Amethyst Review

The Pastor and His Reconciliation


Death is giving a party in the fields.
Our priests point out the spot
in the tall weeds. They step forward
in their white albs like lab coats, some
days peaceful as doves. On black-cloak days
they perch like fat crows on the altar.
Those days, death is a punishment, and death’s
party, a wake. Their sermons are true as
harpoons to the guilty heart; then they wait
in confessional boxes with their bandages,
antiseptic, and laudanum chants. On
the dove days they give you purity
and unflagging, full-span hymns. You
forget your invitation, neglect your rsvp.
Your heart, like air in a fountain, rises
up in white pearls to bate your breath.

 

Rose Bedrosian received her B.A. in Literature from UC Santa Barbara, where she edited Spectrum and won The Frank W. Coulter Prize. A winner of The Independent poetry competition, her work appears or is forthcoming in Verse-Virtual, San Pedro River Review, Beatnik Cowboy, and Pembroke Magazine, among others.

oboe in the morning


elegant architecture well-dressed 
dog walkers joggers benches trees
cars speed by on the highway 
New Jersey’s tall white buildings 
on the other side of the river

small birds hop in a budding tree
a man warms up on his oboe
sheet music on his stand
the sweet sound mixed with 
the early morning light and air

brought a stillness an open clarity
a balance I’d been seeking
the vibrations coming from
his double reed instrument 
ran through me				

for a time there 
seemed to be no more
me or him or them 
no more separation

Nora Howard’s interests include people, language, dreams and the mysterious events of life. In her visual art and in her poetry she focuses on the fleeting moment, the passage of time and human interactions. She was raised in Greenwich Village and has spent most of her life living in NYC.

Midnight Prayer



It is not simply 
For evening breeze, 

Dark pond, lustrous inky 
Sky, hum of crickets, 

Cool grass, evensong 
Of creatures, that she

Emerges. It is the lure 
Of soul awakening,

Nudging, prodding,
Drawing her into depths

Visible only at night. She
Roams moon-soaked fields,

Slips in the swirling river.
Awakened from death,

She finds herself
Where she started—

On bloody knees, halfway
Between dusk and dawn.

Prasanta Verma‘s poetry has been published in Relief Journal, Barren Magazine, Bramble Lit Mag, and is upcoming in Without a Doubt, a New York Quarterly anthology. Verma tweets @VermaPrasanta, and feel free to stay connected with her by signing up for her newsletter at www.prasantaverma.com.

Laughing Buddha


In a stranger’s yard, an obese squirrel in a maple tree 
nibbles a peanut. From an icy sidewalk I count 
thirteen shells, pale figure-eights someone placed 
on a platform before him. It’s Thanksgiving. Soon 

I will fete and feast, sating myself as easily as Fat Buddha 
here. I plan to bypass the arugula salad 
with cranberries and pecans I made, pile my plate 
with gouda and peanut-butter pie. I read that Fat Buddha 

was a wandering monk who carried candy in a sack. 
He forecasted the weather, credited as a small miracle. 
According to the soft batting in the sky, we may soon 
have snow and if we do, my prize should be a small statue 

of this squirrel to remind me of his blissful disregard 
of Body Mass Index. I remember a boyfriend who told me, 
your belly looks like the Buddha at the Chinese diner. 
I breathe through the sting still festering after five years, 

tuck feelings away one by one into a quilt-covered bassinet. 
Let them rest. It was a blessing! says the gem 
I sometimes see at the bottom of my muddy moods. Fat Buddha,  
Laughing Buddha, was one much loved and welcomed 

everywhere. Who loves this squirrel? Who loves me? 
The quilted sky dissolves into weightless flakes, closes in. 
Who tames us with such abundance? I am embraced.  

Margaret Coombs is a poet and retired librarian from Manitowoc, Wisconsin, USA, the city of her birth, located on the western shore of Lake Michigan. Her first chapbook, The Joy of Their Holiness, was published in 2020 by Kelsay Press under the name Peggy Turnbull. She now uses her birth name as her pen name. Recent poems have appeared in Silver Birch Press, Bramble, Three Line Poetry, and Verse-Virtual.  She occasionally blogs at https://peggyturnbull.blogspot.com/.

Hummingbird with Monarda Blossom


Hover, flick then flick, in taut midair, 
Inhaling nectar from each blossom tube, 
A pearly string of moments here and now.
You’re motionless above Monarda and
(despite the widespread rumors you have wings)
I see two blurs of gossamer. Nothing moves 
And everything hovers, for just a beat, 
The whole world too, which holds its ragged breath 
And stops to look. You can count on one hand 
The moments like that, but when they occur
There’s no question what must be done and felt:
Drop everything. Pay homage. Watch in awe. 

A spiritual director, bigender person, and quasi-hermit, John Backman has had personal essays published in Catapult, Amethyst Review, Typehouse Literary Magazine, Tiferet Journal, and Sufi Journal, among other places. For the past two years John has been named a top 10 creative nonfiction finalist in the Wild Atlantic Writing Awards.  

Sacred Secret


There are secrets hidden in
my body,
ancient secrets
of movement, of letting go
the secret web that holds
me together.

I know how to feel it,
to release restrictions
and invite fluidity.
I can teach you
this visceral language,
how to breathe into your pelvis
the ways of knowing your
ancestor’s grief,
held tight into the body
and letting her go on her way.

You and I are done
living someone else’s life.
It doesn’t mean we forget them,
their fight to survive,
it means we can separate
who lived whom
in this body cradling our souls.

Jennifer Rodrigues currently lives on the sacred Powhatan land of Fairfax, VA. She works as a certified yoga therapist, is a Reiki healer, military spouse, mother to a creative daughter and a black cat named Miss Yvonne. She has been published in The Muleskinner Journal, tiny frights.

Garret Girl


This attic broods Dickensian cold,
the spiders moan about the frost.
Her little voice wants to be loud,
be heard above the creeping gloom.
Like a soprano in chapel air
rising to hush the cobweb doubt.

A hostess flees from her abode,
the ballroom of a Danube tune,
that weightless waltz of gowns. Her prayer
in flame warming the garret ghost.
A little voice soars to the clouds.
Joy whispers in shivers of spiders.

Phil Wood was born in Wales. He studied English Literature at Aberystwyth University. He has worked in statistics, education, shipping, and a biscuit factory. He enjoys watercolour painting, bird watching, and chess. His writing can be found in various places, including: Ink Sweat and Tears,The Dirigible Balloon, The Wild Word.

Chapel on the Porch 

Strangers gathered late afternoon on the porch
under pines, overlooking a lake. 
A divorcee, one on the brink of, another happily married
one whose job it was to marry, a nun once married
one who never married. We were different. We were the same.
Wine was poured, bread broken
stories of great love, great suffering were passed. 
We placed the doses of wisdom on our tongues
chewed, swallowed hope.

I’m gluttonous. Pocket every crumb falling 
for the days that I’m starving.
I look around, see the splendor in this unlikely mix.
There are days when the world holds your hand
looks you in the eye, nods and says, I see you. 
I am you.

Angela Hoffman lives in Wisconsin. Her poetry has appeared in Solitary Plover, Wisconsin Fellowship of Poets’ Museletter and Calendar, Agape Review, Verse-Virtual, Visual Verse, Your Daily Poem, and Writing In A Woman’s Voice. Her first chapbook (Resurrection Lily, Kelsay Books) is scheduled for release in 2022. 

Calligraphy

So many layers of silence wrap this dark
it’s hard imagining a sound inside
could work its way through them in just one night.
Such quiet clears the mind, down to the stark
and bell-shaped cavern where old phantoms hide
no longer fit to frighten or take flight.
Such clarity can’t last. Yet while it does
it echoes with its silent ancestors
in memory of brisk streams that cut through rock
the flocks above on hillsides never heard.
A summons to a world that never was
can’t be resisted. Lush or barren shores,
dense wood or desert, each confers that shock
from outside saying something has occurred.
We cannot do without the dark, the hush,
the uncreated world, the undipped brush.

Dan Campion‘s poems have appeared previously in Amethyst Review and in Light, Poetry, Rolling Stone, and many other journals. He is the author of Peter De Vries and Surrealism (Bucknell University Press) and coeditor of Walt Whitman: The Measure of His Song (Holy Cow! Press). A selection of his poems was issued by the Ice Cube Press in July 2022: https://icecubepress.com/2021/10/01/a-playbill-for-sunset/

Covering (Fig)ures 

I plastered leaf with spit to 
My bare breast, it fell to 
The earth, drenched in 
My feeble attempt. 
Desperately, I drew silt – 
Still, it did not stay. 

Stuck in a thickening crust 
He handed me piercing 
Bone and stiff vine
Together, we wove – 
Hoping for bird feathers, 
Hidden, shivering.

Danielle Page is a truth-teller, writer, and educator. When she’s not reading up on composition theory, she’s scribbling in her moleskine journal or hiking a mountainous trail. Her work has appeared in the Whale Road Review, Calla Press, Poetry Pacific, and elsewhere.