LOV – a story by Wayne-Daniel Berard

LOV

“Listen!” said the man dressed in all white.  “It happened like this . . .”

It was autumn, after Yom Kippur but before All Saints.  I had asked about falling in love.

“Listen!

“Once all children of God lived together in a great lake.  The lake was called Lov.

The lake was more beautiful than anything you could imagine.  At the height of day, bright light would sparkle from it; God’s children would float and splash among the light-drops.  At night, the moon would dip a finger in a long silver line upon its surface, and God’s children would laugh, sliding down the furrow of its shadow.

No one lived outside of Lov.  Men and women, elders and infants, young girls and boys knew only Lov as their home, their only state of existence.  They would dive deeper and deeper into Lov, soothed to their very cores by its velvety darkness.  Or they would move just beneath the surface of Lov, seeing the sky and the clouds and the birds through its softening lens.  

Everything slowed for them; the buoyancy of Lov made haste futile and fear unnecessary.  The lake provided all that was needed, sustenance and shelter, security and change.  Oh yes, change!  For the world outside, which those in Lov saw merely as a reflection of their own, was always changing.  In summer, a blue-green calm would prevail; it would grow warmer, and animals of varying sorts would approach the lake to drink and bathe. The children of God would laugh to themselves and pity them a little, as they did not know what it meant to be fully in Lov, but only came and went as their needs demanded.

In fall, fires that did not burn would begin to ignite themselves in the very heart of Lov — the children of God could see the colors reflected in the trees along the shore.  It was glorious!  For weeks and weeks on end, all Lov was ablaze in liquid scarlet, flowed in shimmering yellows.  Currents of orange and amethyst chased each other across the deep.  It was a time of flame, but not of harm, as the burning waters both consumed and caressed those awhirl in the passion of Lov.

And when winter came, it was welcomed.  Slowly the surface of the lake would crystalize; Lov would grow solid and strong.  The illusion that was the reflected world would cease for a time, and a translucent layer of stillness lay upon Lov like a familiar dream.  It was a season of sabbath, a deep retreat in which the children of God would see only the Lov that surrounded them, permeated them, and now transcended and bound them.  In winter they could not pretend, they could not rise above Lov’s surface, even for a few moments.  Once more, they were made to understand; they were not merely in Lov; they were within Lov.

Yes, there was land, too.  Had not the Creator separated the dry land from the waters on the third day?  But the story of Lov went back even further: “In the beginning all was empty and void; God’s spirit moved above the waters.”  The waters that filled the lake called Lov were just these, the primordial waters that preceded creation itself, the waters from which all things else rose  — the dry land, the rivers, the plants nourished by its mists, the living creatures teeming in its basins . . . and human beings  — human beings as well, made from the watered soil of the earth, and enlivened by the moist, deep breath of God.  For in order to breathe life into Adam, God first had to himself breathe in, to take within himself “the mist that rose from the earth to water it.”  And that mist, that water and breath was Lov.

So.  No one ever “fell in love,” not God, not people.  They were immersed in Lov, environed by Lov, created through Lov, eternal as Lov.

But . . .  you know the story.  It has been lived out in your presence, and in your own life a thousand times . . .

People like to play; they like to dare.  Today they tether their lives to a thread and walk where no paths could ever be, in the emptiness of interstellar space.  They still their heartbeats to a whisper, and venture in the shadowlands between death and life, until technology shocks them back to their side of the chasm.  Do you think any of this is new?  Don’t you recall Daedalus?  Or the builders of the Tower?

For sport, or curiosity, the children of God would sometimes try to come up out of the surface of the lake, to rise above the level of Lov.  Oh, it was one thing to float along with one’s head out of the water, or to wave an arm across the great lake to another who shared always this Lov with you.  Those were just little play-acts of daring, showing off — like riding a bicycle “no hands,” with the rest of you wrapped tight around the frame!  Occasionally, one or the other, in a demonstration of strength, would leap out of the waters like a dolphin, flapping their arms like a scared baby bird, and yelling!  But these, too, were like trampolinists who jump high, vaulters who trust their life to a narrow pole — for a moment.  Then, they are very glad that the trampoline’s surface is beneath them, that the pit is filled with mats to meet their fall.  After all, no one wants to remain suspended between heaven and earth, no one wishes to straddle a crossbar permanently.  And no one would ever really try to live outside of Lov, not for a few moments, let alone forever.  Would they?”

I shuffled my feet, one to the other.

“Eventually,” went on the man in white, “competition got the better of too many of the children of God.  It became a mark of distinction to pull oneself away from Lov and up onto the dry land.  At first, no one would stay more than a few moments, as the atmosphere apart from Lov was terrifying.  There was fire hidden everywhere, fire in the air, fire in the sand and on the wind.  It was excruciating to take even the fewest steps, impossible to breathe without burning. 

What was worse, this invisible fire was clearly the inveterate enemy of Lov, of the waters that preceded creation.  The moment one ventured away from Lov, the fire attacked from every side, sucking the moisture from one’s very pores like some all-present demon.  One only had to walk away from the lake for an instant to immediately thirst for Lov in the most desperate ways; not just with the lips, but with one’s entire being.  For this was the worst part of pulling away from Lov, even as a prank:  the emptiness, the void.   The very substance of reassurance, the constant, unavoidable embrace that had been one’s life would suddenly disappear into hot, dry nothingness.  The children of God had from the beginning lived together in one heart.  But now — it was not hatred they would feel, or rage.  It was nothing.

So, what sort of urge would drive so many to experience that dryness more and more often, for longer and longer periods of time?  Inquisitiveness?  Determination?  Simple contrariness?  Or was it the fruit?

You know the account as well as any:  “The earth shall send forth vegetation; seedbearing plants and fruit trees that produce their own kinds of fruits with seed shall be on the earth.  And it was so . . .”    And this fruit grew on dry land.

There was plenty to eat in the waters, of course.  None of the children of God knew the word “hunger.”  At first it was the appearance that attracted, the glowing gold and orange suspended in the air, like a passionate reflection, like suns that did not burn.  Why wait through the long seasons of Lov?  Reach out your hands and taste.

Here the hidden fire slept, cool and defenseless.  Snatch it, defeat it, consume it.

Win.

Were you honestly about to say, ‘What has winning to do with love?’

For the first time, children of God saw love as one season out of all time, as one experience rather than all experience, as something to be won, lost, and re-won, rather than a gift never other than theirs.  In the fruit, they believed they had found a short-cut to eternal fire; why bother with winter, summer, spring, when it could always be brilliant fall? A fall into love.”

“Romantic,’ I was surprised to murmur to myself.

“Bulimic,” the man in white retorted.  “Why starve oneself, eating only crumbs, when everything one touches is banquet?  Why insist on only this day of love, when every day, every month, every second around you is Lov, and only Lov . . .

“Tuesday,” he then muttered in his white iridescence, and sighed.

“Pardon? . . .” I replied.

“It’s insisting that every day be Tuesday, this falling in love of yours; that only Tuesday has worth, passion.  It’s trying to constantly recreate Tuesday.   Oh, often enough it will be Tuesday, and often enough the flame will ignite itself.  But the other six days . . .”

“Are themselves also waters in the one lake?” I said.

The man all in white smiled.

“Falling in Lov is not your issue.  Climbing out of it is.”

“. . . Not just mine, ” I added, more defensive than I’d meant to be.

“No.  Not just yours. But yes, yours.  

Listen . . .

As for the fruit, it was a great deception.  For the children of God, it was the opposite of an aqualung; it provided moisture where there was none, enabled one to spend more and more time on the dry land.  But why?  Why be satisfied with dribbles of water, when an entire lake is there before you, is your home?  Why exist apart from Lov at all, preferring instead to subsist on . . .

“Lov’s bought illusion, ” I whispered, more to myself than to anyone else.

He nodded. “And so, the vicious circle began to strengthen and grow.  They should have realized when the fruit would not survive in the lake of Lov, where it quickly became saturated and spoiled.  And the longer they stayed on the dry land, the more like the fruit these children of God became.  Flashy, impermanent.  Unable. like the fruit they consumed, to spend much time in their lake home.  Coaxing them, forcing them would merely cause them, too, to become spoiled and saturated.  For the first time in human history, it seemed possible to have too much Lov.

But most did not see it.  In order to spend more and more time apart from Lov, which they had no need to do, they required for themselves more and more of the fruit, which they had no need to eat.  In order to experience (so they thought) their fire, their passion at will, they devoured fruit upon fruit, until they became immured even to its illusory effects.  But still they sought it; still they consumed . . . 

With demand for consumption came the lust to control.  The fruit became more and more rare.  The strong trampled the weak to possess it; the stronger battled each other to own the dry land, to control its groves.  Many began to cultivate the fruit; “labor,” a concept unknown in the green depths of Lov, soon became a demand, and then a virtue.  In their battles and work, in their competition, sides were drawn, associations were formed.  Those on the dry land begged their companions in the depths to join them, to help them, in the name of Lov.  And many came.

Soon, too soon, there were more on the dry land, working, warring, needing and demanding, then were children of God in Lov.  Oh, occasionally visits would be paid.  Tuesday does come every so often of itself.  True Lov was still possible, that season when all the world is flame, reflected out of the deepest depths.  Glorious.  Then the Lov’ers would leave the world of illusion, of winning and losing, of needless dryness and false relief, and plunge together into the heart of Lov.  Now everything was as it was in the beginning — everything was in Lov and of Lov, apart from Lov there was nothing for them now.  But few, if any, stayed past the season.  When the winter came, they did not welcome it.  They were afraid; contrary to what they would tell each other, they did not believe enough in their Lov to give up escape, to be sealed all and only in Lov, even for a time.  So, before the roof could form, they would flee from Lov as fast as they could; only to seek it with pathetic fervor, in fruit upon fruit, for the rest of their lives, asking . . .”

“Where did the fire go . . .” I finished his thought, but my mind was elsewhere.

And now, what is to come?  Too many, too many of the children of God have forgotten about Lov entirely, about their home and their destination — and with good reason.  The more they fought, the more the hot blood of violence flowed into the lake, seeking to pollute it.  The more they plowed and built and tortured the dry land, the more their poisons ran off into Lov — for it is inescapable, the link between our work, our wars, and our capacity for Lov.

And deep in their hearts, many on the dry land regretted none of this.  Rather, they had come to enjoy it perversely — the only type of enjoyment left for those who serve illusions.  They had come to disdain, even to hate their brothers and sisters, few though they be, who did not answer their call, who remained all of Lov.  They were subversives, a danger to the social order, a bad influence on their children.  And as Lov knows nothing of fighting back . . .

And so, in your day, those who live solely and always in Lov are few and hidden.  The shores and shallows where some Lov might gently touch the dryness of your lives have been poisoned, even beyond the point of brief refreshment.  All has become work for work’s sake; all rest has become amusement, and amusement hard work all its own.  How tired your holidays and vacations make you!  And that which you call love, even this has become a competition, a race for fruit that is only foam, a slaughter, even among lovers, for one more taste of thirst. 

This is why you call it “falling in love,” for, to you, a fall is a mistake, a shame.  A fall is something from which you must recover as soon as you can.

And those who could teach you another way, these children have spirited themselves away far from you, safe and deep, deep within the very heart of God, which is Lov.”

“Where is this place?” I asked, barely breathing.

“It is said in Jeremiah, ‘God weeps in secret.’  That is the place,” he said.  “The place called Secret.”

“Whose secret?” I whispered, tears beginning now.

“Yours,” replied the man all in white.  “Yes, yours.”  

“But what should I do!”  I had found my voice.  I was shouting.  “Surely there must be something I can do!”

I thought he was hesitating for an instant’s instant.  Then he looked at me and said:

“I order to protect those few of his children who are still faithful to Lov, the Holy One, blessed be his name, will prepare a great winter, in which the surface of Lov will be sealed for a long, long time.  Those who are within Lov, who are of Lov, will remain there, safe in a great retreat, a mystic season.  Those who are outside . . .”  

Then he turned to go.

“Wait! Wait!” I called after him.  “When will all this happen?”

He stopped for an instant, held his hand out, palm up, looking at the sky.

“Snow?” he smiled.

Wayne-Daniel Berard, PhD, is an educator, poet, writer, shaman, and sage. He publishes broadly in poetry, fiction, and non-fiction. His latest published full-length works are in poetry, The Realm of Blessing, with Unsolicited Press, in mystery fiction, Noa(h) and the Bark, and in short fiction The Lives and Spiritual Time of C.I. Abramovich, both with Alien Buddha Press. He is the co-founding editor of Soul-Lit, an online journal of spiritual poetry (www.soul-lit.com). Wayne-Daniel lives in Mansfield, MA with his wife, The Lovely Christine. 

They are not Venus Statues – a poem by Kim Whysall-Hammond

They are not Venus Statues 

It is her own self
that shape carved and pushed
into polished mammoth bone
to entice a soul from
the other place to this world
soft mounds of flesh
growing and plumping
fecund hopeful happy
bulges where they are supposed to be
for the life burgeoning within

Her eyes dance with delight
as sisters and brothers braid her hair
adorn it with herbs 
scents to lift the mood further
to cleanse, to promote
what they all want
a little one, helpless and soft
they long for the wail of the new

She caresses the small statue
that is giving life and strength
her strength for the birth
and the milk after
strength to the new life
hope for an easy transition
from there to here
a safe birth for both

All is preparation and happiness 
all is her
her own self 
shaped in the bone

Kim Whysall-Hammond is an expert in obsolete telecommunications arcane who believes, against all evidence, that she is a good dancer. She has been published by  Ink, Sweat and Tears, Amaryllis, London Grip and Crannóg amongst others. You can find her at https://thecheesesellerswife.wordpress.com/

Even though I will eventually tire – a poem by Judith Adams Lagana

Judith Adams Lagana‘s poetry has appeared in Atlanta Review,Naugatuck River Review and, the Paterson Literary Review, among others. She is the co-editor of River Heron Review and lives in Bucks County, Pennsylvania. Follow her on Twitter at @lylacmuse. Website: jlagana.com

The Way to Holy Cross – a poem by Roberto Christiano

The Way to Holy Cross
 
Leaves are changing
as I take Route Seven 
off the Dulles Greenway.
Hills consider their rise 
into mountains while
cows in the valley rest  
by the shaded streams.
Cars slowly lessen  
along the pike, and I 
decrease my persistent 
lean on the accelerator.
 
Nearing the abbey,
roads like Retreat Lane
and Good Samaritan Vale
saunter into view
without asking for notice.
After a long bridge
over the smooth-faced
Shenandoah River, 
I turn off the highway,
roll my window down.
The road is dirt now.
The river glints
at my side between the trees.
Leaves of red maple,
elm, and oak
petal my windshield.
 
The sign marked
Holy Cross Cistercian Abbey
is easy to pass, 
but I manage to catch it  
out of the corner of my eye
and bear right onto the gravel road
of Cool Spring Lane,
where ripened wheat 
is waiting for harvest.   
Silence deepens in the shadows
of afternoon fields.
Beyond the expanse of planted acres,
the Blue Ridge ascends
its way into the orange
of Indian Summer.
 
Bells toll for midday prayer.
Softly, I shut the engine off.
Walking up to the sanctuary,
the sky unfolds 
like a vast blue possibility.
Monks are gathering in 
without haste or worry.
I dip in the holy water,
take my place,
incline my head.
The brothers chant,
“God, come to my assistance,”
and I reply,
“Lord, make haste to help me.”
 

Roberto Christiano won the 2010 Fiction Prize from The Northern Virginia Review for his story, “The Care of Roses.” He received a Pushcart nomination from Prairie Schooner for his poetry and was anthologized in The Gávea-Brown Book of Portuguese-American Poetry. His chapbook, Port of Leaving, is currently available through Finishing Line Press. Other work has appeared in The Washington Post, The Sow’s Ear, New Verse News, and Delmarva.

Kites – a poem by Daniel Gustafsson

Kites

It’s light that first attracts
my eyes, a glint of fire overhead,
and then the tug of rufous thread
unreeled from earth to air – 
where twinned, entwining helixes			
unite the rhyming pair 		

in soaring dance. Down here,  	
a moor-patterning grid of pylons, masts
and wire-mesh extends its vast
design. The kites, astride
the bypass now, with fourfold wings
and forking tails divide

the sky between them. Swathes
of edgeland caught within their wheeling span,	
I see them scout and circle, scan	
the fields and tonsured hill		
with pinions poised, then pivot there, 		
anticipate the kill

and swoop. As daylight falls
I stand entranced beneath the reddened sky,	
a single figure, steeple-high,
exposed on open ground 
for savage, all-pursuing love
to run its rings around. 

Daniel Gustafsson has published volumes in both English and Swedish, most recently Fordings (Marble Poetry, 2020). New poems appear in Trinity House Review, The Brazen Head, North American Anglican and The York Journal. Daniel lives in York.  Twitter: @PoetGustafsson Website: www.poetgustafsson.wordpress.com

Setting Out – a poem by Barbara Daniels

Setting Out
		Ireland, 500 AD


He sings this: wicker boat 
covered with skins, light among 
rocks and out onto seafoam. 


Swans overhead follow each other 
north past the far edge of ocean. 
They know they’ll find land there.

He used to trade without speaking.
Men offered oil, wine, amber. 
He countered—hunting dogs, 

wool, his beautiful slave. Now 
he owns nothing. Who is he 
since he buried his sword 

and shield, his silver bowl 
embossed with the story of Christ 
and the story of Venus? 

He takes bread for a journey, steps 
into a rudderless, oarless boat. 
He may come to an island 

and live there, a hermit, 
or end with the grandeur 
of nothing, the last bit of bread. 

He sings this: Water 
my desert. My wicker boat. 
Swans fly. I follow.

Suns – a poem by Barbara Daniels

Suns


An owl that flew from the tundra 
waits on the ground, slowly 

turning its head almost completely 
around. If everything connects, 

owl to song, holly back to a quiet grove, 
can I return through vast galaxies 

to lie on the living room rug 
among fragrant pine needles, Mom 

and Dad asleep, the furnace wheezing? 
The elegant hand of Dad’s record player 

lifts and drops to scratched vinyl, 
Messiah joyously leaping the gaps. 

The sun comes up—beside it 
another sun, another, another.

Barbara Daniels’s Talk to the Lioness was published by Casa de Cinco Hermanas Press in 2020. Her poetry has appeared in Cleaver, Faultline, Small Orange, Meridian, and elsewhere. Barbara Daniels received a 2020 fellowship from the New Jersey State Council on the Arts. 

Raised Beds – a poem by Sarah Clayville

Raised Beds


Some say it’s sacrilege to plant above the earth, but I believe
things can grow wherever there is sun and air.

And rather than bury the seeds like tiny graves I carve out of bark
little boats and punch holes in the base where water can travel through.

I am not a gardener or a creator but rather an inventor of ways
to let the light into dark spaces reserved for claustrophobic fear.

When my plants rise and send their roots down below like Persephone
flaunting her beauty to Hades, they will never for one second feel

That I buried them alive.

Sarah Clayville writes and teaches from the wilds of central Pennsylvania with a particular focus on moments of discovery. Her work can be seen in such journals as The Threepenny Review, Literary Orphans, and The Gravity of the Thing. For more of her writing and her literary adventures with her daughter, head to SarahSaysWrite.com.

Late September – a poem by Janet Krauss

Late September (2020)
 
There is a solemnity
to late September
as if the air itself is meditating,
You notice a certain stillness.
 
It is not mournful or abrupt
as after the shofar penetrates
distance calling worshippers
to temple, its measured lament
reaching back to shawled ghosts
swaying as they chant, arms raised
before crumbling heaps of walls.
 
It is a stillness that sets you
In a place beyond doubt, hurt,
heat, cold or fear where
you welcome the intimacy
of the sun, though you are pleased
to see it go for the clouds assist
the air in its autumnal prayer.

Janet Krauss, who has two books of poetry published, “Borrowed Scenery,” Yuganta Press, and “Through the Trees of Autumn,” Spartina Press, has recently retired from teaching English at Fairfield University. Her mission is to help and guide Bridgeport’s  young children through her teaching creative writing, leading book clubs and reading to and engaging a kindergarten class. As a poet, she co-directs the poetry program of the Black Rock Art Guild.

Autumn Altar – a poem by Susan Charkes

Autumn Altar
 
“They cry out for an offering of flowers or of fruit”
                                                (after A.V. Christie)
 
 
invocation of oregano             mountain radiance
                        scent of moths                         bearing the breath of bards     
 
black paste     moldered walnut husks
                citric  tang              
henna’s  secret stranger  
 
 
wild cucumber pods
            mad prickles mellowed to lacy veils  
 
the spade-bitten earth 
a chalice   for roots   
 
 
to milkweed the memory of Mexico
 
 
ash samaras     the curtain lingers                   riddles under wide-eyed bark
never again    
 
 
phosphorus of the field    earth lanterns         
            possums    decay before dying 
 
 
vitis     
this our grape              twisting  
(de)pendent  on           the adamant other
             
 
pawpaw           just ready when easily bruised 
 

Susan Charkes, writer and poet, lives in southeastern Pennsylvania. Her poetry chapbook, sp. was published in 2017. She is a member of Montco Wordshop and Tenth Sky Poets. More at susancharkes.com.