Look at Me, Here – a poem by Elisabeth Horan

Look at Me, Here

Must get up
Get out of bed
Eat the food
Do the things
Be… Here.

See one yellow banded
Amethyst skyline
Twilight, her heavenly skylight
Does twinkle, diamond-eyed

In a powder keg
In a January dusky
Musical – intermission bell
Dinging

Icicle eyelashes coyly suggest
Transparent underthings
Flapping – look at me –
Over here, don’t worry

I’m not Lucifer
I’m extremely pretty
Poised over dirty, naked trees
Long suffering snowbanks
Cut, halved at the knees.

I’m pretending.
To be from a postcard
To those places I never
Went in my youth

But in my head and
On this day
I am there
But I am here

Look at me
Out of bed
And, here. Here. Here.

Elisabeth Horan enjoys talking with animals and listening in the woods. Her poetry aspires to give a voice to Mother Earth and her children, as well those kindred souls who may be suffering alone and in pain – especially those suffering with mental illness. She has recently been featured at TERSE. Journal, Anti-Heroin Chic, Quail Bell Magazine and Milk & Beans.  Elisabeth teaches English at River Valley Community College in New Hampshire.

ejfhoran@weebly.com follow @ehoranpoet.

 

Sky News – a poem by Helen Moore

Sky News

After Tim Williams

Today’s report is of a soft yet piercing
quality of light, Earth tilting on her axis,
& us in this Northern Hemisphere
near where land meets the sea.
In woods the up & up of all living Beings –
finials of birdsong refining the air;
pale buds pushing out of stems;
plump pinky-grey nubs of Willow,
& the eager, praying hands of leaves.
Chittering Coal Tits amongst Larch cones;
Hazel’s trembling catkins & green
shoots pointing through layered mulch
beneath. Dampness, delicious cool,
though the Sun draws attention
to each & every detail. Today,
there’s mass awakening – the sky
announcing this, & an earthly chorus
with the clearest song. May love prevail!
Stand in this ground & grow!

 

Helen Moore is an acclaimed ecopoet based in NE Scotland. She has published two poetry collections, Hedge Fund, And Other Living Margins (Shearsman Books, 2012) and ECOZOA (Permanent Publications, 2015), described by John Kinsella as “a milestone in the journey of ecopoetics”. Her poems, essays and reviews have been published widely, and her work has been translated into Italian. A pamphlet, The Disinherited, was published in 2017 and Helen’s third collection, The Mother Country, is due in 2019. FFI: http://www.helenmoorepoet.com

Pseudacris crucifer – a poem by Sheila Wellehan

Pseudacris crucifer (Peepers)

Near Easter, when ponds promise to unfreeze,
you begin to hear their plaintive pleas.
Come be with me, chorus frogs sing each evening.
Please breed with me,
I’m the Peeper King.

Their cheeps grow in strength like a stampede
until you can’t escape their melody.
From dusk until they fall asleep,
they dream they’re the first amphibians
crawling out of the sea.

Every brown back is marked with a small dark X
that reminds devout Christians of their beliefs.
The frogs’ name crucifer means bear a cross,
but peepers do not share that creed.
Their gospel is

Sing loudly.
Scream freely.
Lead the chorus from your pool or creek.
Sing for what you need.
Sing for what you seek.

Sing because you’re alive
and it’s spring.

Sheila Wellehan‘s poetry has recently been featured in The American Journal of Poetry, Menacing Hedge, San Pedro River Review, Tinderbox Poetry Journal, Whale Road Review, and elsewhere. She lives in Cape Elizabeth, Maine. Visit her online at www.sheilawellehan.com .

Puck – a poem by T J Barnum

Puck

You stand inside my skin
to play a game
of Blind Man’s Bluff.
Who makes the silly rules,
that I must always be “It”
stumbling? Reaching out,
never quite connecting with
laughter I cannot hear
and glittering light I cannot see?

You whisper songs in my dreams,
dance on flying feet around my bed.
I feel cool angel breath,
vibrations bouncing off walls.

Penetrating eyes.

I think you are a plague
of forgotten dreams and
promised joy. I think
you are early morning mist
that settles on skin and half
hides blemished fields.

Sometimes I look for the
gnarled bone of a problem,
months in the making, only
to find it flying away as if
carried on mischievous wings.

It’s in the listening that I see you
drawing close. Watching,
measuring your endless responses
to my shifts of mood and intent,
planning tricks to catch my
wandering purpose.

Singing
to bring me home again.

T J Barnum writes extensively about life, family, politics and spirituality. Her work has been accepted by Rivet: The Journal That Risks, Better Than Starbucks, The Dead Mule School of Southern Literature, The Dirty Pool, The Moon Magazine, and other literary journals. For more  poetry, short stories, essays, and occasional rants, visit: tjbarnum.com.

Dragonfly – a poem by Alan Rycroft

  Dragonfly

Dragonfly
Hovers
Motionlessly
Over petals
Opening slowly –
Mute god
Minnow
In the ocean
Of the mystery,
Worshipped
By a sea
Of lotus flowers.

(written Wuhan, China)

 

Alan Rycroft was born in London in 1957, though long based in Bristol with his family. His life has often taken him on a planetary odyssey being a qualified Lecturer with an MA in Applied Linguistics, he has been engaged in teaching English across universities and companies in the Middle East and Far East. He has been much privileged and enriched to imbibe and interact with so many faith traditions and cultural influences globally.  All the while he says poetry has been a constant comfort, companion and mentor, has quietly distilled a profound and rich internal dialogue of self understanding and realization, at once a form of therapy and illumination, as well as exacting taskmaster and craft. Simultaneously, the  poetic venture has been a conversing with inner Spirit, trying to catch that ever elusive resonance and the multidimensional voices of the heart, by turns, colloquial human and every day, mythic, shamanistic, high philosophical and spiritually enlightening striving for a universal authentic explication. His Collection At the Steep Face of Your Heart is forthcoming; he can be contacted on : arycroft@yahoo.com

Can You Find God in Your Poetry? – a poem by Maribel C. Pagán

Can You Find God in Your Poetry?

Can you find God in your poetry?
Buried in the blade of your pen,
or in the skin of your soul?
In the sound of a whale,
or in the drop of a needle?

Can you hear the music
thrumming through your own?
Do you see the colors your eyes paint,
or the way you cry in the rain
when the clouds turn into broken songs?

Where do you see yourself in a year’s time?
Will your final words be encased in this poem,
in the wings you’ll need to find God?
Will your words weep when your breath dies?
Can you find God in this broken hymn, in this final prayer?

Can you find God in your poetry?

 

Maribel C. Pagán is a Latina writer. She has appeared in Gone Lawn, Foliate Oak, 7×20, Cuento, and others. Additionally, she is the Editor-in-Chief of Seshat, a Prose Reader for Apprehension and a Poetry Reader for Frontier Poetry. Visit Maribel at http://therollinghills.wordpress.com/.

 

The Book of What, The Book of Sin, The Book of Lips – poems by Katie Manning

 The Book of What

all that remains of Matthew

a
tomb
at dawn
is
like lightning

heaven
came down from heaven
and became like dead men

now I have told you

the
end

 

The Book of Sin

all that remains of Galatians

someone
caught
sin
by the
hand

someone
means
my body

I
share
the
letters
and
avoid
the flesh

do
the marks
mean
anything

 

The Book of Lips

all that remains of Philippians

I
say
your
names
again

I
have learned
the secret
of
well fed
peace

I ask you
to
be
the same
always

if
you
stand
at my side
my
love
will be
as
long
as
God

 

Katie Manning is the founding Editor-in-Chief of Whale Road Review and an Associate Professor of Writing at Point Loma Nazarene University in San Diego. She is the author of Tasty Other, which won the 2016 Main Street Rag Poetry Book Award, and four chapbooks, including The Gospel of the Bleeding Woman. Her poems have appeared in Fairy Tale Review, New Letters, Poet Lore, Verse Daily, and many journals and anthologies. Find her online at www.katiemanningpoet.com.

‘These poems are from a project-in-process that uses the last chapter of each book of the Bible as a word bank. I began this project in protest–I was tired of people taking language from the Bible out of context and using it against others as a weapon–but as I continued I realized that this process of creating poems also resembles the practice of Lectio Divina, divine reading’

After Heaven – a poem by David Chorlton

After Heaven

Bees fly out of the sun.
An evangelist has died.
The signposts to salvation have been covered
in mourning black
and every sinner now
must find the way alone.
…………………………………..Here come
sparrows to the grass and finches
to the ocotillo. There’s a religion
reserved for the time
no birds arrive and we’re left
to ask where Heaven disappeared,
…………………………………………………but look:
clouds at the end of the street
promise rain after nightfall
when the sky belongs to the owl.

David Chorlton is a transplanted European, who has lived in Phoenix since 1978. His poems have appeared in many publications online and in print, and reflect his affection for the natural world. His newest book publication is Shatter the Bell in my Ear, his translations of poems by Austrian poet Christine Lavant.

Worrom Doog – a poem by Elisabeth Horan

Worrom Doog

Morning will break, yes –
……………as forever it has donne before
………………………..and your pools will be my pools

We will be half alive or half dead
……………properly mixed; our chi –
………………………..poised for repositioning

Bleeding for how hard we stared at each other:
……………as if infrared goggles could spare a retina,
………………………..as if rain-filled clouds might cushion our fall –

Cheek to cheek, in the sleep cave (till now since 1631) –
……………go not about my grave (unless filled with your dirt)
………………………..go not at night with shovel (unless to dig my corpus up)

And if ye be my earthen-marriage blanket
……………I’ll wear you to dinner – my stole, my corset.
………………………..I’ll steal your heart to dine on said carcass –

Pursue us, Oh God! Allow the morrow –
……………with its flawed goodness, to fly in –
………………………..it’s maniacal mood swings – for war or for peace

Small miracles in the mean – wrapped up in blood-gauze,
……………two tongues in the buttercream; four eyes frozen in fear of forever
………………………..yet with you – forever is the one with whom I cannot compromise;

Such internal reticence; below this maternal birthing sky
……………of glass, of lies: wombs such as mine bear the wars of men –
………………………..same as any other day, or any other sunrise.

 

Elisabeth Horan enjoys talking with animals and listening in the woods. Her poetry aspires to give a voice to Mother Earth and her children, as well those kindred souls who may be suffering alone and in pain – especially those suffering with mental illness. She has recently been featured at TERSE. Journal, Anti-Heroin Chic, Quail Bell Magazine and Milk & Beans.  Elisabeth teaches English at River Valley Community College in New Hampshire.

ejfhoran@weebly.com follow @ehoranpoet

 

The Giant in the High-Rise – a story by Wayne-Daniel Berard

The Giant in the High-Rise

The building stretched twenty, maybe twenty-five stories into the thin, cold sky. Frost patterns that were the few clouds pressed upon the pane of the day stilled the atmosphere over sea and city, equally unmoved. Winter.

Anak stood, extremely tall but with a bit of a shoulder slouch, in the very center of the high-rise, in the very center of town. Under ordinary conditions, great, knotted arms would have by now plowed through partitions and security doors; knees thick with hair like hedge bracken would have lifted and crashed dully, clumsily through plate glass vistas, while bare feet, callused and hard as wrecking-balls, would be putting an end to all foundations.

But these were not ordinary conditions, and Anak was no ordinary giant. He was a magical giant. In fact, he was Time.

Being magical, the giant in the high-rise could pass his oh-so solid body right through stages and conditions of matter, like Casper playing for laughs. But he didn’t laugh. Like almost all giants, in fairy tale or midrash or saga, Anak was quite slow-witted, quite unaware.

Like those of his cousin Atlas, so easily out-foxed by Hercules (himself no Mensa member), Anak’s long, challah arms reached high over his thick head. Always. Hands, forearms, elbows and upper arms passed without disturbance through floor & ceiling, ceiling & floor above and beyond his sight, into that neighborhood of the high-rise which he dimly called “Yet.” Up on the roof, a homeless person had been camping out, unbeknownst to all but the custodian, a righteous man. He was gone now, but had left a transistor radio, a pack of playing cards, a few odds and ends. Far, far below, in the basement, in that nether region Anak knew as “Ago,” the righteous custodian kept a hot plate in the storage quarters, although the rules forbad it. Around it, unmatched luggage, an assortment of moldering wedding gifts, soccer balls and kites whose owners had long since moved away, old TV’s, and exercise machines fulfilling their purpose in guilty half-forgetfulness — all these splayed around Anak’s huge, unshod feet and toes. And dust.

The giant’s vision was limited to one floor at eye-level, which he ingeniously called “It.” It was a typical set of apartments, with rugs and kitchenettes, furniture and lives in various stages of emergence from the sterility of rent, gradually warming themselves, ripening toward departure and property. This was all Anak could see; this was It, and for all he knew, all there was. Glimpses out of high windows, themselves often reflections in other high windows and they in others, sometimes showed slices of sea on one side of the building, of mountains on the other, like slivers of moon caught in the many lenses of a telescope, caught and lessened.

Anak would look on, ponder in his own ponderous fashion, and live. Often, from the ceilings and roof above, music would seem to drift down as from an unseen, yet glorious heaven. He would hear it and love it, and wonder where it came from, unable to see anything but the story directly before his eyes. He thought perhaps the music to be intimations of his own future; a precursor of good luck or love . . . Out of his sight, his own great hands, flopping about on their wrists, would pick up the playing cards on the roof, aimlessly shuffle them, pick one, do a bit of a trick or begin a game of solitaire. Black queen on red king — my God, how had he known that? How had he known that this one would yet fall for that one and she for him, although she was dark and somber and he sanguine and incisive? Had he dreamt it? Why could he sometimes finish others’ thoughts, suddenly see who would next cross a room and say this or that, or sigh and say nothing? Pick a card, any card . . .

From the deep reaches below, smells and sounds and sensations would also rise to Anak’s level of perception. He didn’t know it, but his own feet were right then playing with a soccer ball stored away in the basement. Back and forth from foot to foot, toe to instep to heel, the ball would dance. Abruptly, the giant would be back in his own childhood, filled with nostalgia, overwhelmed by the nearness of that which he thought had died long ago.

And the scents of meals cooking on the custodian’s hot plate, the smell of a splatter of hot grease smothering in the dust of the cellar — what was stirring down there? Had he missed something in the deep recesses? Something burning but delicious was calling him, almost driving him mad, but he could not see it. Was some issue he had not yet resolved on the burner now? Did giants have mid-life?

Through reflections of reflections in the skyline, Anak could just make out the curved lids of pot-bellied mountains between his city and the Great City. Where the air had once dipped deepest in the sky-forks between them, a good, new road had been cut through, and sky, for the first time since Creation, could there touch level ground. Or concrete, at least. It was snowing on the mountaintops.

The dull giant that was Time turned his limited attention once more to his narrow field of vision, the rooms and furniture and windows. Never had he moved from this position, arms way above him, feet far below — didn’t know he was in anything called ‘a position,’ didn’t understand that his own life, all of one piece, rose and fell across the entire high-rise at every moment, one moment.

Soon he would sleep. In his dream, he would stride, slowly, deliberately, in one long constant step, crossing and bounding the entire good road between the mountains, one foot still here, the other already there, the snow sticking to his thick eyebrows. Down below, thousands upon thousands of tiny Anaks — old ones, young ones, married and single, affluent, struggling and homeless, the just born and dying, joyous, uncaring, and enraged — all were scurrying, heatedly, ceaselessly back and forth beneath his arched legs on that same road, up and down it, between the Great City and the always unmoved sea.

Wayne-Daniel Berard teaches English and Humanities at Nichols College in Dudley, MA. Wayne-Daniel is a Peace Chaplain, an interfaith clergy person, and a member of B’nai Or of Boston. He has published widely in both poetry and prose, and is the co-founding editor of Soul-Lit, an online journal of spiritual poetry. His latest chapbook is Christine Day, Love Poems. He lives in Mansfield, MA with his wife, The Lovely Christine