A Desert Primer – prose by Patsy Kate Booth

A Desert Primer

Shade and water. Those two comforts are mighty scarce along this wrinkled landscape. The shade is ground level and ideal for lizards and snakes. The water is thick as bean soup. To hike this Rio Grande corridor I must abandon preconceived ideas of comfort and ease. Isolation. Heat. Cold. Rattlesnakes. Plants, animals, reptiles, and insects that scratch, poke, sting, or bite live here. The temperature varies as much as 50 degrees from noon to midnight.

On any given day, my walk starts in an early morning chill. I shrug on a jacket or fleece vest pulled close to keep in body heat. The negligible dew drifts up from the river bottom only to evaporate rapidly when the sun slides above the rind of the Sangre de Cristo Mountains. The rising sun blows a warm wind that ruffles my hair like an affectionate wake up from my father. By 9:00 AM, the sand beneath my feet is pleasantly warm. That affection turns harsh as the sun rolls into its apex and hammers the crown of my head. My vulnerable flesh is sapped of moisture by the ever-increasing heat. I tilt my big brimmed hat to shade my eyes. Next to water, the hat is my best friend even when the interior head band crusts with salt. I take every opportunity to douse my hat and bandanna in the river. That is, if I’m able to scramble down the descent without snapping an ankle in the sharp cluttered volcanic rock escarpment.

No matter how hot the long sleeve shirt seems, I leave it on; otherwise, the sun will broil me scarlet. The shirt soaks up the trickle of sweat under my arms and down my back, but I’m glad I wore it in spite of the heat. The dampness cools me briefly then vanishes leaving behind a fine grain of human salt caked in the fibers that scratch like too much starch. Drink more water.

My socks are soaked. My leather boots are comfortable, but cook my feet in this desert heat. But I have learned not to wear sandals or thin canvas type shoes out here. The sand heats up under the unfiltered sun so that it blisters the soles of my feet when I remove my boots and attempt to walk to the canyon rim. I try to change my thinking to a “fire-walker” stepping into a bed of coals. But, I leap into a wild saint vitus dance routine back to the rock where I took off my boots. “Stupid! Goathead stickers, razor grass, wasps, cactus and burning sand. What was I thinking? My feet are what got me out here and will have to get me home. Better take care.” Those sandals are terrific once I settle in for the night, but I must remain wary of cactus or scorpions hiding in wind blown mounds of sand.

There is not a scrap of shade in sight and the heat chases me to the river’s lip. The deer carved a winding pathway through the willows, chamisa and rabbitbrush and rock. I step through the oven of basalt boulders, slap the brambles away and make my way to the sound of water. I avoid touching the shaded clandestine ledges where sleeping snakes wait out the sun’s assault. I feel dizzy and faint. A cry drums in my head. “Go to the river. Remove your boots. Peel off your socks. Squish your feet in the mud. Knead the cool ooze between your toes. Feel the gooey sensation wrap your feet.” I follow my desires. The river song soothes my thoughts and cools my body. Sinking my bare feet into a small pool, I moan aloud, “Ahh, like a mud bath at the Santa Fe spa.” The tingle rises from the soles of my feet, up my tight calves, relaxes tired thigh muscles and permeates to the core of my body.

I dip my hat into the slow, opaque water and spill the contents over my head. No need to look fashionable, or even good. There is nobody watching, except the Peregrine Falcon sailing on the breeze hunting rodents.

I lay back; breathe in the perfume of wet dirt, baked sagebrush and my own desert essence. I pull that soggy hat over my face and take a long pull from the nearly empty bottle of tepid water. A gentle breeze taps my shoulder. I close my eyes.

The air comes alive with green-backed swallows, desert wrens and a family of ducks quacking jubilantly around the bend. In the most distant wisp of atmosphere, I listen for the aerial conversations of Sandhill Cranes forming and reforming on their communal flight north.

Refreshed by a cold river bath, I feel the tightening of my stomach and am reminded that food is the next step toward maintaining energy and a healthy attitude.

Choosing the right food for desert travel is simple since heat spoils anything not jerked in chili peppers and salt. Beef Jerky, wedge of Parmesan cheese, salted nuts, dried fruit and hardtack crackers are in my daypack. Dinners consist of instant soups and other quick, easily prepared foods from a box. Tea, hard oatmeal cookies, instant milk hard candies. Small flask of tequila.

Nights in the desert are downright cold. Pleiades’ icy stare announces the time hour by hour. The constellation wakes me like a silent alarm clock as it creeps across the sky. The wheel of stars lulls me to sleep, but I open my eyes at the perfect moment when a bright flash bursts blue and streaks across the moonless black canopy. The brilliance of night marinates my soul and impales an obsession for starlight, unhampered by man. I fall into the dizzying space around me and give myself to the sanctuary of high desert and the delirium of empty wild space. I share infrequent shade with native creatures and venerate our bond here. I am nudged by some unnamed source that whispers to dance with the unknown. The desert exposes my vulnerability and this is good.

I am deeply aware of the freedom and peace surrounding me here in contrast to civilization with its inundation of commerce. What to buy, what to sell, where to go, not go, whom to be, not be, etc. Without refuge, silence, wild places and befriending the unknown, one is condemned to fret about security, loneliness, disease, jobs, money, and specific to the desert, air conditioning or something cold to drink.

 

 

Patsy Kate Booth is a lifelong adventurer, poet and writer. Her work has been published in several anthologies, including Lummox Press, The Sandhill Review, Willow Creek Journal, A Walk Along the River, and recently prose in Why We Boat, a compilation of river stories. She is currently working on poetry and stories of her life in the upper Rio Grande of Colorado. You can visit her new blog at patsykate.wordpress.com.

In Pursuit of Flying – a poem by M J Iuppa

In Pursuit of Flying

A girl races down the sidewalk, dragging
her stick across bars of sunlight streaming

through the neighbor’s slat fence, like
music, her shadow dancing in & out

of time’s blank space— that reckless
moment held up to history’s sudden

humors, knowing her body could vanish
into deep silence—our hearts hoping

to hear her sail over the crack & land
in a turn— the curve of air, still

swirling, like a sigh, like a cello
trailing its slow exhale.

 

M.J. Iuppa ‘s fourth poetry collection is This Thirst (Kelsay Books, 2017).For the past 30 years, she has lived on a small farm near the shores of Lake Ontario.  Check out her blog: mjiuppa.blogspot.com for her musings on writing, sustainability & life’s stew.

After Visiting Southwark Cathedral – a poem by Joe Cushnan

After Visiting Southwark Cathedral

A public prayer board, small notes asking God to bless
the homeless, the hungry, the helpless, the lonely,
a sick mother, a deceased uncle, a man job-hunting,
carers, peacemakers and more, and one sticks out,
written by a child, early-learning handwriting,
deliberate letters in painstaking ballpoint, on a slant
from the top to the middle of the paper:
Father, please put things back to normal.
A child putting in a request for God to put things back to normal.
A child. A child. A child.
Maybe trouble at home or at school or in the big world,
a child realising the life he or she has been born into,
the years of baby joy ebbing, pampering attention fading,
innocence dissolving, happiness interrupted forever,
giving way to worry, purity stained and now rough-edged.
Put things back to normal’ added to God’s to-do list.

Joe Cushnan was born and raised in Belfast. Now retired after a long retail management career across the UK, he devotes time to writing. He has a portfolio of published features, reviews, poetry and short fiction.

Blog: www.droppedthemoon.blogspot.com

Twitter: @JoeCushnan

Four poems from POND – by John Stanizzi

1.12.19
7.12 a.m.
16 degrees

Prescient wind anticipating the ice, leaves its handprint on the
obsequious water which obediently freezes in place.
Naysayers of the cold, a fistful of chickadees tossed into the bramble, will not
deign to my plans; instead they demand I get busy feeding them.

**

1.13.19
8.23 a.m.
15 degrees

Priding themselves on their size and intelligence, five crows
obey the call, and though hardly a murder, all the other birds scatter
nonetheless. Food is scarce, and the bitter cold continues; the run-off is frozen.
Digging deep beneath dead grass some tiny creature scratches for warm, sustenance food.

**

1.18.19
9.16 a.m.
24 degrees

Projectors of the weather say big snow tonight, the first this winter.
Oleographic flurries overnight have distressed the tops of most branches.
Nothing nuanced about the pond this morning; it is evenly coated perfection,
dusted and nestled in, surrounded by weathered reed-grass, bent, broken, and waiting.

**

1.19.19
9.02 a.m.
29 degrees

Panoply of birdsongs – titmouse, chickadee, cardinal, jay, nuthatch, and
outward from the feeders, somewhere in the woods, a red-shouldered hawk is
naming the world with two syllables — keee-aaah; the morning is
deep-rooted shadows, and the bump-bump of a red-belly in the cedar.

**

2.5.19
7.48 a.m.
33 degrees

Picking the boardwalk instead of the pond this morning,
onward through the woods, the ground a mosaic of leaves
necessary for the crosshatch of broken branches to fall silently;
dim in the overcast, the cedar is possessed by bittersweet.

 

 

 

John L. Stanizzi is author of the collections – Ecstasy Among Ghosts, Sleepwalking, Dance Against the Wall, After the Bell, Hallelujah Time!, High Tide – Ebb Tide, Four Bits, and Chants. His newest collection, Sundowning, will be out this year with Main Street Rag. John’s poems have appeared in Prairie Schooner, American Life in Poetry, The New York Quarterly, Paterson Literary Review, Blue Mountain Review, The Cortland Review, Rattle, Tar River Poetry, Rust & Moth, Connecticut River Review, Hawk & Handsaw, and many others. His work has been translated into Italian and appeared in many journals in Italy. His translator is Angela D’Ambra. John has read and venues all over New England, including the Mystic Arts Café, the Sunken Garden Poetry Festival, Hartford Stage, and many others. For many years, John coordinated the Fresh Voices Poetry Competition for Young Poets at Hill-Stead Museum, Farmington, CT. He is also a teaching artist for the national recitation contest, Poetry Out Loud. A former New England Poet of the Year, John teaches literature at Manchester Community College in Manchester, CT and he lives with his wife, Carol, in Coventry.

Run to the Water’s Edge – a poem by Rupert Loydell

Run to the Water’s Edge

All the noise in the world
is something I have said.

I can mumble about indiscretion,
try to blame it on somebody else,

but the fact is (short version)
my underwater song is not

sufficient as atonement.
Let me kneel before you,

breathe in and breathe out.
At least you touched my face.

© Rupert M Loydell

 

Rupert Loydell is a writer, editor and abstract artist. His many books of poetry include Dear Mary (Shearsman, 2017) and The Return of the Man Who Has Everything (Shearsman 2015); and he has edited anthologies such as Yesterday’s Music Today (co-edited with Mike Ferguson, Knives Forks and Spoons Press 2014), and Troubles Swapped for Something Fresh: manifestos and unmanifestos (Salt, 2010).

A Sacred Migration – a poem by Mark Tulin

A Sacred Migration

They arrived from a larvae dimension,
blew past me in a magical blur,
whirling in steadfast discipline,
a zillion yellow, black, and white
migrating butterflies
fluttering in syncopated rhythms.
A series of rapid wing movements
while everything else stood still.

As the Monarchs migrated south,
nothing got in their way.
Not the tall buildings or the oak trees,
or even the dark mysteries crossing the sea.
They were on a sacred mission
to find a warmer place to reside,
to ease their population flow,
and to see the holiest of holy in Mexico.

 

Mark Tulin is a former family therapist from California.  He has a poetry chapbook, Magical Yogis, and two upcoming books, The Asthmatic Kid, and a poetry collection, Awkward Grace. He has appeared in Fiction on the Web, Free Verse Revolution, Leaves of Ink, among anthologies and podcasts. His website is Crow On The Wire.

Dusting – a poem by Kim Malinowski

Dusting

I always believed there was more to praying than kneeling
or reciting a prayer holding hands. In the silences the hidden
prayers came through. Doubts, sighs, a child
giggling in a pew. I always thought that praying
was more about dusting—wiping greasy
fingerprints off glass doors and sweeping up dried mud.
Not the hymns themselves but about placing
the ribbons back into the hymnals. Vacuuming
the altar, sweeping up cobwebs, brushing off the cross.

 

Kim Malinowski earned her B.A. from West Virginia University and her M.F.A. from American University. She studies with The Writers Studio. Her chapbook Death: A Love Story was published by Flutter Press. Her work has appeared in Faerie Magazine, War, Literature, and the Arts, Mythic Delirium, and others.

Keen to eat – a poem by Stephen Kingsnorth

Keen to eat

(Reflecting on Painting: Talitha Kum)

It is the keening I notice,
news cameras eager to record;
though propaganda can call zealots
when scoped drones are on the loose.

Grief is heartfelt naturally –
the west alone not knowing loss –
despite embassy commentaries
or as heard generals observe.
Timed slot cabled to comfort
seeks simple judgement, poorly served.

Yet professional wailing,
crooning women and men, both,
priests following rubrics
told when to beat their breasts,
Hearts bled to correct formula
sharp-cold paid-for keening crowds,
contracted funeral musicians,
are confusions quick dismissed
in the enlightened sleeping room.

Loud crying easily translates
to put-out laughter scorn.
In synoptics’ column piece –
maybe subtle first lunar case –
sleeping, handed little girl
walks secretly, is fed.

Babbling ivory overlook
denies compassion’s way,
and leads to bleeding from the skull,
this old reality.

 

Stephen Kingsnorth (Cambridge M.A., English & Religious Studies), retired to Wales from Methodist Church ministry, has had pieces accepted by Nine Muses Poetry; Voices Poetry; Eunoia Review; Runcible Spoon; Ink Sweat and Tears; The Poetry Village; From the Edge; Gold Dust, The Seventh Quarry & Allegro Poetry Magazines. https://poetrykingsnorth.wordpress.com/

Hiking – a poem by Clayton Arble

Hiking

The antelope looks at me and then runs off, carrying his world in his head. There are hills behind his eyes, secret fields and backyards only he can visit. Suddenly I am back in my original self, watching him bend his neck down to graze and entering a moment of total thoughtlessness: I am nothing, and the only thing that matters is the eternal instant of the present. But once he spots me and runs away, the trees feel even older than before.

 

Clayton Arble is a poet from Holyoke, Massachusetts.

A Walk Through Orleans Cemetery – a poem by Judy DeCroce and Antoni Ooto

A Walk Through Orleans Cemetery

Under a parish of birds
headstones limp uphill,
bones arranged in time’s neglect.

Names remembered, Crosbys,
Doanes, and Snows of long ago.
Sea captains, strong wives,
and innocent children,
with lives of storm and joy.

We imagine stories—
epitaphs from the age of sail.

~

Here, lichen covers, damp as sea grass
where all present, set aside
a day honoring a life
prepared for history.

Family by family
arranged in a half-circle,
gathered and stood
shoulders touching
as they laid you down in peace
consoling
and blessing family names as they did.

~

And above,
battered trees watch
then, in an instant

flight,
……..a lifting off of spirit.

 

Writers, storyteller and educator Judy DeCroce, and husband, artist/writer Antoni Ooto are based in upstate New York.

These two creative souls gather inspiration during their morning poetry sessions where they present, critique and revise their work together over a pot of coffee. (Trader Joe’s Morning Blend)

Judy DeCroce, has been published in Plato’s Cave Online, Amethyst Review, Tigershark Publishing, and CultureCult: Nocturne Anthology.
Antoni Ooto has been published in Soft Cartel, The Ginger Collect, Amethyst Review, Young Ravens Literary Review, and both have been published in many others.

They are collaborating on an upcoming book.