Labyrinth – a poem by Lory Widmer Hess

Labyrinth

I look into the world: 
so many paths
bewilder me with multiplicity.
Which do I choose?
Where do I start?
What way will I go?
How will it end?

Then I see
there is only one path,
the one named
Who am I beyond appearances?
I pick up this thread
and walk.

Back and forth
around and about
distant and close
backtracking, backsliding
foregoing, forgetting
but following, following
till I come to the center,
the heart.

My heart
your heart
our heart
the heart of hearts
still center of silence
pulsing with faith.

There the thread of love
leads me outward again
to rejoin myself
to collect, to connect
the fragments broken
through heartlessness.

So hope is born
in the restful place
where nothing moves
except
everything.

Lory Widmer Hess is an American currently living with her family in Switzerland. She works with adults with developmental disabilities and is in training as spiritual director. Her writing has been published in ParabolaHeart of Flesh, Solum JournalEkstasisTime of Singing, and other print and online publications. She blogs at enterenchanted.com

A leaf in the shape of a faerie – a poem by Alicia Elkort

A leaf in the shape of a faerie 


in the shape of a leaf slipped 
upon the twilight’s pink 
& retreating winds. 
The rays of the sun scattered 
across the earth’s atmosphere, 
& as the globe tilted toward 
nightfall, I could see you clearly 
in the shape of a word

as if a great blue heron 
slipped along the water, 
the dark muck of lake 
retreated & ripples spread
in concentric circles, 
the sounds of each letter 
holier than the one before.  

If you happened upon the scene 
at that moment, you would have heard 
what sounded like a star exploding 
in another galaxy, for that is what happened 
on this solitary fall day into night.  
And the word was lovely,  

the word was germane, the word  
settled my heart where it made 
gossamer feathers whereby all my traumas 
lay down their burdens & their wings 
expanded across the rich, strong muscles 
of their backs like Gods in flight. 
I sat at the edge of the forest—

all my traumas lifted upon each leaf’s 
spine & dissolved by the mercies 
of acceptance. I wanted to follow you, 
chaste faerie, into the nothingness 
of night, but you left me there, 
settled in the dirt with rocks 
in my shoes & a word 
on my tongue that tasted 
like honey & went down 
like the juice of one hundred
hallowed pomegranates, each seed 
its own blessing. I finally knew 
the way to save myself—
I rose to my feet & headed home. 

Alicia Elkort‘s first book of poetry, A Map of Every Undoing was published in 2022 by Stillhouse Press with George Mason University, after winning their book contest. Alicia’s poetry has been nominated several times for the Pushcart, Best of the Net, and the Orison Anthology, and her work appears in numerous journals and anthologies. She reads for Tinderbox Poetry Journal and works as a Life Coach in Santa Fe, NM. For more info or to watch her two video poems: http://aliciaelkort.mystrikingly.com/

The Secret Life of a Winter Angel – a poem by Rupert M Loydell

The Secret Life of a Winter Angel

The old man of winter reaches for immortality.
His name is a colloquialism for the winter season 
derived from ancient mythology. Transformed

into a modern adaptation, he rides upon icy winds 
with a lengthening shadow, explores the aging process 
and presents darkness as a comfort rather than a fear.

A blue vector explorer, he milks the sky of cobalt,
recreation and adventure as I proclaim: He's a comin' 
he's a comin', on a cold and frosty morning. I chant,

sing notes only dogs and my secret demon can hear,
am the original angel who fell and fell. I offer you 
my free song of the month: girl singing, singing,

singing, and am renowned for quick response time,
excellent communication and warm winter clothes. 
Lost heaven is never further than a breath away.

Rupert M Loydell is a writer, editor and abstract artist. His many books of poetry include Dear Mary (Shearsman, 2017) and The Return of the Man Who Has Everything (Shearsman 2015); and he has edited anthologies such as Yesterday’s Music Today (co-edited with Mike Ferguson, Knives Forks and Spoons Press 2014), and Troubles Swapped for Something Fresh: manifestos and unmanifestos (Salt, 2010).

Passing Through – a poem by Renee Williams

Passing Through

Part of my soul died on the day
when I boxed up all of my metaphysical mysteries
and gave them all away.
The Rider-Waite, the Rumi Wisdom, the Wildwood,
the Doreen Virtue Oracle cards, the Mary El Tarot deck,
the Biddy Tarot guide and workbook,
the Tarot for Yourself guidebook,
the Runes and their manuals,
the Reiki texts and testimonial treatises,
the Lemurian crystal, the rose quartz,
the selenite, the labradorite, the healing wands. 
Four crates left this house and my heart along with them.
But you’re not special anymore.
Where is your magic?
Aren’t you still a witch, born on Halloween?
Did Catholicism replace it?
Am I somehow redeemed?
Messages still come, quickly, quietly.
Heat yet radiates from my hands.
Birds still appear at odd times
feathers still fall at my feet.
Messengers from above find me
with their uncanny resemblances
to those who have passed. 
Conch shells clutter my desk. 

Renee Williams is a retired English professor, who has written for Of Rust and Glass, Alien Buddha Press and the New Verse News

You cannot see Him but He’s here – a poem by Jane Keenan

“You cannot see Him but He’s here” 

Crisp frost sparkles. She holds her father’s thumb, 
running to keep up, pavements ringing every step
to the hallowed space, hushed, sunshine flushed 
through softly coloured panes: candlelight and flowers.

“You cannot see Him but He’s here,” he says.

She speaks to Him deeply from her heart. 
She had no doubts, she never felt coerced.
‘til time, passing like the traffic 
rumbled questions through her mind.

It seemed interminable, the dryness.

And then a quickening! - a warmth of gentleness
Like a love-note slipped beneath her door,
Paper thin like a butterfly’s wing
thumb marked for her to seize or set aside

with tenderness.

Jane Keenan has been writing poems from the age of six. On retiring, she enrolled for an MA in Creative Writing with the Open University, since when she joined with two of her colleagues/friends to publish Daughters of Thyme in aid of Médicins sans Frontières (www.dotipress.com).

The Artist and the Businessman – a story by Jessamyn Rains

The Artist and the Businessman

Retellings of the Pharisee and the Publican 

Version One 

The church was a staid Presbyterian one, with an ancient pipe organ and an antediluvian choir, singing the stiffest, most theologically correct hymns anyone has ever heard. Phyllis was wearing pearls, and her hair was perfectly coiffed, as it had been every day of her life; her elder son, Gunnar, stood at her left, looking handsome and well-dressed with just the slightest hint of a middle-age paunch, sporting perfect, effortless business casual with an Apple watch and wingtip shoes. Stefan stood at her right, the exasperating and ever-wandering lost lamb of the family with an incomprehensible hairstyle, inexplicable beard, and graffiti-markings up and down his arms. 

The brothers had come back home for their sister Ramona’s wedding, which took place the night before. They never thought she’d make it to the altar; she was an HR specialist who had high standards for all prospective grooms. However, when everyone had assumed she would remain single for the rest of her life, Danny had captured her heart: Danny the tall, shy, somewhat awkward dentist who blushed easily. 

But this story is not about Ramona and Danny. It’s about the two brothers and what they were thinking as they stood in church on Sunday morning, on either side of their mother. 

Gunnar the businessman was thinking about the business he’d built, his 2.5 million dollar home with a lake view, his self-driving vehicle, his above-average golf game, his twenty-two year (somewhat tepid but functional) marriage, his two decent kids who were reasonably smart, athletic, and popular, and poised to do well in life. 

He thought of a recent event he’d hosted, remembered the transformation of his dining room into an elegant entertainment space, the expensive wine and champagne, the exquisite food he’d had catered, the witty things he’d said, and the ringing of laughter–particularly that of a filthy rich old man and an attractive young woman.  

He was satisfied. 

He knew that he was a good person. On several occasions, he’d helped his brother. Had lent him money. Had bailed him out of jail. Plus, he had donated regularly to the Volunteer Firefighters.

He was grateful and proud he’d done so well in his life, especially for the sake of his mother, who was alone now; his father, a doctor, had passed away eight years earlier. Surely his father would be glad to know that he had at least one child who could care for Phyllis in her old age. 

The singing ended, and the prayers began. Gunnar and Stefan sat in the pew on either side of their mother, Gunnar fiddling silently with his phone, Stefan with his head bowed and his arms crossed over his chest. 

Stefan felt–or imagined he felt–the disapprobation of the people around him. The preacher’s accusing words about sin and depravity and wickedness seemed to be aimed right at him. 

He flushed with shame. 

These people didn’t understand, of course; he’d never been fully understood by anyone. He was different; he was an artist. 

A phenomenally unsuccessful artist. 

He liked to compare himself to Van Gogh: he would die, and then everyone would weep and rush to buy his paintings. 

While this kind of thinking was well and good on the streets of his recent haunt, where he regularly contributed to local graffiti, it seemed hollow, somehow, here in the austerity of the Presbyterian church. 

They’re hypocrites, he told himself, halfheartedly. 

But he knew in his heart that they were generous, kind people, who had consoled and cared for his mother in her loss. He knew that they were hardworking, disciplined, earnest, productive people who, perhaps, even deserved their success. 

Maybe some of them were selfish hypocrites. But who was he to judge? He’d been selfish too. He had sponged off of others most of his life. He had stolen. 

And worse.

When the offering plate was passed around, Gunnar gave a sizable donation. Stefan gave a crumpled dollar bill. 

When it was time for communion, Gunnar took the bread and wine, not exactly believing in Christ but, in his heart, affirming the church as an OK institution.

Stefan let the elements go by, certain that he was not worthy, half-suspecting he was beyond redemption. 

He whispered a half-articulated prayer to God for mercy.

Version Two 

The church was one of those dark, theater types with no windows that served coffee and donuts in the lobby. The pastor wore jeans, as did the pastor’s wife. Phyllis also wore jeans, paired with a “Jesus Saves” T-shirt; she clapped and raised her hands to the music, rock anthems and ballads with electric guitars and drums. Her hair, dark brown streaked with gray, hung to her shoulders somewhat limply, covering a bald spot from recent chemotherapy treatments. Her eyes filled with tears, over and over again; she swiped at them with a kleenex. Her elder son, Gunnar, a businessman with slick, swoopy hair stood at her left, stiff in his khakis and button-down shirt, his hands clasped in front of his belt, watching the words to the songs appear on a screen, his mouth tightly closed. Stefan, her creative child in dreadlocks and tie-dye, stood at her right, munching his donut, nodding his head to the music. 

The boys had come back home for their little sister Ramona’s wedding, which took place the night before. They never thought Ramona would make it to the altar; she was a devoted ER nurse and had high standards for all prospective grooms. However, Danny, the brusque, burly construction worker, had captured her heart. 

But this story is not about Ramona and Danny. It’s about the two brothers and what they were thinking as they stood in church on either side of their mother. 

Stefan was thinking about all he’d been through, how he’d been knocked down repeatedly by life, how he’d gotten up each time, how he was a good person who cared about people, how he’d helped folks who were down in the gutter, how God had given all the herbs in the field for mankind to enjoy. 

He thought of a recent party he’d thrown at the derelict house he was crashing in. He’d given some sad homeless dudes a little grass and then let them sleep on his living room floor. In the morning he’d given them Cheetos and Mountain Dew for breakfast. 

He was happy with the life he was living. Like everyone, he’d made mistakes, but those mistakes had made Stefan who he was today. 

And who he was today was pretty good.

He was grateful that his mom had such a caring son now that she was alone. Her jerk husband had left her in the middle of her battle with cancer. His brother, who had money, was full of himself, stuck-up and cold. 

The singing ended, and the sermon commenced. The brothers sat down on the gray upholstered church-chairs. Gunnar the businessman sat with arms crossed over his chest as he half-listened to the preacher in blue jeans. Something about the “father-heart of God.” Gunnar despised the preacher, despised the motley crew around him, dressed as if they didn’t care about anything, all in blue jeans and T-shirts. They were probably blue collar workers, service workers, unskilled laborers, or unemployed. 

These were the kind of people who felt that they were somehow morally superior because they were poor. Gunnar had worked hard to get where he was; he deserved what he had. 

And yet, as he looked around, he knew that many of these people worked hard, too. They were decent people, actually. They had been kind to his mother when she was alone, had been her friends, had prayed and cried with her, had brought her meals, had shared their faith with her. 

A fissure began to form in the stoney edifice of his being. 

He began to see his callousness, his arrogance. He’d been successful; he’d made money. But along the way he’d learned to hate and despise most people, to mock them in his heart, to see them as ignorant sheep to be manipulated. 

On top of this, he felt constant, enormous stress and pressure. The strain of his responsibilities caused him to lash out at his wife and kids and anyone else who seemed to hinder him from accomplishing what he needed to accomplish on a given day. 

He took several vacations a year and ended up on the phone or in Zoom calls most of the time; he couldn’t even relax on vacation.

And so, when the sermon ended and the pastor in blue jeans gave an invitation, reading the scripture “Come to me, all who are weary…” Gunnar wished that he could ask God for help.  But he wasn’t quite sure he even believed in God. 

“You know you need the Lord,” the pastor said. “You’ve tried everything, but your life is empty. You know you can’t make it another day without Him. If this is you, raise your hand.”

Stefan the artist was thinking “me and Jesus are pretty much buddies already and felt no need to raise his hand. 

But Gunnar noiselessly raised his hand up to his ear. 

“I see that hand. Christ has come into your life today, brother,” the pastor said. 

Jessamyn Rains is a homeschooling mom who writes and makes music. Her writing appears or is forthcoming in various publications, including Reformation JournalAwake Our HeartsTrampoline, and Kosmeo Magazine, which she helps to edit. She lives with her family in Tennessee.

Migration – a poem by Cheryl Baldi

Migration

Still, there is joy. Yesterday 
I woke to the monarchs’ 
fall migration, the dune thick 
with goldenrod, and everywhere 
butterflies flitting from one 
yellow plume to the next.

And last night, from the upstairs deck,
we watched Cygnus, 300 miles away, 
launch from Wallops Island, a trail 
of fire lifting in a perfect arc 
through sky so crisp and clear, 
the second stage so bright 
the moon paled in comparison. 

I am sad you weren’t here to see it,
but I want to tell you
this morning gulls work the water
where a school of bluefish heads south, 
and just beyond the breakers
two whales feed.

Even when you and I no longer are here
monarchs will reawaken and 
venture north, laying eggs 
in the milkweed, and a pair of osprey
will return to the buoy
where they have long nested,
where each night in darkness, 
the Northern Cross rises overhead. 


Cheryl Baldi is the author of The Shapelessness of Water and a former Bucks County, Pennsylvania Poet Laureate. A finalist for the Robert Frasier Poetry Competition and the Francis Locke Memorial Award, her work is forthcoming in ONE ART: a journal of poetry and Philadelphia Stories. She lives along the coast in New Jersey and in Bucks County where she volunteers for the Poet Laureate Program and the Arts and Cultural Council.

The Conversions – a poem by Kathryn Simmonds

The Conversions 

Did the sun spin 
like a burnished penny? 
Was there a voice? 
Some testify, most don’t, 
and so the mystery remains, 
they have heard with the ear 
of their heart, seen 
with the eye of their mind, 
for God is always figurative, 
hidden in a burning bush, 
a fig tree fattening to life. 

Whatever slide or shift, 
immense or slight, 
it’s all the same and soon 
they’re shedding their own selves
like artichoke leaves 
scattered thick and plasticy 
until they’re back to naked bud. 

Their spouses look away. 
Their mothers frown. 
Who wants to hear? 
At least for comfort they’ve 
each other – St Helena, splintered
by the cross, or Saul, pawing 
at black space, 
Francis making a woodland
of his body. 

So it goes on. Quietly 
as linen is unfolded
they unfold. Even now 
someone is seated on a chair
five thousand miles from here, 
two streets away, 
staring as a strange flower 
opens in the dark.

Kathryn Simmonds’ third collection of poems, Scenes from Life on Earth, was published by Salt in 2022. Her poems have appeared in various publications including Poetry, the Guardian, the New Statesman, Poetry Review and The Irish Times, and, along with her short stories, have been broadcast on BBC radio. She lives in Norwich with her family and tutors for The Poetry School and other organisations.

Travelling – a poem by Katherine Spadaro

Travelling

On a bus, all sleeping or
lost in our phones, 
aware of the driver’s space 
up ahead:

a white sleeve, an arm with 
a wheel and our fate
(one glimpse of his face 
back reflected, intent, 
when we went through a tunnel 
and all else was dark)

I’ll have to say thank you 
to him at the end.

Katherine Spadaro was born in Scotland but has spent most of her life in Australia. She is married with two adult children. Her poems are typically short and focus on some everyday event or feeling; sometimes they have narrowly survived having all the life edited out of them. She is interested in the symbolism and impact of regular experience and how it is connected with spiritual truth. 

For Ten Seconds I Consider Dancing – a poem by Alfred Fournier

For Ten Seconds I Consider Dancing


with the great, joyful unknown. Dancing barefoot
in the slippery mud at the edge of a deep, wild lake.
You can’t fake this kind of dancing, though you make it up
as you go. I throw my cell phone in the lake, my wedding ring,
decide to break all previous engagements, remake myself
here, in this moment, baptized, falling back with perfect
unintention, opening my eyes in pea-green water,
watching bubbles that were my breath rise and burst
on the receding surface—interface between then and now,
between was and will, outer and inner. For ten seconds
I go limp while sunrays bend where seaweed blooms,
its secret flowers seeding an unseen life. Here in the deep,
I will always be dancing.

Title from “Dancing with Storm” by Nikky Finney

Alfred Fournier is a writer and community volunteer in Phoenix, Arizona. His poems have appeared in Amethyst Review, Third Wednesday, Gyroscope Review, The American Journal of Poetry, The Indianapolis Review and elsewhere. His chapbook A Summons on the Wind is forthcoming from Kelsay Books. Twitter: @AlfredFournier4.