went off to the city, and Fintan went to university, they’d just pick up right where they left off whenever they were both back. At first light if that was all the time they had, in all manner of weather.” The story had animated her—she leaned forward, the tube to the oxygen tank almost taut for a moment. “But Fintan decided to stay near the university after graduation, and then, I don’t know, did they have a falling out or what—” She coughed, took a drink from a heavy goblet with a pattern of ornate cut-glass stars— “and when Ronan came back to be with me when I was getting sicker, I started catching him out there alone. In that frigid water. Not bothered a bit about it. And I say to him, You’ve been so good to me otherwise. Spare me this.” And then she leaned back in the chair, spent. “And I pray to Mary, Star of the Sea, what will happen to him without me? I should want to go, to be in the Divine Presence, and I just want to be here with him.”
            “Ah. I see.”

            “So I’ve made an idol of him. Abraham was willing to kill his son at God’s command, and I can’t even imagine leaving him behind, grown man that he is now.”

            Father Kevin adjusted the narrow purple stole, which represented the yoke of an ox, the yoke Christ said he took upon himself—my yoke is easy, my burden light. Was it? he asked himself. To have to convince a good woman with a terrible sickness and a son she loved desperately that it would be all right to die? 

Like so many of the young people these days, the lad came rarely to Mass. You were meant to be solicitous toward the young people, gentle and nonjudgmental. Well, you’re welcome anytime. We’ll always be here. And so was the sea, Father Kevin supposed, churning and yet immovable. 

            “If you think about this story as being about God’s love,” he said, “and you consider that God did not want Isaac to die, the story changes, I think. Abraham was surrounded by cultures that practiced child sacrifice, a horrifying thing of course—the God of Abraham assures him that he wants no such thing, that indeed the child he gave Abraham as a demonstration of his great love and faithfulness was not to be sacrificed, would grow to have children of his own and thus fulfill the promise God made in him. Perhaps this voice that had commanded Abraham to kill Isaac was not truly God at all—after all, angels appear to stay Abraham’s hand and deliver God’s true will, as often happens in these stories.”
            Mary Angela considered this, taking a long breath and letting it out in a sigh. “The last of the laundries closed a mere five years before I had Ronan, you know that?”

            “I do.”

            “A few years earlier and he might have been taken from me. But I raised him all on my own. Saved and saved to buy our little council house here, so I’d have something to leave him, something he could always call home.”

            “You did. And did a splendid job of it.”
            “Did I?” She looked out the window. “Why is he so sad, Father? Why does he say so little, why does he go off on his own so much?”

            “Perhaps he’s sad because his beloved mother is sick. Grief does funny things to people.”

            “Sure, but he was like this before I was sick. Maybe always, in some ways.”

            Father Kevin didn’t reply immediately, but he suspected she was right. He could sense the darkness that hung around the boy even on those few times a year he joined her for Mass: Easter and Christmas, the anniversary Masses for Mary Angela’s parents. Never outwardly rude, never so much as rolled his eyes. Shook hands and nodded after the Mass. But he never came to Confession, never took Communion, never lingered at the table when Mary Angela had Father Kevin round for tea even in better times. He lacked even that fire Father Kevin could grudgingly appreciate in each year’s batch of unwilling confirmands. 

“Even if you were to live fifty more years,” Father Kevin said finally, “could you pull him from the sea or from this great darkness? It is his to live with or his to leave behind. He’ll always be your boy, but he’s also a man. Perhaps the idol is not your son, but the belief that you should have, could have done more. This world is always ready to tell you you can’t measure up, that you could always do more. But this world will tell you that, no matter when you leave this world, no matter what you’ve done. Then you will pass into the truth that God will do the rest, and that God’s will is perfect in all matters.”

            “God cannot will for my son to—” She paused. “You know what I fear. It is still a mortal sin.”

            “We do not know what opportunities God might provide for repentance and relief. Think of how much you love your son, what you would do to save him—and now think of how much more perfect is God’s love, the love that sees you both and is responding to you both even now.”

            She looked away then, out over the garden and towards the sea again. “He’s coming out now,” she said. “Tell me what I should do.”

            Father Kevin took her hand. “Dedicate your Rosary tonight to Mary, Star of the Sea. When you consider the Sorrowful Mysteries, when you consider what she would have done to save her Son if she could have—remember that she could not, and she did not, and through this terrible suffering came the salvation of us all. Her actions were perfect even then. More is not required from you. Pray into the vision of the Star of the Sea, trusting that she sees you and your son and is looking after you both.”

            She nodded. “Father of mercy, like the prodigal son I return to you and say: ‘I have sinned against you and am no longer worthy to be called your child.’ Christ Jesus, Savior of the world, I pray with the repentant thief to whom you promised Paradise: ‘Lord, remember me in your kingdom.’ Holy Spirit, fountain of love, I call on you with trust: ‘Purify my heart, and help me to walk as a child of light.’”

Father Kevin lifted his right hand and made the Sign of the Cross. “Therefore I absolve you from your sins in the name of the Father, and of the Son, and of the Holy Spirit. May God grant you pardon and peace.”

            Mary Angela blessed herself just as the back door opened, and then clanged shut, and in loped Ronan, all six feet of him, loose-limbed and wet long-haired. “Mam,” he said. “Father,” he added with a nod. “Will you have some tea?”

            “Will I,” Mary Angela snapped. “Tell me, were you down there on your own again?”

            “No, Mam,” he said, the merest edge of irritation just barely audible in his soft, low voice. “Fintan came by. He couldn’t stay for tea is all.”
            “Ah, well,” she said. “How is he, anyway? I hadn’t seen in him so long, I thought you’d had a falling out.”

            “Fine. Will you have a cup of tea, then? Father?”

            “Oh, I suppose,” she said.

            “If you’re making some anyway, I wouldn’t mind,” Father Kevin said.

            “Have you had breakfast, Mam?”

            “No, I suppose I haven’t.”

            “Let me make you some porridge.”

            Mary Angela sighed. “He’s a good lad after all,” she said, in a way that was meant to be overheard. “Isn’t he, Father.”

            He patted her hand. “Raised to be.”

            She squeezed his hand back briefly, then looked out the window toward the sea as Ronan warmed the milk and set the kettle to boil. Father Kevin followed her gaze towards the shore, where her boy’s long footprints were already being washed away by the low waves.

Abigail E. Myers writes poetry, fiction, and creative nonfiction on Long Island, New York. Recent work appears with HAD, Discretionary Love, Tangled Locks, Farewell Transmission, Stanchion, Major 7th, and The Dodge, among other publications, and is forthcoming from JMWW and Atlas and Alice. Find her at abigailmyers.com and on Twitter/Bluesky @abigailmyers.

Living with AFib II – a poem by Janet Krauss

Living with AFib II

The one remaining sun-splattered leafed tree
rushes towards me waving, “Open the window,
feel the fresh, late November air lift you up,

winnow through your hair, wash your face
with the next sweep of wind, wash it with a scent
of the sea which will lift away your troubled breaths

and fling them across the boundless sky."


Janet Krauss, after retirement from teaching 39 years of English at Fairfield University, continues to mentor students,  lead a poetry discussion at the Wilton Library, participate in a CT. Poetry Society Workshop, and one other plus two poetry groups. She co-leads the Poetry Program of the Black Rock Art Guild. She has two books of poetry: Borrowed Scenery (Yuganta Press) and Through the Trees of Autumn (Spartina Press).  Many of her poems have been published in Amethyst Review, and her haiku in Cold Moon Journal.

perhaps – a poem by Sister Lou Ella Hickman, OVISS

perhaps

it takes all of us
like countless trees creating a forest
to worship the Ineffable we all call Sacred
even the atheist
unknown even to him or herself
along with the indifferent mediocre lip server
everyone of whatever stripe and color
belongs in this circle of reverence
as trees belong to the earth
yet how much more this Great Mystery—
this Ineffable bends like a mothering willow
into our living and our worship




Sister Lou Ella Hickman, OVISS, has a master’s degree in theology from St. Mary’s University in San Antonio and is a former teacher and librarian. She is a certified spiritual director as well as a poet and writer. Her poems have appeared in numerous magazines such as America, First Things, and Emmanuel as well as numerous anthologies. Her first book of poetry, she: robed and wordless was published in 2015 and her second book, writing the stars will be published in 0ctober, 2024. (Both by Press 53) Five poems from her first book were set to music by James Lee lll entitled "Chavah's Daughters Speak" and was performed in six major national concerts from 2021 to 2024.

Hallowtide – a poem by Alicia A. McCartney

Hallowtide 

For Don

Fall’s first flame faded fast.
The only colors now are tired evergreens,
straw-snapped cornstalks in empty fields.

After the hallow of All Soul’s, nights grow long
and frost wakes us, warns
that winter is coming for us.

And we are never ready
for the unexpected summons when
the unsayable breaks our voices.

We once broke bread together,
and now his departure breaks us.

Each lost leaf a grief
and a relief
for the tree’s bare bones
to be reclothed
white with snow.

Alicia A. McCartney lives with her husband and daughter in southwestern Ohio, where she writes and works as a professor of English literature. Her poetry is forthcoming in Ekstasis.

Child of Light – a poem by Rupert M Loydell

Child of Light

the flesh
the blood

the bread
the mouth

the want
the why

the what
the need

the dream
the light

the silence
the song

the hope
the doubt

the guilt
the hurt

the fallout
the damaged

language
of belief


Rupert M Loydell is a writer, editor and abstract artist. His many books of poetry include Dear Mary (Shearsman, 2017) and The Return of the Man Who Has Everything (Shearsman 2015); and he has edited anthologies such as Yesterday’s Music Today (co-edited with Mike Ferguson, Knives Forks and Spoons Press 2014), and Troubles Swapped for Something Fresh: manifestos and unmanifestos (Salt, 2010)

November in Nazaré – a poem by Heidi Naylor

November in Nazaré

Maya Gabeira is towed to the top of a 75-foot bomb.
Go, go, go! she shouts to Carlos, her jetski driver; and she lets the rope fall.

Carlos skis the crest, watching her drop, waiting for her take hold, to sketch a creamy zigzag down a silken concrete wall.

She’s carving, shacked and slotted, fingertips brushing that wall, body and board in a curving, serpentine dance.

Oh It’s way more than pretty, Maya charging the bumps inside the greenroom, the tube, under the frothy curl as its thick crest crumbles over itself.

Pitching and riding to the outback, beneath and beyond the peel,
skating the end of the barrel.

Times she’ll wipeout, be rolled underwater, washed through pounding surf: tumbling
rocks and roiling sand. Maya’s been CPR’d back to life, she’s been hospitalized.

This is no cakewalk
but a threadthin dance through a blistering avalanche.

For today, her glossy head emerges. Up pops her board. Carlos zips round on the ski

clasps her hand and pulls her up; they watch for another pointbreak
heart-stopping wave. They climb.

Holding the tow rope, Maya slips off the back of the ski.
She lets the rope fall.

I don’t know how far a prayer will reach, or sometimes how near.

A baby, twisting—just this morning—from determined crawl

to a wobbly seat on the carpet,
sweet arms lifted in pleasure—
delicious delight on the video chat.

Five little girls playing across the street, staccato fade of their twilight voices
inventing the future.

My neighbor with a deep and private sorrow: estrangement, daughter, money—still,
she drops by my house with raisin bread.

The sidewalk icy. Air chastised with wind.
Through the window I watch as she chats up the postman.

That slick, light magnetized towrope. Attachment and tether. Safe harbor. Quiescence.

Stagnation.

Drop it.
Drop it now.

Heidi Naylor writes and teaches in Idaho. Her work has appeared in the Washington Post, the Jewish JournalPortland(magazine of the University of Portland), Exponent II, the Idaho Review, New Letters, Dialogue, Eclectica, and other magazines. She has a recent fellowship in literature with the Idaho Commission on the Arts and served as Writer (Poet) in Residence at the Marian Pritchett School. Find her at heidnaylor.net.

All Saints – a poem by David Radavich

All Saints

A bouquet exists
in my head.

All the dead
who’ve come into
my life

still blooming,
still fragrant.

All the colors, sudden
shapes, lingering
leaf patterns,

everything under
the same sun

touched with rainwater
and still glistening.

Surely they don’t remember
having encountered me.

But here they are
like snowflakes,
apple seeds,
narrow footpaths.

That is its own kind
of heaven,

this one mind
gathering

all the souls
in a wind

that blows faintly
and refreshes.

David Radavich has published a variety of poetry, drama, and essays, including two epics, America Bound and America Abroad, as well as Middle-East Mezze and The Countries We Live In.  His plays have been performed across the U.S. and in Europe.  His latest book is Here’s Plenty (Cervena Barva, 2023).