Deepak Chopra Speaks Word Salad – a poem by Joan Mazza

Deepak Chopra Speaks Word Salad


Those who close their eyes to what seems
strange will never change their minds to find
what rises up in dreams unbidden.

The dead wander old middens where shells
and bones piled up are seen near old fire pits.
Specters dance between flames.

In sleep, the lid is off the pot of consciousness
and any hot idea is projected on the inside
of your eyelids, a screen you cannot ignore.

What’s there? Invite more.
For those who watch the stream of thought
and images that pass through the mind from ear

to ear or prick the eyes with fear of what might
come next: a message from the you inside the you
you know, another show, a vestige

of a wiser self you’ve denied.
Seize quantum consciousness.
There’s wisdom there for you to share. 
 

Joan Mazza is a retired medical microbiologist and psychotherapist, and taught workshops focused on understanding dreams and nightmares. She is the author of six self-help psychology books, including Dreaming Your Real Self. Her poetry has appeared in The Comstock Review, Prairie Schooner, Slant, Poet Lore, The Nation, and other publications. She lives in rural central Virginia and writes every day.

Hush – a poem by Melinda Coppola

Hush


Is it by aging alone
that I landed in this
sparse, harsh forest,

where most branches are sharp,
all bark is sandpaper,
and even the birds.,
diligently practicing their scales,
can sometimes shake my equilibrium,
scrape my eardrums with their calls? 

Perhaps I’ve been led here
by my spirit animal, 
or my dead ancestors, 
or my inner crone,
because the time is nigh
to stand and receive 
my true names:

She Who is Now Highly Sensitive,
She Who Withers Without Solitude.

She Who Can’t Tolerate Crowds,
She For Whom The World is Too Loud.

She Who Craves a Private Island,
She Who Always Wants to Turn Down the TV.

I daydream of places 
called Whisper Town, Quietville,
Introversion Valley.

Is it a disorder, I wonder,
or the naturally 
wise reaction
to a world 
grown garishly turbulent,
jagged, obscene?

Melinda Coppola writes from a messy desk in small town Massachusetts, where her four cats often monitor her progress. She delights in mothering her complicated, enchanting daughter who defies easy description. Melinda’s work has appeared in many fine books and publications, most recently Last Stanza Poetry Journal, Willows Wept Review, Thimble Literary Magazine and One Art: A Journal of Poetry

Skipping Stones – a poem by Stephen R. Clark

Skipping Stones



Choosing requires some skill,
a flattish stone, smooth-sided
that can hit the water just right
and sail into the air, bounce
on the surface, skipping against
the liquid tension, going out
farther and farther until it
sinks out of sight, it’s full story
told. So it is with writing,
gathering words, sorting
out the rough-edged ones, those
with too much weight, that lack
proper aerodynamics, and then
lining up the best, tossing them out
with a keen precision,
hoping to fly the eye down
the lines, taking each word in,
over the full arc of true thought,
to where it will sink into
and lift the mind,
igniting fire
in the heart.

Stephen R. Clark is a writer who lives in Lansdale, PA with his wife, BethAnn, and their two rescue cats, Watson and Sherlock. His website is http://www.StephenRayClark.com. He is a member of the Evangelical Press Association and a regular contributor to the Christian Freelance Writers Network blog (tinyurl.com/cfwriters). 

Mother-to-Daughter – a poem by Joan Bernard

Mother-to-Daughter

My dry swallow
as I remove your statue
of the Virgin from the dresser,
causes my ears to crackle.

She will be exiled to the basement,
aside your ceramic Pieta,
a bookmarked bible,
Pope John Paul II’s 8 x 10.

Stripped of all that was yours,
this bedroom where you slept
and prayed, will be ready 
for my chic upgrade,
un-convent remake;

but for the crucifix,
still hanging over the doorway, 
your crystal rosary,
no longer draping 
from Mary’s hands, 
but clutched in my palm.

Joan Bernard’s poetry has been published in The Main Street Rag, the Aurorean, Connecticut River Review, The North American Review, and others. She lives in Boston, MA and Thompson, CT.

Fresco Behind a Wooden Statue of St Andrew – prose poetry by Paul Willis

Fresco Behind a Wooden Statue of St. Andrew

On the plastered wall of the sanctuary of Sant’Andrea in Orvieto, a strong young man in a green robe, red sleeves beneath, holds up a bloody sword.  As in so many frescoes of the Renaissance, his eyes and nose and mouth have been dissolved by time.  He is facing (if you can call it facing) a red-robed woman on his right.  Her eyes are exceedingly sharp.  She gestures toward him with one hand—a tight gesture—and holds the other over her heart.  The man, likewise, has placed his left hand, loosely, over his own heart.

Behind him, and to his left, an older couple lie tucked in bed, face-up.  Their heads rest on matching pillows.  The older man has a white beard, neatly trimmed, and he wears a green night cap that matches the young man’s robe in color.  The older woman wears a white head scarf, just like the woman who is standing.  The eyes of the couple in bed are closed.  Both of them are bleeding profusely from stab wounds in the neck.

If it were not in a church, and if Duncan had a wife in the play, the fresco would seem to mark the moment in which Macbeth says, “I have done the deed,” the moment in which Lady Macbeth receives the news in a fury of cold agitation.  But this must be the story of the martyrdom of some saint—of two saints.  Mr. and Mrs. Saint.  But what if the two are not married?  What if the woman in red is the wife and the woman in bed is the paramour, the man in green the hired assassin?  

I wish we could see the swordsman’s face.  Is he aghast at what he has done?  Relieved to have taken vengeance?  Simply glad to receive his pay?  St. Andrew might know, but his wooden statue has turned its back on all this sorry business.

We have to look farther afield, to the crucifix above the altar.  The very sad man hanging there, his face quite clear in its agonies, looks out across the nave and sees.  And bleeds.  And sees.  And bleeds.  And knows.  And what he knows is that the faceless man with the sword is the one who will become a saint.  Saint Julian.  He has just murdered his own parents, who had come on a surprise visit while he was hunting, and who were sleeping in his bed when he came back.  He has just murdered them because he thought he had found his wife cheating on him.  But now his wife arrives to tell him he was mistaken, he was wrong, and Julian is filled with remorse.  This is what the hanging man on the cross well knows.  And he knows that Julian—and his wife, as well—will spend the rest of their stricken lives helping the sick and giving shelter to the weary.  For a night of killing, years of care.  And at once and at last, Julian will be forgiven.  No longer seen in a fresco darkly, he will be known, and he will know.  He will receive his face.          

Paul Willis has published seven collections of poetry, the most recent of which is Somewhere to Follow (Slant Books, 2021).  Individual poems have appeared in PoetryChristian Century, and Christianity and Literature.  He lives with his wife, Sharon, near the old mission in Santa Barbara, California.

Still Life with Canoe – a poem by Charles Lewis

Still Life with Canoe

I edged the canoe
along a quiet margin of the river
where the current slowed
almost to a standstill.

Immersed in the bright summer air,
breathing felt light,
body safe,
buoyed in the sturdy shell of the hull.

From a secret spot
in a steadfast tree on the wild bank,
a single chirp of unfinished birdsong
plucked the stillness.

My paddle laid across the gunwales
dripping slow glassy drops
into the clear shallows.
Water bugs moved like Jesus walking on the water.

There were no extravagant miracles that day.
Just the day itself,
alive and reckless 
with peace.

Charles Lewis writes poetry as a way of knowing and unknowing, as prayer and meditation, to share language and feeling, for fun, and because it’s necessary.

Vow to the Sea – a poem by Deborah Jiang-Stein

Vow to the Sea

Standing above the tide, it rolls below
Sand shifts, hurls
As we become the whole sea
Dunes, mountainside, the urban concrete
Brick, abandoned buildings
Become the whole, become it all, there
I vow myself to the sea
To the sound of falling
Waves, the roar of the avalanche
Of going out into the world
Each day a pledge
Astonished with the tide below
I stand above her crest, away from its foam
Seething to swirl ankles
Seething to weaken our toes clenched
Gripped in air, the sea rolls below
I stand above, still.

 

Deborah Jiang-Stein is a cross-genre writer, public speaker, collaborator, and founder of the unPrison Project, a nonprofit working to empower and inspire people in prison with hope, mentoring, and tools for life after prison. She is author of the memoir, Prison Baby, and has adapted her memoir for stage. Some of her publications credits include: Sun Dog: The Southeast Review Honorable Mention, World’s Best Short-Short Story; Two Worlds Walking, New Rivers Press; Paragraph Magazine; Printed Matter.

Golden Buddha Statue – a poem by Ellen Orr

Golden Buddha Statue


Of course they dropped him: five tons
of statue, plaster, colored glass. 
Siddhartha fell. The stucco chipped, 

and gold shone through, like sun 
through clouds. Disrobed, his outer casing gone

after centuries of wear, protection.
Two hundred years of armor, chiseled away 
for the viewing pleasure of those dazzled by shiny things.

My teacher says we are all gold encased 
by persona. Can we love ourselves and each other 
as if we are all secretly solid gold? I want to love the plaster.

Ellen Orr is a teacher and writer currently based in Texas.

The Gerasene Demoniac – a story by Taylor McKay Hathorn

The Gerasene Demoniac

Before I was born, my grandfather Ibrahim put his wedding ring on a chain and held it over my mother’s stomach. “If it goes back and forth, it is a boy,” he said triumphantly when the ring swung like a pendulum. He was wrong, but maybe the trick had to be performed with the ring of the baby’s parents in order to work. My father did not want to marry my mother, so there was only my grandfather’s ring to use. 

Later, four weeks before I was born, when my grandfather was dying on the kitchen floor with my mother crouched beside him, willing the ambulance to come faster, he made his final pronouncement: “He will be a priest.” My mother thought sacreligiously that Jesus had been born out of wedlock, too, so anything was possible.

*

When I turned out to be a girl, everyone forgot about my grandfather’s deathbed pronouncement of my certain ascension to the clergy, and my mother and I moved into my grandfather’s house. My aunt Joan babysat me in the evenings while my mother went to nursing classes. I was three years old when she graduated, and there’s a photo of her in her white uniform, holding me and her diploma, both of us a little bent. I had a cherry sucker in my mouth.

My mother worked nights in the emergency room, and Aunt Joan taught me how to cook. By the time I was eight, I could make spaghetti Bolognese, pan-fried hamburgers, and cherry pie. It was all very American, even though Aunt Joan had been raised by grandfather Ibrahim and had the vestiges of his lilting Swedish accent. 

*

I sat between Mom and Aunt Joan on Sundays at St. Joseph’s Episcopal Church on Eden Street. They always made me wear lacy socks, and they swatted my leg when I tried to use my foot to pull the kneeling bench up and down, up and down. The priest was Father McGilvary, and his sermons were always on the Old Testament.

“The book of Job,” Father McGilvary said once, looking up from his notes and around at us with his spooky silvery eyes, “is about God making a deal with the devil and using us as his bargaining chips.”

I don’t remember the rest of the sermon, but I remember that I felt very like a bargaining chip. 

*

When I was seventeen, Father McGilvary called me over to the side at the church picnic. He was an old man now. There were whispers about us getting a new rector because he couldn’t manage, but his sermons were still fine and he still prayed with the sick and dying, so what could you do? 

“None of my congregants have ever become a priest,” he said. His shoulders were stooped, and his silvery eyes were clouded now, veiled by cataracts. “I’ve been doing this a very long time.”

I wasn’t sure how to respond: was he proud or disappointed that the generations of poor immigrants who attended St. Joseph’s had found vocations out in the world? Had he expected any different?

“You will be the first.” 

I remembered, suddenly, grandfather Ibrahim’s pronouncement. I thought, too, about my long walks where God spoke to me and I tried not to listen and about my dreams that smelled like the candles they burned behind the altar.

“I’m going to a state school, Father,” I said uncomfortably, and he smiled. 

“I know,” he responded. “We all must run from God before we bow to him.”

Father McGilvary died eight days later, and the new priest never made any pronouncements about me at all.

*

I was in my third semester of law school when I quit to go to seminary. It was 1985, and I had on leather pants when I went into the academic offices to withdraw. 

“You’re halfway to graduation,” one of the office workers said, looking distressed. She smelled like Aquanet and Anais Anais, and it burned my nose.

“I’m going to be a priest,” I told her, and her look of surprise almost annoyed me.

*

The seminary was all too happy to accept me coming off a 4.0 in law school, and they even gave me a campus job as the chaplain to the tennis team. 

I prayed for them before their matches, but mostly, I sat in the stands and cheered, which seemed to do as much for their spiritual life as anything else. The next year, they gave me the football team, and the players liked the Nicene Creed because of how much it sounded like a locker room chant. One time, I did hear them, atheists and Buddhists and agnostics and Catholics alike, all saying it as they jumped around their lockers before a game: “Light from light, true God from true God, begotten not made.”

They lost by a humiliating three touchdowns, and when I heard them say it again, later, it was quiet and almost demure: “And of his kingdom there is no end.”

*

My first parish was in southern Iowa, in a town called Gerasene. Instead of the sea of Galilee, I had to cross one of the famous covered bridges to make it from the rectory on Third Avenue (there were no first, second, or fourth avenues) to the church. At my first meeting with the parish council, I met Sharon, David, Mike, Agnes, and Linda. I noticed that women outnumbered the men, but I didn’t comment on it. It’s hard enough to be a woman priest without people thinking you’re proud of it.

“We’ve never had a female rector before,” Sharon said, looking at me over the tops of her square-framed glasses. Sharon worked as an accountant and wore heavy rings on every finger. 

“Yes,” I said. “There are more men in the vocation.” 

*

Thou shalt not share intimacies with thy parishioners. This is the law and the prophets. 

It was the advice my ethics professor had given us on the first day of class. We had all laughed, but he had looked at us solemnly, like he already knew one of us would be dumb enough to do it.

I had smiled smugly. The advice was for men. Women would never stoop so low.

And then, and then, and then. I took women in the middle of their divorce to lunch while my aunt Joan was dying in another state. I taught confirmation classes to sixth graders while I waited on the results of an abnormal mammogram. I preached about the communion of the saints and thought about how endlessly lonely I was.

I called a priest friend in Idaho, one that I wouldn’t have to look in the face for a few years after making such a confession and told her that I thought I might suffocate if I went much longer without it. I didn’t say what it was, but she knew and yet did not know at all. She had been married for eleven years, and there were three other priests in her mid-sized city.

“That is very difficult,” she said, unhelpfully. 

*

Mike Conway was the custodian for all five churches in the town. He cleaned the Baptist church on Monday, the Presbyterian church on Tuesday, the Catholic church on Wednesday, the Methodist church on Thursday, and ours on Friday. 

The local newspaper had run a story about him the month I moved there, had given it some smug title like, “Doing the Lord’s Work.” In truth, Mike had come back from Vietnam with a right leg full of shrapnel and a fear of crowds. Churches on weekdays were empty except for pastors and secretaries and the occasional ladies’ fellowship group, and church people were too polite to complain about how long it took him to sweep. It was done and clean by Sunday, so who cared?

Mike never came to church at all, which was a source of great consternation to everyone, especially the Baptists. 

*

It was cold the week before Advent in 2000, and we still didn’t know who the President was. I wore jeans and a sweatshirt to the church on a Friday morning, my arms laden with purple liturgical cloths. Purple is the color for seasons of waiting, which seemed almost too trite to believe.

Mike was sweeping the center aisle when I came in.

“Oh, Mike, I’m sorry to bother you,” I said, and he shrugged. 

“‘S your church. You got more of a right to be here than I do.”

“Oh, now that’s not true,” I said. I believed what I said. I really did have some open-hearted notion about the church being God’s and all of ours, but I did not know how to say it to this man, who had no reason to believe it.

*

The train tracks ran east and west, and I imagined every time a train shook me awake at 11:45, 3:30, and 5:10 that the train was going from California to Carolina, and it somehow comforted me and disquieted me all at once, that we were a daily blip in the vision of some train conductor whose family lay at the other end of the line.

Family. I missed my mother and my aunt Joan. Joan had been dead for five years and my mother had been dead for eight, both felled by the kind of sudden, middle-aged heart attack that killed grandfather Ibrahim. I could be dead in ten years, too, I thought, even though the cardiologist that Joan and Mom had been too proud to visit had insisted that nothing was wrong with my heart.

I shrugged on a bathrobe, stepped out onto the back porch. I glanced at the train tracks and then at my watch. 3:27. The 3:30 train would be coming soon.

There was a dark blur, suddenly, on the train tracks. I squinted into the night, and I recognized the lopsided gait even at a hundred paces: Mike Conway.

I yelled his name, tearing my throat, and I remembered how deaf he was from the bombs, and fear pooled like cold water at the base of my spine.

I started running. 

I heard the train whistle, long and loud in the distance, and I ran faster. I could see the train’s headlights in the distance when I made it to the railroad ties, and I plowed into Mike, knocking him into the loamy soil on the other side of the tracks.

The train roared closer in its approach, rattling the ground and my teeth in my skull.

“I get so lonely,” he said, tears streaming from his silvery eyes and mingling with the fresh dirt on his face. 

“That is very difficult,” I replied.

Taylor McKay Hathorn is a Mississippian by birth and a Jacksonian by choice, even though she can’t always drink the tap-water.