Uphill – a poem by Mark J. Mitchell

Uphill

To honor Lyle Grosjean


—It’s steep,
—Of course it is.

—And hard.
—Many things are hard.

—You won’t stop anything.
—Not today.

—So, you climb over
and again without hope.
—No. Hope’s our companion.

—You climb against
the wind and the world.
—And we’ll do it again.

—How long?
—Until we’re done.

—How long will you? —
—The day’s journey
takes the whole long day.

—And tomorrow?
—We climb again.

Mark J. Mitchell  has been a working poet for 50 years. He’s the author of five full-length collections, and six chapbooks. His latest collection is Something To Be from Pski’s Porch Publishing. A novel that includes some poetry, A Book of Lost Songs is due out next Spring. He’s fond of baseball, Louis Aragon, Dante, and his wife, activist Joan Juster. He lives in San Francisco where he points out pretty things.

https://www.mark-j-mitchell.square.site/

Permanence – a poem by Kristy Sneddon

Permanence

I walk through my days in a hologram
deeper and wider than the earth.
I swallow God into the vortex. Over
and under and up and through. Where
and how and who have I been?

Sometimes a chick in a hand, once an ocean.
The hologram’s pattern of interference
a mystery. Beams of light play on the lake,
bounce off opals strung across the wave,
the laser focused by an unseen hand.

Kristy Snedden is a trauma psychotherapist. Her poetry appears in various on-line and print journals and anthologies, including Snapdragon, CV2, and storySouth. Among other honors, her work has been nominated for a Pushcart Prize. She serves as the Book Review Editor for Anti-Heroin Chic. She loves hiking near her home in the foothills of Appalachia and listening to her husband and dogs tell tall stories. She believes deeply in the power of poetry to heal. To learn more about her, follow her on Instagram at kristy_snedden_poetry.

A penance of sparrows – a poem by Patrick T. Reardon


A penance of sparrows

A penance of sparrows I offer
to the flat steel sky, a humble exercise
from the gladiator circle, a wind formula.

The person-owl tolls my sins —
wild human that I am,
and timid, and fragile,
my need for firm amendment.

Here I am.

The black eagle, big as a forest,
chants from the alley altar. I join in.

I swim the red poison, the judas air,
the steel rain.

Three fragments for flute and harp.

Each body on the sunset airplane
droning above Lawrence Avenue, I am,
each body in the night-bright Cottage Grove bus,
each body in lakeshore towers
and in cottage stumps on gray side streets,
each lost locksmith, each body afraid,
each angry McDonald’s customer on Western,
each vagrant limo rider, each body growing out
of the black soil of the Humboldt Park empty lot
awaiting brick walls and hoping for mountains,
each one holding death’s ticket, I am,
each poor one passing as not poor,
each definite walker in the sad night,
each stunned refugee outside the supermarket,
each spirit spinning in a freedom frenzy,
each awaiting word from the naming committee,
each hotel handmaid, each lucky mistake,
each body with no shadow, each crow,
each flesh wound, each unseen wound,
each sum of incalculable unworthiness, I am,
each body giving up the ghost,
each body taking self-exit,
each body getting out of bed,
each body asweat, each body denial,
each one shocked by the red and
feathers pigeon carcass on the snow.
each open heart, each closed heart,
each kneeling petitioner, each fistful shouter,
each body empty of direction, I am.

I climb ivy like a wall.
I lose myself in the abbot’s garden.
I am present at the nest.

Poppy and cowslip,
garlic and pansy, thistle, rose,
clover, hyssop, marigold and vetch.

Here I am.

I race run, faith kept,
the wagon road under the wall,
three times around,
past the sentry place,
past the wild, beaten fig tree
and the two springs arising out of stone,
unapproachable baptism.

Deep night, bird song, Neptune light.

Patrick T. Reardon, a three-time Pushcart Prize nominee, was a newspaper reporter with the Chicago Tribune for 32 years.  He is the author of six poetry collections including Salt of the Earth: Doubts and Faith Puddin’: The Autobiography of a Baby, A Memoir in Prose Poems. His poetry has appeared in America, Rhino, After Hours, Heart of Flesh, Autumn Sky, Silver Birch, Burningword Literary Journal, The Write Launch, Poetry East, The Galway Review, Under a Warm Green Linden and many other journals. His history book The Loop: The “L” Tracks That Shaped and Saved Chicago was published in 2020 by Southern Illinois University Press. 

EM Field Day – a poem by J E Shipley

EM Field Day

I

Standing: Statio, at the workstation
Then lug portable ––
Until the tablet with cell support, and view
of platform, from carriage, or car.
Low latency and jitter, passing through Lent,
We see at 3pm Friday, Dolorosa.
And later, near the Fourteenth.


II

Animated, sighs the soul; log out of this waiting state!
In anticipation: to bake, dust, bathe, elapse all hours before
a priest, flint lighter sparks the Vigil fire ––
Now blesses modest water for Eastertide.


III


Surrexit holiday of peace and solar cells ––
returning warmth for a festival,
after the first full moon of equinox.
Happy rush, all coastal.
Before meditations on
a cousin’s satnav set for home.





EM Electro-Magnetic

J E Shipley is a new writer from the East Midlands of England.  She is working on her first poetry collection. Contact: js.bookbench@gmail.com

green alkanet – a poem by Tim Mitchell

green alkanet 


why green

when it flowers blue
blue of deepest blue heavens

when its swords stand
flickering blue flames
guarding the trees

there is no way back to Eden
a predicament green denies

bees tell you it is a blue plant
uninterested in green
they float and pulse their haloes
round the petal
pieces of sky

my aunt at eighty-six
is beautiful on the outside and inside
and one of her friends
can tell on their walks
all the birds from their song

you are what you are and
your song is what you sing
are the two great laws
of that small blue thing
you sense is heaven


Tim Mitchell is a retired social work manager living in Dorset. He has had poems published in magazines in England and commended by editors of international journals. He has had poems used in three art exhibitions. and has been asked for poems for weddings and for a celebration of a life. He is preparing a collection, Edges, to be published through Amazon.





As Dusk Arrives – a poem by Larry D. Thomas

As Dusk Arrives


Lucifer, carried away
with his watercolors,
darkens the clouds
into dogs of war,

greens their raised
hackles, and looses
their sopping carnage
to the wind

as the sparrows,
into whose hollow bones
God breathed life
to demonstrate

the love of Jesus,
tighten the tourniquets
of their claws, clearing
their passage to the dawn.

Larry D. Thomas is a member of the Texas Institute of Letters and served as the 2008 Texas Poet Laureate.  Among the journals in which hiss poems have recently appeared or are forthcoming are the Amethyst ReviewSaint Austin ReviewThe Windhover: A Journal of Christian LiteraturePetrichor JournalGrey Sparrow Journal, and elsewhere.

The Thinness Has Vanished – a poem by Juleigh Howard-Hobson

The Thinness Has Vanished

We’ve lost the otherworld, the shadows fall
empty from trees that hide nothing. They’ve gone,
all who made this place their home, unseen but
always sensed. We sense them no more. No small
stirrings, no bright glitterings, breezes on
the air hold no hint of other-song, not
a soul is here but us. It’s strange to think
they would leave and yet they have. Sacredness
has drained from pond and stone, awareness fled
from every field. As if an ancient link
has been removed between their world and this,
severing all connection. Coins, cream, bread—
we still place them out on the harrow, in
hope that one day such gifts are sought again.

Juleigh Howard-Hobson’s work can be found in Eternal Haunted Summer, The Deadlands, Polu Texni, 34 Orchard, Under Her Skin (Black Spot Books), Vastarien: Women’s Horror (Grimscribe Press) and many other venues. Her latest collection is Curses, Black Spells and Hexes (Alien Buddha Press). She tweets: @poetforest and lives on the Pacific North West coast of America in a crumbling Victorian, where many spirits besides her own repose.

Newly Qualified – a poem by Rupert M. Loydell

Newly Qualified

'On tiptoe I follow God around the classroom'
– Astrid Alben, 'And Become A Monkey'


Our Martyrology and Saints Studies
degree requires constant self-sacrifice
and a devotion to impossible facts.
Believe and you will be rewarded
by degree, by decree. It is hard
to know the truth and the truth
has set a fee. The cave doctor will
see you now; we are all together
in this world, living in the dark.

Rupert Loydell is a writer, editor and abstract artist. His many books of poetry include Dear Mary (Shearsman, 2017) and The Return of the Man Who Has Everything (Shearsman 2015); and he has edited anthologies such as Yesterday’s Music Today (co-edited with Mike Ferguson, Knives Forks and Spoons Press 2014), and Troubles Swapped for Something Fresh: manifestos and unmanifestos (Salt, 2010)

Rubble – a poem by Liza Halley

Rubble

I keep thinking about the desecration of the Temples,
the First, the Second, the Tenth, the Thirtieth, the Hundredth.
I am standing in the middle of the ruin

the burnt Torah scrolls
the benches hacked to pieces
the oil from the nair tamid
eternal flame filling my nostrils
slick under foot
broken glass, blood everywhere.

I try, so hard, to remember this body is a temple
here on earth to praise God, to bring light and joy.
This body is the only holy of holies left on earth.

Mostly though, it’s the rubble that comes to mind.
I can’t even look except slantwise,
the task, so beyond my ken.

I bring only a strong hand to move a bench,
a strong back to bend over a soiled floor.
I approach the task as I do God

eyes downcast, no clear word to guide me
only names that cast kaleidoscope
fractured light into the space around me.

How did my ancestors do it?
Their most sacred spaces - vitiated -
enter with bucket in hand, sudsy water, rag ready?

These days it's more than I can muster.
Is it not better sometimes to turn away?
To leave that which can never be truly rectified?

Dreamily I imagine the rebuilding
my hands hammering nails, weaving deep blue thread
sitting on gleaming wood all made new

the light shining in from windows,
the nair tamid burning once again overhead,
my feet firm against hewn stone.

I imagine that hope in a heart
that this time, this time
everything will be okay.

Mostly though we know how the story goes:
we carry on even with the broken window taped up,
the hinges never quite right, the doors to the ark askew,
the scrolls singed around the edges.

Still we light the light.
Still we tuck the scrolls into the silver boxes,
hang them with a tiny nail, tiny hole
in the doorposts of our hearts.


Liza Halley works as an elementary school Library Teacher. Liza helped establish the Poet Laureate position in her hometown of Arlington, MA. She is the co-founder of Write Around Portland, a nonprofit based in Portland, OR that amplifies voices and builds community through our writing workshops, literary programming, books, and readings.She loves to build community through the written word, be it through poetry, zines, or comics. She has been published by Braided Way Magazine: Faces and Voices of Spiritual Practice.

In aid of the restoration of the reredos – a poem by Jane Angué

In aid of the restoration of the reredos

An austere island this church
its romanesque escarpment
set solid among
stone scattered homes it is

the hub summer holds the door
and inside whitewashed walls mask
centuries carrying the vault frame
the cracked and blackened reredos

hushed greetings settling on benches
a small frail lady quilted in cardigans
is ushered forward to her spot
a cushion placed on worn-shined wood

she turns shyly remembers the war
the children in our house back then
says that now she is a stranger here
and smiles

standing facing us silver-maned
pale faces poised on white shirts and dresses
closeness bracing tired bodies
one needs to sit

a few words to begin the conductor
gently serries their rank gives the note
voices some quavering
some struggling to rise

all ring their gift sing the mass
the requiem the partisan’s poem in Occitan
pause and listen with us
enchanted to the pavane

Jane Angué lives in the foothills of the Cévennes and teaches English Language and Literature. She contributes in French and English to print and online journals such as Amethyst Review, Erbacce, morphrog, The High Window, Traversées and Arpa. A pamphlet, des fleurs pour Bach, was published in 2019 (Editions Encres Vives). A collection of poems, Fruit, leaf and flesh, was published in 2023 by Erbacce Press.