An Anti-Memoir Our predictable memoirs if collected recorded from their motley sources would be strings of wishful kindly (some far less kindly) lies, as truths of what we were, not what we wanted to be, are so boring the ghostly future past a small grey figure sits on one shoulder, while on the other is a patch of sunlight they switch places now and then it’s in their act the CEO, the emperor, the dashing general rock star, celebrity billionaire trade off with a shimmering void of strident bird call just before sunrise of elevator doors opening on someone we almost recognize of walking a hallway away from an ugly scene where we weren’t at our best but might have been if the moment had been longer, had included a pause that lengthened if we used it to re-enter that other self we always are in that patch of shouldered sunlight impending, quietly heralded by an almost-foreign steadiness descending with an implicit anti-memoir as if we could have forgotten
Don Brandis is a retired healthcare worker living quietly outside Seattle writing poems. Some of his work has appeared in Amethyst Review, Leaping Clear, Blue Unicorn, Poetry Quarterly and elsewhere. His most recent book of poems is Paper Birds (Unsolicited Press 2021).