Mason City – a poem by Dan Campion

Mason City


Joshua, requiescat


I strolled around the Lutheran Church an hour
while Jim sat in its garden with his cell,
connected to his meditation group.
July, a sultry day. I hugged the shade.
What story can afford to lack a shade?
A wooden cross, a tomb, a sacred hoop
are clappers in the hollow of a bell.
I couldn’t help but note the church’s tower,
like Notre-Dame’s, possessed another spire,
as though by Viollet-le-Duc, which pinned
the blue sky up so ecumenically
I had to squint. Then Jim signed off and we
went on, to mourn our uncle. All have sinned,
the parson said, soon echoed by the choir.

Dan Campion‘s poems have appeared previously in Amethyst Review and in Light, Poetry, Rolling Stone, and many other journals. He is the author of Peter De Vries and Surrealism (Bucknell University Press) and coeditor of Walt Whitman: The Measure of His Song (Holy Cow! Press). Selections of his poems will be issued by the Ice Cube Press and the MadHat Press in 2022.

Free – a poem by Simon Fletcher

Free


I stroll up to the branching waterfall;
work done, I need fresh air and to be free.

It takes so long to find one’s second self, 
it seems, and there you are, a friend and free

of negatives, who tops me up on tap.
Your love’s an ancient waterfall, a free

resource of life that brings me to my senses,
always there, flows from the hills, the free

and purple-hearted mountains, deep in clouds,
where ponies, wilder creatures wander free.

I tumble in your love and, smiling, know
you’ve given me permission to be free.

Simon Fletcher is widely published and has performed across Britain and in Pakistan & Norway. He’s read his work on BBC Radio Shropshire & the BBC Asian Network. He runs poetry writing workshops in green spaces/ places and MCs the monthly online Virtual Voices event. For more go to: www.simonfletcherwriter.com

All True Believers – a story by Elizabeth Enochs

All True Believers 

“I rebuke you in the name of Jesus. I rebuke you in the name of Jesus,” Zelsie incanted as she lay in bed. She’d fallen asleep that night the same way she did every night — lying on her back with one hand down her pants while the other clutched her favorite stuffed animal. Zelsie didn’t fall asleep this way for the reason you might expect — she wouldn’t explore that sort of play until many years later, shortly after stumbling upon a box of romance novels her aunt kept hidden in the attic. No, Zelsie fell asleep this way because it’s the only way she could fall asleep without feeling like a corpse. She’d been to a few funerals, and she’d never seen someone buried with their hand shoved down their pants. 

Just as Zelsie had been falling asleep the same way every night for years, she’d been waking up the same way every night for years: terrified, and with the distinct feeling that she was being watched. Sometimes, Zelsie could even see the outline of a hooded figure sitting at the end of her bed. These episodes left Zelsie with an aching chest and sweat-soaked pajamas, but she always managed to fall asleep again long before dawn. Her nights had played out this way for as long as Zelsie could remember, cloaking even holiday evenings in dread, and that dread had only grown since last Sunday. 

Like she did most Sundays, Zelsie sat in a pew near the back with a friend while her aunt sat at the piano. Zelsie usually paid more attention to the comic strips her friend drew on the tithing envelopes than to the preacher himself, but last Sunday’s sermon grabbed Zelsie’s attention and held on tight. “All true believers will be tested with a demonic visitation,” the preacher said, prying Zelsie’s eyes from her friend’s comic strip for the first time that morning. 

All week, Zelsie wondered if the figure who sometimes sat at the end of her bed was actually a demon, and if he’d come back that night. She thought about him on Monday during her spelling test and ended up misspelling the word “anguish.” At recess the next day, she lost a race to a boy she’d always been able to outrun. The day after that, she burst into tears at the dinner table when she couldn’t stop picturing the figure’s hooded form. She thought of him throughout ballet class on Thursday and kept pliéing out of sync with the other dancers. When Friday finally came, she couldn’t even finish her lunch.  

Zelsie thought about the figure every single morning while she was feeding her cat, Pepper, and she thought about him every single night as well, especially when she’d awake — as if to the snap of invisible fingers — frozen with fear. She thought of him more often than not, and she told no one — as if describing his previous visits might summon him. 

Tonight was Saturday night, and he was back. When Zelsie awoke in the middle of the night, she didn’t just feel a presence — she spotted one at the foot of her bed. It’s why she’d been repeatedly whispering the phrase she’d learned at church — the one that was meant to banish evil spirits — but no matter how many times she repeated it, he just sat there. He didn’t make a sound. He didn’t turn to look at Zelsie; he didn’t try to touch her face or grab her feet. He didn’t move at all. When Zelsie’s heartbeat slowed and her breaths evened out, she stopped incanting. Still, he didn’t move. I’ll close my eyes for just a second, she thought. When she opened them, it was morning. 

That Sunday’s comic strip featured a Harvard-educated opossum, and Zelsie re-read it twice before church ended. Zelsie and her aunt had a lunch of macaroni and cheese, mashed potatoes, fried okra, cornbread, and green beans, and Zelsie ate two helpings of everything. She even had room for banana pudding. Afterwards, she read two chapters of Charlotte’s Web before taking a walk in the woods with Pepper. Zelsie’s aunt drew her a bubble bath that evening, and the two of them watched The Wizard of Oz when Zelsie was finished. Zelsie thought about the figure less than she had in days, and when she did think of him, she thought only of how he didn’t respond to the phrase she’d learned at church. If it didn’t banish him, maybe he isn’t evil? 

He didn’t visit Zelsie that night or for several nights after, and while she still thought of him sometimes, those thoughts didn’t keep her from acing her quizzes. They didn’t mess with her timing during dance class or keep her from finishing her meals, either. The longer he stayed away, the more Zelsie hoped he would visit her again. 

When he did, she tried talking to the figure. After her heartbeat calmed and her breathing eased, she asked him his name. She asked him if he was her guardian angel. She asked him why he was cloaked in black if he was her guardian angel. She asked him why he never lowered his hood, and how he’d gotten into her room. She asked him if he could fly. But the figure simply sat at the foot of Zelsie’s bed. When he visited her a few nights later, Zelsie skipped the questions altogether. “Thank you for watching over me,” she whispered when she could speak. A few nights after that, she told him a funny story about Pepper; and a few nights later, she told him a funny story about her aunt. 

Within a month, Zelsie would simply acknowledge his presence the way she would a dog’s or a cat’s. She’d reach into the darkness hoping to feel his cloak — then, with one arm outstretched while the other cradled her favorite stuffed animal, she’d go back to sleep. 

Liz Enochs is a writer from southeast Missouri — more often than not, you’ll find her in the woods. website: https://www.elizabethenochs.com/.

The Choir – a poem by Susan Wilson

The Choir


Fred was here and here was different,
a pause after collapsing on the staircase.
The indescribable things were waiting to be seen.
He heard the crying sound of the first tears.
His lips struggled over his teeth, a perfect set, 
a long-lost memory grown back.
Without a music sheet to hold his hands
he began to hum his uneasiness into a tune.

He saw his brother-in-law, shaking his head
of the aching of plans gone wrong.
He hummed Fred’s tune, as if he’d been practising
but he just couldn’t find the words
and the angel said you don’t need to know the words.

His other brother-in-law called out to them.
He had left behind a clogged up brain
for a mind as clear as menthol. 
Here was a sharp contrast. Happiness could hum too.

Fred’s wife sat down, tired from a year of suffering.
That moment had now passed. Her voice was weak
but she hummed as loudly as she could
and the angel said you don’t need to know the words.

His daughter thought she heard something and looked up.

His sister-in-law had dreamed she was sleeping
but she had worried herself awake.
She was humming for her daughter and her son.

His daughter picked up a pen and began to write.

His nephew was playing cards, collecting aces,
he said there were five, counting himself.
Nice eulogy cuz! I am myself again, he smiled.

His daughter kept on writing.

Another brother-in-law joined them.
He brought the sorry he had felt but could not say.
He hadn’t seen his niece for such a long time 
and he wondered what she was doing
and the angel said she is writing the words 
to a tune she believes she can hear. 


But, you don’t need to hear the music to know the song
and you don’t need to know the words to sing along.



Susan Wilson lives in East London and began writing poetry following the
death of her mother in 2017. Her poems have been published by Lucy Writers, Snakeskin, Runcible Spoon, Dreich, Areopagus, Streetcake, Rue Scribe and Amethyst Review. Her debut chapbook is
I Couldn’t Write to Save Her Life (Dreich, 2021).

Reading Peter Levi’s Poems – a poem by Rupert Loydell

Reading Peter Levi's Poems 

'I think God is the purpose of reason,
and is most silent when he is most known.
I cannot pretend to enlightenment,
God is a kind of unenlightenment.'
   – Peter Levi, 'Christmas Sermon'
 
It is the very ordinariness
of your vision that appeals,
how you embed the sacred
in the everyday, the holy
in the mundane, claiming
nothing for yourself, letting
the light and your eyes fall
upon what surrounds us,
noting its specificity as
you try to make it new.

  © Rupert M Loydell

Rupert Loydell is a writer, editor and abstract artist. His many books of poetry include Dear Mary (Shearsman, 2017) and The Return of the Man Who Has Everything (Shearsman 2015); and he has edited anthologies such as Yesterday’s Music Today (co-edited with Mike Ferguson, Knives Forks and Spoons Press 2014), and Troubles Swapped for Something Fresh: manifestos and unmanifestos (Salt, 2010)

Hey There, Samson – a poem by Erika B. Girard

Hey There, Samson


I wonder infrequently
why you wear your hair so long

only to tuck it up under
a brim woven from the same straw
Rumpelstiltskin once made use of
to spin, spin into gold for a girl

I wonder if it hides—
your hair, I mean—

the layers of secrets that lie inside
deep inside

I wonder if it hides—
your hat, I mean—

the hair that holds your ego, your
power, that middle ground

between id and superego
that one theory claims reigns
like tragedy, like truth

above all.

Erika B. Girard is currently pursuing her M.A. in English and Creative Writing with a concentration in Poetry through SNHU. Originally from Rhode Island, she derives creative inspiration from her family, friends, and faith. Her work appears or is forthcoming in The AlembicSandhill ReviewWild Roof Journal, and more.

Mindfulness – a poem by Rita Moe

Mindfulness

Taste of salt on your fingertip 
delicate tap of your forefinger 

on the crusty contours 
of a crumb of toast 

the mystery of adhesion, 
defying gravity, hand and crumb rise and

you remember close-up 
of a gecko’s green foot pads 

on a pane of clear glass 
and, looking closely, the photographer 

and her camera reflected upside down 
in the gecko’s round bulging eye 

how as a girl you looked sideways 
into the bathroom mirror marveling

that even the far reaches of the room were visible 
& how did Alice climb into that other world? 

& what does my counterpoint grimacing, 
grinning, sticking out her tongue in perfect 

synchrony think of me? which is to say 
how effortless  to fall down a rabbit hole… 

Do not chastise yourself for failure again 
to achieve perfect mindfulness

as, unbidden, a morsel has risen, has arrived—
the taste of cinnamon on your tongue.  

Rita Moe’s poetry has appeared in Water~StonePoet Lore, Slipstream, and other literary journals. She is the author of two poetry chapbooks, Sins & Disciplines and Findley Place; A Street, a Ballpark, a Neighborhood.  She has two grown sons and lives with her husband in Roseville, Minnesota.  

First sight of a Brimstone Butterfly, Sign of English Spring – a poem by Leo Aylen

First sight of a Brimstone Butterfly, Sign of English Spring
A middle-aged writer remarked: “Each spring-time I remind myself the number of spring-times I shall experience is limited.”
 
A floating petal, a flicker of gold
Tinge on green, glimpsed, corner of the eye
Passing, the colour of wakening spring’s
Pale sunlight stroking leaves to unfold                      
From their split buds, this butterfly —
This Brimstone — this fragile pointing
 
To summer’s approach, this creature which wind
Puffs gently, like casual thistledown,
Like froth from waves, like motes of dust,
Over its universe’s end,
Seems in this moment to have grown
Wind, wave, land, ocean, universe, vast,
 
As our lives, nudged by the coming of spring,          
Shrink butterfly-small, butterfly-frail …
Though we may last a second or two
Longer than Brimstone, will anyone think
Us a green-gold reflection of pale
Sunlight, as we’re glimpsed, passing through?

Leo Aylen was born in KwaZulu, South Africa, was educated in England and has lived in London, New York, LA. He has 5 prizes, about 100 poems in anthologies, 100 broadcast,  9 collections published, the latest The Day The Grass Came, called “a triumph”  by Melvyn Bragg, “Stupendous” by Simon Callow, “An energy which could leave readers gasping” by Martyn Halsall. He usually writes in strict forms.

Yushima Tenjin Shrine in Spring Rain – a poem by Sally Thomas

Yushima Tenjin Shrine in Spring Rain

On the woodcut print by Kasamatsu Shiro



There’s no hurry here,
Only gray doves fat with cold,
Lavender dusk snagged

In empty branches. 
By lamplight, two women have come,
Each alone, to stroll

The rain-silvered walks.
Each, anonymous beneath 
Her wide umbrella,

Holds her secret thoughts
Close to her – or perhaps no
Thoughts at all, only

Something like peace. They
Have not been asked to think, but
Only to exist,

Present and unknown,
Two women in cold spring rain
Before the trees bloom. 

Sally Thomas is the author of a poetry collection, Motherland (Able Muse Press 2020), and a forthcoming novel, Works of Mercy (Wiseblood Books 2022). Her work has appeared recently in Autumn Sky Poetry Review, Dappled Things, North American Anglican, Plough Quarterly, and Trinity House Review. 

Kristin in the Light Café – a poem by Elizabeth Kuelbs

Kristin in the Light Café



I match my handlebar to your handlebar      our tires	
riot up forsythia    pussy willow    luscious mud 
    sprays our vernal wakes    the lake ice booms    the buds thrum 
so green and full     the insides of things too 

the desire in the boys’ eyes     the intent in the exact cobalts 
and fleeces of their shirts     which are only shirts  	which we know	 
  yet gardens glimmer anyway     you dance with me      you 
thunder with me a storm of leaps of flight on the pier on the lake 

in the everything silver moon glow glittering fish flee to far lilac coves 
owls scold      you laugh me up from gravity breathless
  you     whose brain excised     exquisite     awaits a microscope
catalpa seeds fly now 	  my night helicopter churns the leaden water now

and you meet me at a table in the light café	
you meet me     where crystal fans spin prisms into filigreed mirrors 		
  apricot prosecco fizzes before you     and your arms of peace 
embrace me in the always Just-spring air      
	

Elizabeth Kuelbs writes at the edge of a Los Angeles canyon. Her work appears in Psalms of Cinder & Silt, Poets Reading the News, The Timberline Review and elsewhere. She holds an MFA from Vermont College of Fine Arts and is the author of the poetry chapbook Little Victory (2021).