Amethyst Review

Dazed


If hawks suddenly started making honey
on my property, the sight of such
enormous honeycombs would jar me

jolt me into that place where too much
scares me, makes me feel nervous 
fearful I won't have enough 
closet space or gratitude to handle
the overflow of such abundance, and
		
I can't be like that quarterback who
wanted to win the Super Bowl all
of his life, only to find that the minute
he won it, he was empty, and knew only
the greatest-of-all-time spirit could fill
all the holes and hexagons of his want

because I have already caught that ball
and still I have to keep catching it from 
bad throws of my own making

so, who knows why my first inclination is
to startle, then run from too much plenty  

until I find that peace, to settle in 
to remember, I can open all the jars of sweet
contagious zeal, spread it thick on all
the empty slices in my sight
			

Susan Shea is a retired school psychologist who was raised in New York City, and is now living in a forest in the Pocono Mountains of Pennsylvania.  Since she has returned to writing poetry this year, her poems have been accepted in a few dozen publications, including Ekstasis, Across the Margin, Feminine Collective, Persimmon Tree Literary Magazine, Military Experience and the Arts, and the Avalon Literary Review.

Touched

I touched a dragonfly today.
I looked into its bold blue face
and felt its wing of stained glass lace 
upon my skin. I backed away,

it buzzed around my hand in play,
then landed in its former place.
I, too, determined I would stay
and look into its bold blue face.
 
I watched it lift its wings and sway.
I touched its body as the space
we held became suffused with grace.
I stood in awe, amazed to say—
I touched a dragonfly today.

accompanying image also by Diane Elayne Dees

Diane Elayne Dees is the author of the chapbooks, Coronary Truth (Kelsay Books), The Last Time I Saw You (Finishing Line Press), and The Wild Parrots of Marigny (Querencia Press). Diane, who lives in Covington, Louisiana, also publishes Women Who Serve, a blog that delivers news and commentary on women’s professional tennis throughout the world. Her author blog is Diane Elayne Dees: Poet and Writer-at-Large.

— 

Women Who Serve

DIANE ELAYNE DEES: POET AND WRITER-AT-LARGE

Offerings



Offerings for the Virgin Mary
hang from the shrine of San Xavier del Bac
on an Amerindian reservation near Tucson:
women donate flowers and scarves,
photos of babies and newlyweds
with notes pleading for her protection.

One wife leaves a hat
with an image of her husband
and scrawls on the brim
the date of his death.

A skeptical Jew,
I look on bemused.

But then I grieve.
We all feel so vulnerable,
worry about our dear ones,
want to protect them,
fear the sudden blow of fate.

I pray for people I've never met,
wish their dreams fulfilled,
encompass all of us sojourners
on this planet full of mountain beauty
and primal sisterhood.
 

Janet Ruth Heller is the past president of the Michigan College English Association and a past president of the Society for the Study of Midwestern Literature.  She has a Ph.D. in English Language and Literature from the University of Chicago.  She has published four poetry books:  Nature’s Olympics (Wipf and Stock, 2021), Exodus(WordTech Editions, 2014), Folk Concert: Changing Times (Anaphora Literary Press, 2012), and Traffic Stop (Finishing Line Press, 2011); a scholarly book, Coleridge, Lamb, Hazlitt, and the Reader of Drama (University of Missouri Press, 1990); a middle-grade fiction chapter book for children, The Passover Surprise (Fictive Press, 2015, 2016); and a fiction picture book for children about bullying, How the Moon Regained Her Shape (Arbordale, 2006; 7th edition 2022), that has won four national awards, including a Children’s Choices award.  Her website is https://www.janetruthheller.com

In Their Derelict Boat


When my bones creak and my muscles strain
I will praise you for this old boat, my soul,
that carries me across the waters
to you, on the far shore of my hopes.
I strain to keep the rhythm of prayer:
Pulling on the oars, moving the waters,
advancing in the humble abandonment
of my will into yours.
O derelict boat,
I cannot bail and row at the same time.
Water seeps in through places
that have not held the seal
of my life in yours.
O abundant sea
I am yours: made in water,
You, Lord, are my element.
My boat fills, I am swamped.
I find myself in you: all water, all salt,
all ready to be born again
in your boat, your ark, your vessel, the Christ.

Wendy Jean MacLean’s work is shaped by her lifelong engagement with mythology, gospel and spirituality. Published in Crosswinds, Gathering, Green Spirit, Ancient Paths, Boosey and Hawkes, GIA, Streetlight, Arborealis. Sheila-na-Gig, Collegeville Bearings Online. Awards include: Don Gutteridge Poetry Prize; Big Pond Rumours Chapbook; Open Heart; Poetry Matters; the Drummond, and a Pushcart nomination. Her music has been commissioned and sung internationally. In 2023 two pieces debuted at the national Unison Choir Festival in Halifax, in commemoration of the LGBTQ purge. Her latest book, On Small Wings, was published in 2022 by Wet Ink Books. Wendy is a Spiritual Director and minister of the United Church of Canada. She is currently part of the Deeptime Network leadership cohort.

Malleable as Clay

Lord, give me the heart to hear stories,
a softened heart, malleable as clay,
open as the sky,
deep as a cleft in the rock.
May their pain pour like lava,
course like the blood of a volcano.
May my heart melt to receive it.

Lord, give me the ears to hear the words
that other humans speak,
for we all blunder blindly,
and cannot hear for the clatter of knocking over
the block towers of our lives.

May I listen.
May their words fall like rain on the earth
and cause lilies and magnolias
to lift their heads.

Alena Casey is a poet, writer, and mother of four from Indiana. Her poem won first place in the Society of Classical Poets 2023 Haiku Competition. Her poems have also been published with The Road Not Taken, Heart of Flesh Literary Journal, and The Author’s Journal of Inventive Literature, among others. She can be found at strivingafterink.wordpress.com.

That Sunday 

The air is still as the morning light pours down, 
covering the little village in hazy gold.    
The church is poised against the olive green hills    
and the tiny steeple points toward God.  
A dozen souls crowd the ancient brownstone  
and pray their prayers of timeless longing,   
their voices echoing in the narrow brick streets.
The universe pauses, enfolds, and incorporates.  
Some prayers will be answered, and some will wind on 
through the labyrinth of centuries.  

Joan E. Cashin writes from the Midwest, and she has published in many journals including Soft Cartel, Down in the Dirt, Riggwelter, Mono, and Months to Years.

Trimming


I’ve pruned the lilac, privet, and the rose,
the cedar and the maple and the oak.
All will survive next winter thanks to those
spring cuts. You’ve done such work too, I suppose.
You heard the frozen limbs crack as they broke,
and, since, have kept your orchard trimmed. The ice
will have to find its victims elsewhere, freeze
somebody else’s trees, who’ll pay the price
for negligence. Neglect’s a nasty vice,
on that rule each good husbandman agrees.
Our family’s year of sickness, oranges froze,
the garden went to seed, woodlot to smoke.
A still hand sows disorder’s paradise.
The knowing spend June weeding on their knees.

Dan Campion‘s poems have appeared previously in Amethyst Review and in Light, Poetry, Rolling Stone, and many other journals. He is the author of Peter De Vries and Surrealism (Bucknell University Press) and coeditor of Walt Whitman: The Measure of His Song (Holy Cow! Press). A selection of his poems was issued by the Ice Cube Press in July 2022: https://icecubepress.com/2021/10/01/a-playbill-for-sunset/

Still Life


The view from a window changes
while that of a painting next to it doesn’t

‘what comes to us has chosen us’
she says setting down her coffee cup.

Bruegel’s returning hunters lean into each snowy step
or just the step we see assuming others
ankle-deep in snow’s deceptions
masking known to unknown ground as the hill drops away.

Leaning into steps aids balance with caution
of slicks, trips, errant falls
their long-pole spears hung with rabbits 
over shoulders, in front probing for the next step
a pack of dogs following nose to ground

the hunter’s faces turned away from us
in a scene with dozens of people none face us
only the next step’s hidden offerings
some walking iced-over ponds and streams
some skating, some fishing through holes in the ice
we are the scene’s only witness
a face seeing itself.

Slowly we begin to feel chosen
by a frozen moment outside ordinary time
yet within it not as contrast
but as what is there naked
saved for us caught up in a moment’s motions
not seeing its stillness.

Outside the window seductions of movement,
its singularity masking our duplicity, our multiplicity
tasks us.  We are only a white van racing a grey road 
for a few seconds. An erratic scattering 
of bright yellow-orange leaves falling like impulses,
each a glance of sunlight at just this angle
missing some branches, fenceposts 
favoring others.
Overhead is a sizeable hawk, wings outstretched
in a turn: we see both wings at once      one above
one below its body neither flying nor falling.

Don Brandis lives quietly outside Seattle writing poems.  He has a degree in philosophy and a long fascination with Zen.  Some of his poems have been published by Black Moon Magazine, Amethyst Review, Blue Unicorn, Leaping Clear, and others.  A book of his poems is out  – Paper Birds (Unsolicited Press, 2021).

Renaissance


Listen / you hear fine ribs of stone / that vault and arch and fan to stars / soldering a cage of sound / that holds you not against your will / but from a hope of resonance / so lose yourself in these mazy lines / catch hold of a thread / then let it go / for there are many and which will lead you / deliver you to reasons why / basses grounding / tenors the touchstones / holding firm / countered by alto false relations / asking the questions you dare not / trebles probing the highest bounds / you cannot think that angels sing like this / they do not seek / but annunciate that one concerted purpose / yet fearlessly these voices twine / untwine entwine and intertwine / their figments of eternity / until in a flourish of infinite fullness / the singing is done / and you are undone / and at that crux of perfection / and dissolution / you are reborn / in the twist of a Tudor rose //

Alice Stainer is a lecturer in English Literature and Creative Writing on a visiting student programme in Oxford, UK, and is also a musician and dancer. You can read her work in Black Nore Review, Atrium, Feral Poetry, After…, The Storms, and The Dawntreader, amongst other places. Recently nominated for Best of the Net, the Pushcart Prize and the Forward Prize, she is in the process of submitting her debut pamphlet. She tweets poetically @AliceStainer.

In this dream, are we the seer or the seen 


the rider or the driven,
              the seizer or the seized? 

In this dream, are we the stillness
              or the motion, 
do we offer or partake? 

In this dream or in this waking, 
do we hear the sound or make it, 
              make our vow or break it? 

Are we one or two or more, 
are we movie or projector, 
              writer or director, 

do we look to the sun or turn away? 
Are we the water or the thirst? 
 

Karen Paul Holmes has two poetry books, No Such Thing as Distance (Terrapin) and Untying the Knot (Aldrich). Her poems have appeared on The Writer’s Almanac, The Slowdown, and Verse Daily. Publications include Diode, Plume, and Valparaiso Review. She has twice been a finalist for the Lascaux Review’s Poetry Prize. She lives in Atlanta, Georgia, USA and spends time in the Blue Ridge Mountains.