Sunlight Prayers are like the stones carpeting the creek that flows through the dark forest of depression, its chilly water leading out to a clearing, and then a grassy field, and then sunlight. To leave this place, she needs to follow the creek stones, and she’s out. Never to return. That she can do. But is she ready? The beads on her rosary are like the stones in this creek. Follow the stones to freedom. Follow the stones, and she’s out. One stone, and then another, and then another. Follow the prayers. One bead, one prayer, and then another, and then another. And she’s out. She chants the prayers every night, fingers clicking: one bead, one prayer, one bead, one prayer. That she can do. In the dark forest blue jays feast on birdsong from tree to tree, while the creek hums its rippling tune. Is she ready? Never to return. Yes, that she can do. She climbs down from the tree of betrayal, abandonment, and abuse where she sleeps every night. One bead, and then another, sliding between her fingers. One prayer, and then another. Her toes touch creek water. Cold. Cold. Keep going. Keep moving forward. Keep praying. One bead, one prayer, and then another, and then another. That she can do. A feast of birdsong tickles her ears. One bead, one prayer. One stone, and then another, and then another. Is she ready? Yes, that she can do. Never to return. One stone, and then another, and then another. And so it goes. Finally, she reaches the clearing. And then the field. Keep going. Keep praying. And then the kiss of sunlight on the top of her head. And then she’s out. Out in the light. She’s out. Never to return.
Laura Stamps is a poet with several books, including IN THE GARDEN, THE YEAR OF THE CAT, and TUNING OUT. She is the recipient of seven Pushcart Prize nominations. Currently, Laura is working on a new poetry chapbook about PTSD and healing. Find her every day at Twitter: @LauraStamps16.