Amethyst Review

Prevent: archaic (of God) act in anticipation of

through all the farm of Hammers prevent me:
	with rain to brim my well
	with a quartz pebble to cool my palm

	with flames to dance my stove
	with whole flesh to my body

	with firm flanks to the cattle
	with pockets of seed to scatter

	with honeycomb in the wall
	with six dots and a crooked line

	with grass swaying the field forenoon and night
	with the sound of your feet as you walk ahead

wear a track up Fitty Hill
	for to obtein primrose
	for to obtein knots of heather
	for to obtein the whole sky, the whole sea

Lydia Harris has made her home in the Orkney island of Westray. Her second full collection Henrietta’s Library of the Whole Wide World was published by Blue Diode in March.

The Delinquent

I patter through static departments
disrupting the midday, midweek
midwinter lull of the middling weather
and the middling temperature—
What was it the wise man once said?
Surely it was: middling, middling
all is middling.

All is middling except the sun
who, at the moment, is sticking 
his radiant and rebellious finger
up at our concession to middling.
He does so by peeking through
the windows which trace cubicles.

Oh, he would scoff at a middling
word such as “peek,” for he crashes,
he collides, he cartwheels, he cakes,
he clatters a countering cacophony
of lustful luminescence.
This delinquent — yes, I am still
referring to the sun — consumes all 
that middles. 

Caroline Liberatore is a poet, editor, and librarian from Cleveland, Ohio. Her vocations are indicative of what she cares most deeply for: the written word, artistic and intellectual excellence, embodied presence in local communities, commonplace beauty, and redemption as articulated in the tangible, reconciling work of Christ. Caroline serves as Editor at The Clayjar Review and writes regularly on her Substack, Dog-Eared Inquiries.

The Passing of Sacred Geometry          		

My Sunday School teacher drags 
a straight black line across the whiteboard. 
Whips out four more, up, down, across—

A star! I gasp with the other kids.

Five points and five lines, she says,
make the perfect star. Try.

With my fat, gold crayon I scrawl
a curly line. Lavish
another over it and another—
	five lines, 
		eight lines, 
		     nine	
		          too many to count 
	 my hand flourishes
			            a wild
	 	       	       sea-anemone star.

Wrong, the teacher says. Your star
is uncontained. How will you color it in?
She jabs her diagram. Pay attention
to the star God tells you to follow.

	Tonight, I lie on August grass 
in Gregorian cricket-chant, surround-sound. 
Dad called this star-bathing
in the long-ago-here-and-now. 
	Too many to count
		tremor on a black sky drum.
		     Radiance
	     from light-years 
	away pulses
		my eyes, throat, belly, lips—
		     incandesces 		
		 then rushes out 	
	to far-off eyes
		in other worlds
		      through the tips of my curly, white hair.

Dia Calhoun is the author of seven young adult novels, including two verse novels, After the River the Sun and Eva of the Farm(Atheneum, 2013, 2012). She has won the Mythopoeic Fantasy Award; published poems and essays in The Writer’s Chronicle;EcoTheo Review; The Nashville Review; MORIA Literary Magazine; Grist Journal; And Blue Will Rise Over Yellow: An International Poetry Anthology for Ukraine, and others. She co-founded readergirlz, recipient of The National Book Foundation Innovations in Reading Prize, and taught Creative Writing at Seattle University and Stony Brook University. More at diacalhoun.com.

Fife Pilgrim Way

Wynds, ochre Palace,
pilgrims, St Serf, Kentigern,
flowing tides, prayers, God.

Dunfermline Abbey,
processional walk, feast days,
journey to heaven.

Well-earned rest, overnight,
wary of robbers and worse,
bonds with fellow men.

Boggy, uneven ground,
pastures rich, wildflowers, shrubs,
through gates to worship.

Passage of lost time,
broken fragments of footsteps,
memento mori.

Waterless Way, ghosts,
Coal Road, Ancient Stobb Cross,
markers of deep faith.

Mottled canopy,
blue above, murmur of flow,
blackbird song, hunger.

St Andrews, blessings,
wonder of ancient cathedral,
grace, shrine, miracles.

Walkers, chatter, rest,
Margaret, her holy well,
Queensferry her name.

Maggie Mackay’s poem ‘How to Distil a Guid Scotch Malt’ is in the Poetry Archive’s WordView permanent collection. Her second collection The Babel of Human Travel (Impspired.com  ) was published in 2022. She reviews poetry collections at The Friday Poem (https://thefridaypoem.com).  Her best downtime moments  are spent with her greyhound and a malt whisky. Twitter handle is @Bonniedreamer.

Present

If you sit still and quiet in the same place, 
time and time again, you will get to know its 
folks. 

Robin, chaffinch, blackbird, collared dove, 
cleavers, nettle, red campion, blue aconite, 
ant, bee, woodlouse, worm, orange-tipped 
butterfly, tadpole, toad, rock, moss, 
sycamore, blackthorn, willow, ash.

If you are still and quiet often enough, they 
will get on with being a bird or a plant or an 
insect, right up close to you. Right up close 
so you can see their eyes, their feathers, their 
petals --

their tiny, ordinary, intricate beauty.

Julie Leoni lives on the Welsh Borders where she teaches yoga, swims in the river at the bottom of her garden and raises raspberries, rhubarb and her children. In 2024 she was announced the winner of the Bournemouth Poetry Prize, shortlisted for the Cinnamon New Voices Award, and again for their pamphlet award, the Mslexia Poetry award, and the Fish memoir prize. Her first collection of poems Farmotherlands will be published by Hedgehog Press in Spring 2025. Meanwhile she blogs and runs family retreats in community settings. Her PhD means that she gets to teach interesting courses at a number of universities and schools. She is also the author of three non-fiction books which can be found at www.julieleoni.com.

Before
 
the sun slid around the house
light on window frame 
the dresser
the side of the cross
 
she looked down
for the umpteenth time
but could not see
for tears
 
he picked up his pen 
but the words slurred 
on the paper
as if in a dream
 
she fed him a spoonful
movements mechanical
from some place better 
than her heart
 
he could not speak
warmed her with
his smiling eyes
sun slipping by
 
finding no words
she looked through the window
at moonlit trees
indistinct but beautiful

Jane Keenan has been writing poems since the age of six, and has already contributed to Amethyst Review and All Shall Be Well: Poems for Julian of Norwich. She met Susan Brice and Viv Longley on the Open University’s MA course in creative writing. In 2022 the three friends published Daughters of Thyme.  (www.dotipress.com) and are now compiling a sister volume, Home Thyme. Jane lives in the Scottish Borders with her beautiful dog, Wellington. 

The Missing

Missing for more than half a century,
missing from the California desert
where you were born and lived three months,
from the bassinette I lifted my chin over
when you cried or seemed to laugh,
missing because of the hole in your heart,
missing from the drinking fountain
in the corridor of the hospital, where
mother poured water on your forehead
to baptize you moments before your death.

Baptism saved you from limbo, she told us 
later, where babies are happy but never
see God—you were saved for heaven. 
Now she’s missing too, she who enacted
the Church’s Baptism of Desire, reserved
for emergencies, no priest in sight.
Emanuel  Swedenborg, seer of the afterlife,
wrote that he often visited heaven,
that babies like you grow up radiant there,
reunite with siblings and parents.

Desire only God, Swedenborg and other
mystics say, because his desire is to
unite with us, even during those times
when we think we’ve missed 
the final boat, missed our life, but
just outside our door are white 
blossoms on the tips of saguaros, 
bougainvillea in full bloom,
the bright clarity of desert sunlight. 

F.W. “Skip” Renker’s poems have appeared in Awakenings Review, Leaping Clear, Presence, and many other publications, as well as the Atlanta Review and Passages Northanthologies.  His books are Sifting the Visible (Mayapple Press), Bearing the Cast  (Saint Julian Press), and A Patient Hunger (Atmosphere Press).  Skip’s a graduate of Notre Dame and Duke, and has an MFA from Seattle Pacific University. 

Munificence: A Prayer Poem

The earth breaks open—
steaming like biscuits—
and the sunrise bestows
a rich mystic kiss.
The great ribbon unfurls
and we are enfolded,
joined surely together,
a vivid embrace.
Oh, God of our mothers,
our siblings, 
our sons-in-law,
Guardian of the shepherd,
the hillock, the lamb.
Lord of our longings,
our artistry, honesty.
Set the day’s table
with just what we need.
We are grateful 
for your vigilance.
We are thankful
for the very air.

Kathleen Brewin Lewis grew up among the moss-draped oaks of Savannah, Georgia, eighteen miles from the Atlantic Ocean, in a land crossed with creeks and rivers. She writes primarily about the natural world and family life. Her collection of poetry, Magicicada & Other Marvels, was published by Shanti Arts in 2022. 

Pantoum of Pilgrims Who Walk Beyond Their Destination  

We, the defectives, the dregs
Who didn’t know how to stop
Discovered hearts in our legs
Seek always the next hilltop

We didn’t know how to stop
Or where, didn’t find answers
Seek a further mountaintop
Skip on like spellbound dancers

We didn’t find our answers
Or were our questions wrong?
Trip on, enchanted dancers
We’ve searched our whole lives long

We got our questions wrong
Have further now to travel
We’ve searched our whole lives long
And shall we then unravel?

A longer road to travel
We go west, towards the sea
And there we may unravel
Pause now by the Judas tree

We go west, towards the sea
The track has possessed our feet
Rest under the Judas tree
We puzzle those we meet

The track has possessed our feet
We hold each other’s spirit
We frighten some we meet
The dark, we do not fear it

We hold each other’s spirit
We’ve found our hearts in our legs
The end, we do not fear it
We, the defectives, the dregs.

Bel Wallace is a carer who practises yoga and enjoys long walks. In a previous life she was a teacher. She started writing in earnest after walking 560 miles of a pilgrim route to Santiago de Compostela. Her writing has been short-listed in various competitions, including the 2022 Bridport Poetry Prize and published in Ink, Sweat and Tears, Raceme, Allegro, Lighthouse, Magma, Gutter, The Interpreter’s House, Under the Radar and Carmen et Error. She is trying to finish her first novel, but keeps getting distracted by poetry. Instagram @belwallace_writer

Glitz

Sol, the sire of life,
makes butter run.
We’re on the terrace.
Shaded. Breakfast.
Fruit and pastries. Coffee
creamed with Baileys.
Decadent. The street 
beneath, still sleepy,
muses why last night
we stopped mid-road to gawp
a moonless heavens
splotched down its middle
with a billion melded suns.

A primal call to confront infinity?
Elements intuiting whence they came?
Or inculcation that the distant,
vast and barely comprehended
demands our awe?

It could, of course, be glitz -
the straining flame before us on the table,
oil oozing iridescence after rain,
a dusty shaft of sunlight through a crevice –
that lures the eye and later
we take home and,
granting our perceptions import,
flesh with meaning.

Daniel  P. Stokes has published poetry widely in literary magazines in Ireland, Britain, the U.S.A. and Canada, and has won several poetry prizes.  He has written three stage plays which have been professionally  produced in Dublin, London and at the Edinburgh Festival.