abandoned church – a poem by Rebecca Kokitus

abandoned church

hardwood littered with candles and hymnal pages / feel my flesh crawl like cobweb brush, ghost finger caress / half inside half out like purgatory

false idol nightmare face painted above the altar / forever smirking at “til death do us part” / batshit crazy stir crazy Jesus / tired of haunting this place / wanted dead or alive / worship like ghost hunting

draw ouija board on torn out bible page / forgotten psalm

fill the cathedral with flashlight glow / inspect the dirty wound /each time you revisit this place you bleed / blood oath with the ghosts

imagine getting married here / spray painting your vows on the walls beside the bleeding signatures / steeple pigeons sing you down the aisle / wearing dusty tulle drapery as a veil / mummified

feel around in the dark for the secrets the night keeps / written in braille

Rebecca Kokitus is a part time resident of Media, PA just outside Philadelphia, and a part time resident of a small town in rural Schuylkill County, PA. She is an aspiring poet and is currently an undergraduate in the writing program at West Chester University of Pennsylvania. She has recent work in Rag Queen Periodical and Moonchild Magazine, and more work in other places. She tweets at @rxbxcca_anna.

Moving on Water – a poem by Carolyn Oulton

Moving on Water

The wind coming down
is thrown into rock
by the sea’s fist
over and over.

This water is solid
to the touch,
wedge-shaped gulls
are rocking to its beat

and its veins run like a map
of the hand that
is always being punctured
and made whole again.

 

Carolyn Oulton‘s poetry has been published in magazines including Orbis, The Frogmore Papers, iota, Seventh Quarry, Ariadne’s Thread, Envoi, New Walk, Upstreet, Acumen and Ink, Sweat and Tears. Her most recent collection Accidental Fruit is published by Worple Press. Her website is at carolynoulton.co.uk

illumined absences: iii – a poem by Sudeep Adhikari

illumined absences: iii

there is an absolute calm beyond the
spreadsheets of my saudade; the songster
under-souls, I can hear their chirps

and rhythm of the absence

entwined with the sonic
multitude of my mundane contracts.

what can’t be said, must be passed over
in silence, wittgenstein said.

buddha did not utter a freaking word.

absolute silence is a myth, john cage
would have said.

I watch the fireflies coming into life
from the worm-holes of void. I never felt

so complete; so full of rainbowed lack.

 

Sudeep Adhikari is a structural engineer/Lecturer from
Kathmandu, Nepal.  His recent publications were with Beatnik Cowboys,
Chiron Review, The Ekphrastic Review, Midnight Lane Boutique, and
Occulum. Also a Pushcart Prize nominee for the year 2018, Sudeep
is currently working on his 4th poetry-book Hyper-Real Reboots.

And so I say – a poem by Adam Levon Brown

And so I say

 

Hypnotic transience

circulates through

the body of time

 

And so I say;

 

Dance with the bones

of your ancestors

until you join them

 

Hedonists sip on the

philosophical

 

And so I say;

 

Burn in the flames

and spread your ashes

to the edge of the world

 

 

Achilles is gone forever and

Sleep is the brother of death

 

and so I say;

 

Light your candles now

before dusk settles

on your eyes

 

Adam Levon Brown is an internationally published author, poet, amateur photographer. He is Founder, Owner, and editor in chief of Madness Muse Press. He has had poetry published hundreds of times in several languages, along with 2 full collections and 3 chapbooks. He also participates as an assistant editor at Caravel Literary Arts Journal.

A View from a Window – a poem by Janet Krauss

A View from a Window

after the Charlottesville, VA race riots, August, 2017

The birds like to perch on the leafless tree.
“They have a better view of things,”my husband observed.
A better view whether they sit together,
or on separate branches. Clear all around
to rest a while, test the air, the wind where next to fly.

An artist said, “All I need is a framed window
to view life.” Life that offers the vagaries of weather,
a ballet of light on sun-splintered water,
an aerial show of suspended clouds
and only a squabble between gulls over a dropped clam.

All this far from hate-mongering
herds and white coned creatures wielding
torches and hurling words heavier than rocks.

 

Janet Krauss, a widely published poet, has two books published, Borrowed Scenery(Yuganta Press), and Through the Trees of Autumn(Spartina Press), 2005 and 2007, respectively. She was twice nominated for the Pushcart Prize. She retired in May, 2017 after 39 years of teaching writing and literature at Fairfield University where she received the Adjunct Award of the Year in 2006. She also enjoys teaching creative writing in the Bridgeport, CT schools. She has participated three times in the Wickford Art Association Poetry and Art exhibit. In addition, she is co-director of the poetry program of the Black Rock Art Guild in Bridgeport, CT. And she attends the Connecticut Poetry Society workshop at the Wilton Library.

Aging, Weston Priory – a poem by Wayne-Daniel Berard

Aging, Weston Priory

Who will last longer,
me or this place?
It feels like an old
marriage. We say
to each other, “Don’t
be hurt, but I hope
I go first.” In its
heyday, this hill
Vatican II Woodstock
every Sunday. I never
came then, youthfully
declaiming “if everyone
likes it, there must be
something wrong” forty
years and a conversion
later, hineni
here I am, three
times a year the
brothers grey without
replacement like
an old marriage I
say, “who will refuge
me when you are
gone?” Still
I don’t want
to go first
regardless
of all that’s wrong.

 

Wayne-Daniel Berard teaches English and Humanities at Nichols College in Dudley, MA. Wayne-Daniel is a Peace Chaplain, an interfaith clergy person, and a member of B’nai Or of Boston. He has published widely in both poetry and prose, and is the co-founding editor of Soul-Lit, an online journal of spiritual poetry. His latest chapbook is Christine Day, Love Poems. He lives in Mansfield, MA with his wife, The Lovely Christine

To the moon and over the stars in a cupboard of love – a poem by Ruth Gilchrist

To the moon and over the stars in a cupboard of   love

Sugar lumps; mixed white and brown
rough cut, tumbled up.
One for the cup, one for the pocket
one for the pony (strong, warm, nuzzle up).
…………..Come chil’ see the ripple in my muscle
…………..that’s the ripple of the earth rising up as The Andes.
…………..Climb up here we’ll away and see.
…………..Feel the thrill, smell the fear, sense the   climb.
 
Apples; golden, green or russet
orchard fresh or winter press.
One for the bowl, one with cheese
one for the pony (strong, warm, nuzzle up).
…………..Come chil’ see the steam from my nostrils
…………..it’s the steam from the geysers bursting through Icelandic crust.
…………..Spring up here and we’ll away and see.
…………..Feel the pulse, smell the sweat, sense the   life.

Carrots; round or enormous
long or weirdest of all.
One for the nammet,* one for the soup
one for the pony (strong ,warm, nuzzle up).
…………..Come chil’ see the blaze on my forelock
…………..it’s a lightning blaze across the Mongolian plain.
…………..Hold up here we’ll away and see.
…………..Feel the rain, smell new grass, sense the   age.
 
Water; clear crystal, cold
fresh from the river or tap.
Bowl for the bird, glass for me
bucket for the pony (strong, warm, nuzzle up).
…………..Come chil’ see the waves in my tail
…………..they’r the waves of the sea that meet The Namib.
…………..Ride up here and we’ll away and see.
…………..Feel the spray, smell the dust, sense the   stars.
 
Hay; could only be ‘well got’
sweet and tangled.
Strand behind the ear, some caught in my boot
a bag for the Pony (strong, warm, nuzzle up).
…………..Come chil’ your head on my chest
…………..a place for you to rest.
…………..Slip up here and we’ll away and see.
…………..Feel the cool night air, smell saddle soap, sense the   dreams.

*nammet; term used on the Isle of Wight to refer to a packed lunch.

Ruth Gilchrist is a Scottish based writer. A member of EyeWrite and Dunbar’s Writing Mums. “Writer of the Year 2015” Tyne and Esk. Ruth collaborates with museums, photographers, film poems, radio and musicians. Poems published in Snakesin and Scrivens webzines and the SouthBank poetry magazine Southlight and The Eildon Tree. Also in various anthologies, including the Federation of Writers Scotland.

Consolation to the Assembled – a poem by Ray Ball

Consolation to the Assembled

When the bishop
of Tarragona
untied
his own sandals
did his fingers
tremble
with fear
or only joy?

Chanting a blessing
for the fire
he ran toward,
Fructuoso prayed
to be consumed.
Born

to the stars.
The bone collectors
come,
leave through
the vomitorium

folding time,
taking
precious tokens
and holy ash
remnants
of the saint.

While the choir
sings,
entomb them
in the abbey
only reached by sea.

 

Ray Ball, Ph.D., is a history professor, essayist, and poet. She grew up in Oklahoma and Texas, but now lives in Anchorage, Alaska. She is the author of two history books and her verse has recently appeared in Cirque, Longleaf Review, and West Texas Literary Review.

Little Treasures – flash fiction by L Mari Harris

Little Treasures

 

On the first nice day in early spring, I see her stop at the porch steps, her little red Radio Flyer behind her. She looks down at my landscape rocks, scanning her head side to side, ponytail bouncing, then carefully selects several and sets them quietly down in the wagon. She knocks on my door. I give it a few seconds, like I’ve been back in the kitchen rolling out pie crust.

“Good morning, Mrs. Andersen. Would you like to buy some rocks? Quarter each.” She has the longest, thickest eyelashes I’ve ever seen in my sixty-five years on this earth.

“Why yes, Chloe, that would be lovely. How did you know I needed rocks?” I hand her two dollar bills and watch as she walks down my sidewalk and turns right toward her house, pulling the wagon behind her. I’m not thrilled she’s on her own as young as she is, but times are different now, and I understand her mother needs to earn a living after picking the wrong man she thought would settle down.

I had a good one in Dale. We weren’t blessed with children of our own, but God’s plans aren’t always known to us. I sometimes have to remind myself that God knows my strength better than I do, being childless and a widow and all, because there are days when it gets lonely. But I had the best, and for that I cannot complain. Makes me sad to see these young women today struggle so.

Two days later I’m dusting when I see Chloe coming up my sidewalk again. It takes her both hands and a couple of tries to get the decorative bullfrog hefted up into her wagon. She wipes the dust and dirt onto her jeans before knocking.

“Mrs. Andersen, look! She would look real cute next to your flowers. I can let you have her for five dollars.”

“Why yes, Chloe, she would look real cute. How did you know I’d been looking for something like that to spruce up my flowerbed?”

She breaks into a big smile, ponytail askew, as I hand her a five dollar bill.

When Dale passed, I questioned how I would find grace again. We both knew it was coming as he grew weaker and weaker, each round of treatment stealing more strength from him, until in the last days all he could tolerate was a chicken bouillon cube dropped into a cup of hot water that he would nurse all day long. When Dale slipped into an uncomfortable sleep he never woke up from I asked God to take my hand and show me the path to walk down, because I was afraid I wouldn’t find it on my own.

After Easter service lets out and I’ve picked up my sheet cake pan and have returned home, I find myself in the garage, reminiscing as I pick through the box of little things of Dale’s I never got around to tossing out or giving away. His Pioneer Seed cap, the sweatband still stained a dirty grey from all the years of working under the hot sun. The watch I got him for Christmas one year, the leather straps long gone. I wind it up and the second hand begins to tick clockwise. There’s a black velvet bag I’d long forgotten about, and as I turn it in my hands the rocks inside clack against each other. Not rocks, exactly. Fairburn agates we found together up in Custer County in the early years of our marriage when our legs were still strong and would carry us up and down the prairie hills, walking sticks in our hands to ward off occasional rattlesnakes, eyes scanning for those beautiful agates, laughing and practically squealing with happiness each time one of us would come across one. Many times we’d come back across the state line empty handed, but that didn’t matter. We just enjoyed being together, and that in itself was reward enough.

The next day, I’m resting on the porch swing when Chloe comes down the sidewalk, pulling her little red wagon behind her.

“My my, Chloe, isn’t this a beautiful day?” I see her eyes shift around the rhododendron bushes by the porch steps and I pretend not to notice. “How was school today?”

“Fine. I only missed two on my spelling quiz.” Her eyes are locked onto what I placed near the bushes. “Mrs. Andersen! Do you know what’s down here?” She picks it up and cups it in her hand, gentle, like she’s holding a fledgling found knocked from the nest.

“That’s what’s called a Fairburn agate, Chloe. Mr. Andersen and I used to go hunting for them. They’re very hard to find.”

“You mean like treasure hunting?” Chloe walks up the steps with it still cupped in her hand, marveling at the concentric layers of white and pink and purple and brown.

“Yes, exactly like treasure hunting.”

Chloe scoots on the seat next to me and swings her legs, eyes not leaving her hand. “Is it worth a lot of money?”

“Not a lot, but a little. First one to find an agate gets to keep it.” She finally takes her eyes off her cupped hand and looks up at me. “You found it first, fair and square.” Chloe’s a good girl who misses her mama working all the time. One day before she knows it, she’ll be old enough to know more than this block of old bungalows, just like I woke up one day to find myself at seventeen looking back in goodbye to the farmhouse where I grew up as Dale and I drove to this house that we turned into our home. “Say, how about joining me for some lemonade and oatmeal cookies? Just took the cookies out a little bit ago. Bet they’re still warm.”

 

L Mari Harris lives in Nebraska, where she works as a copywriter. Follow her @LMariHarris.