Letters to a Poet – a poem by Martin Willets Jr

Letters to a Poet

(With lines, in italics, from Rainer Maria Rilke’s The Book of Hours)
For Wally Swist

2.

The Creator is not contingent upon us.
The whole universe awakened
when the Creator spoke a single word.

All of creation is the Creator’s inexhaustible fulfillment
of continuous making
and unmaking.

Right now, we are being worked upon —
cells dying and being replaced.
We are coaxed into changing,
and we cannot escape or prevent the changes.

In the book of our hours,
we are being written, revised
The music of our lives sing us forward.
We cannot control any of this.
My senses tremble.

My vision is ripe for seeing. My third eye is aware,
even in the blinding light that is the Creator.

I shall not fear darkness.
Although my days grow shorter

into the long shadow of my own winter,
I find ambient light.

I have been touched by death,
and I have been allowed to walk into another day.
I have no fear of whatever is ahead.

I am at peace where I have been
and where I am going. Although I cannot see
what is ahead, like before turning sheet music
to see the rest of the composition,

the universe and I have grown together.
The Creator’s music is my music;
my story is part of the Creator’s story —
and now, I’m being spoken into life.

Martin Willitts Jr is a Quaker poet. He has over 20 full-length collections including How to Be Silent (FutureCycle Press, 2016); Unfolding of Love (Wipf and Stock Publishers, 2020); and forthcoming Leaving Nothing Behind (Fernwood Press, 2022). He is an editor for The Comstock Review.

Place of Prayer – a poem by Tony Lucas

Place of Prayer
 
Translucent glass
filters and fragments
the morning sunlight
into gentle pools
that warm the stone
 
a bowl of roses
glows on the cool
plane of the floor
 
one poised flame
animates the silence
 
eyes hollowed
from the clay
with care gaze down
on stillness
 
passing perfect
as the lily and the rose
that it enfolds.
 

Tony Lucas is retired from parish ministry but continues work of editing and spiritual direction.  His poetry has appeared widely, on both sides of the Atlantic, and past collections Rufus At Ocean Beach (Stride/Carmelyon) and Unsettled Accounts (Stairwell Books) remain available.

Penitential – a poem by Tony Lucas

Penitential

What offering can you hope to bring
to set upon the altar?
 
Nothing but broken pieces of small lives -
hopes that have faltered,
plans ineffectually pursued,
entanglement with trivial minds,
the needs unmet, the dreams untrue.
 
Frustrated in attempts to build, to grow,
the shards and fragments only can be laid
in hope of wiser spirits who will know
to mend the cracks, to fill out gaps,
discern the patterns you could not attain.
 
It could be pleaded that you tried –
not always, and not hard enough –
fell short of making beauty, speaking truth,
nurturing the vulnerabilities of love. 
 
Both knowledge and ability
far less than you supposed.
 
Unable to accomplish on your own
things better brought about in company
or done through - even in spite of – you;
 
only a hope that trust is being learned
humility enough to be the vehicle
of a provident, if contradictory, grace.

Tony Lucas is retired from parish ministry but continues work of editing and spiritual direction.  His poetry has appeared widely, on both sides of the Atlantic, and past collections Rufus At Ocean Beach (Stride/Carmelyon) and Unsettled Accounts (Stairwell Books) remain available.

Espalier – a poem by Lisa Rhoades

Espalier

 
If I could fix hope  
to a trellis, I would tie 
the branches 
in the direction of love, 
pruning what reaches away, 
patient as someone 
who expects to be around, 
and the tree would answer 
with dense blossoms 
and the mouths of the blossoms 
would fold into the fruit, 
and the fruit would hang 
in a pattern of great beauty, 
and it would be enough, 
it would feed the world.

Lisa Rhoades is the author of The Long Grass (Saint Julian Press, 2020) and Strange Gravity (Bright Hill Press, 2004). Recently poems have appeared at Thin Air, American Journal of Poetry, Psaltry&Lyre, Saranac Review, and SWWIM. A pediatric nurse, she lives on Staten Island.  

To Find Healing – a poem by Janet Krauss

To Find Healing


in the morning glories as they awaken
each day within a blueness that startles the sky,
accepting their closure at dusk knowing
they will open again when  the ascent
of dawn releases the burden of darkness,
taking a loved one’s hand as it brushes
mine and keeping its message
secured  in my inner eye,
letting a child guide my crayon over
her picture blending the colors together,
remembering Homer’s Penelope as she weaves
her father-in-law’s shroud and unravels
it each night only to begin again
the next day, saving him from death
and herself from the ravages
of the suitors rumbling in their quarters,
walking by the sea as it effortlessly
rolls over and over itself as I breathe
in its persistent perseverance.

Janet Krauss, who has two books of poetry published, Borrowed Scenery, Yuganta Press, and Through the Trees of Autumn, Spartina Press, has recently retired from teaching English at Fairfield University. Her mission is to help and guide Bridgeport’s  young children through her teaching creative writing, leading book clubs and reading to and engaging a kindergarten class. As a poet, she co-directs the poetry program of the Black Rock Art Guild.

The Latter Prayer – a poem by Brent Short

The Latter Prayer

It was another first step in a series of many;this time in the right direction, after such an unpromising beginning before it got any darker—figuring out not just where, but where not to go. — attributed to the author

During those walks 
through the woods, 
the air was growing
more and more nostalgic.
Leaves were swirling and falling
against the vast proportions
of a brooding sky—
sorrow and sweetness
in their equal parts fit 
the angle of that air.

Indistinguishable 
from any other the day’s last gesture 
passed unnoticed.
I heard a hawk directly overhead,
sailing, riding its own current.
I was lost but the hawk 
didn’t know I was lost.
You’re either on the trail
or you’re off the trail.

I was already reduced 
to guessing, immediately preoccupied 
with rescue, turning around in fits and starts,
reminded of how we’re never too far 
from bewilderment
despite all my wishful thinking
and flights of fancy 
offering up certain comfort,
as if I had been climbing all along, 
soaring up to that hazed moon 
popping up over the trees, 
gliding, sliding around 
above it all,
up in the phosphorescent air,
everything in its place
just so below, as I throw out       
an intimate little wave, floating past
that big, bent finger of light.

And then, 
in that same impossible space, 
searching for what I thought 
was already found, 
grabbed by a day dying hard,
marked off again by struggle,
more unfinished business,
the need for assistance.

Light crosses 
over from promise 
to shadow, the almost-true.
The slightest shift of air
becomes an aching, haunting weight,
a judgment of our powers,
the distance between 
where I thought I was headed 
and the landing.

In their dreaming,
a tableau of events from a life
that might have happened
but never did,
puzzled back together;
the purest cloud 
lost inside the shadow of failure’s reach.

And prayers?  
Looking up just as we’re abandoned,
initiated by the current crisis, 
frantic at their conception,
troubled, exhausted; 
others affording a space in recognition 
of their own emptiness and struggle; 
a clutching, then release, 
letting what happens happen, 
stretching out and a little further,
hands on the throne—
possibility availing itself
as a remote fragrance,
and I, lost thing, praying,
becoming prayer, 
the bliss of forgetting again, 
ridding myself of my own plans, 
each new step involving
not there, almost, not quite, revelation.

It was by that latter prayer,  
its extinction, taken up by its rhythm, 
its ardor, its lift and fall, its increase of peace,                                                
that I stopped worrying,
worrying about how lost I was                                                         
or signs of the search.    
                                                               
And with some increase of attention,                                                    
an effort considerably greater 
than my imagination would allow, 
seeing just enough
through patient endurance
and a slow certainty,
began to find my way out
of those darkening woods;
first, past a broken twig
and then loose bark
suggesting the presence 
and passing of living things.

During those walks 
through the woods, 
the air was growing
more and more nostalgic.
Leaves were swirling and falling
against the vast proportions
of a brooding sky—
sorrow and sweetness
in their equal parts fit 
the angle of that air.

Indistinguishable 
from any other the day’s last gesture 
passed unnoticed.
I heard a hawk directly overhead,
sailing, riding its own current.
I was lost but the hawk 
didn’t know I was lost.
You’re either on the trail
or you’re off the trail.

I was already reduced 
to guessing, immediately preoccupied 
with rescue, turning around in fits and starts,
reminded of how we’re never too far 
from bewilderment
despite all my wishful thinking
and flights of fancy 
offering up certain comfort,
as if I had been climbing all along, 
soaring up to that hazed moon 
popping up over the trees, 
gliding, sliding around 
above it all,
up in the phosphorescent air,
everything in its place
just so below, as I throw out       
an intimate little wave, floating past
that big, bent finger of light.

And then, 
in that same impossible space, 
searching for what I thought 
was already found, 
grabbed by a day dying hard,
marked off again by struggle,
more unfinished business,
the need for assistance.

Light crosses 
over from promise 
to shadow, the almost-true.
The slightest shift of air
becomes an aching, haunting weight,
a judgment of our powers,
the distance between 
where I thought I was headed 
and the landing.

In their dreaming,
a tableau of events from a life
that might have happened
but never did,
puzzled back together;
the purest cloud 
lost inside the shadow of failure’s reach.

And prayers?  
Looking up just as we’re abandoned,
initiated by the current crisis, 
frantic at their conception,
troubled, exhausted; 
others affording a space in recognition 
of their own emptiness and struggle; 
a clutching, then release, 
letting what happens happen, 
stretching out and a little further,
hands on the throne—
possibility availing itself
as a remote fragrance,
and I, lost thing, praying,
becoming prayer, 
the bliss of forgetting again, 
ridding myself of my own plans, 
each new step involving
not there, almost, not quite, revelation.

It was by that latter prayer,  
its extinction, taken up by its rhythm, 
its ardor, its lift and fall, its increase of peace,                                                
that I stopped worrying,
worrying about how lost I was                                                         
or signs of the search.    
                                                               
And with some increase of attention,                                                    
an effort considerably greater 
than my imagination would allow, 
seeing just enough
through patient endurance
and a slow certainty,
began to find my way out
of those darkening woods;
first, past a broken twig
and then loose bark
suggesting the presence 
and passing of living things.

Brent Short lives in Kansas City, Missouri. He’s worked as Library Director for both Park University and Saint Leo University.  His poetry chapbook, The Properties of Light was published in 2015 by Green Rabbit Press.  His poetry has appeared in Eads Bridge Literary Review, Sandhill Review, Tar River Poetry, Saint Katherine Review and The Windhover.

On Buddha – a poem by Louis Faber

On Buddha


I stood outside the Temple, watching the Buddha 
and imagined myself becoming a Buddha.

Again tonight I will sit upon the zafu
and in silence strain to hear the voice of Buddha.

I see imperfections, in myself in others,
my anger won't abate in the face of Buddha.

You are just a man, she tells me, simply human
and I must smile for I know so was the Buddha.

It is hard to stop asking how to find the way,
to just enter every gate, all lead to Buddha.

Stop striving, stop grasping, give up all delusions,
only then, for a moment, will you be Buddha.
 


Louis Faber’s work has previously appeared in Alchemy Spoon, Arena Magazine (Australia), Dreich,  Atlanta Review, The Poet, Glimpse, Defenestration, Tomorrow and Tomorrow, Rattle, Cold Mountain Review, Pearl, Midstream, European Judaism, The South Carolina Review and Worcester Review,  among many others, and has been nominated for a Pushcart Prize. 

River Song – a poem by Diane Elayne Dees

River Song


The wind was strong, the day was bright and cold.
My leg hurt, but I let the sunshine guide me
to the river, which was sparkling blue and gold.
With dragonflies and swooping hawks beside me,
and Folklore in my ears, I felt the pain
of a broken heart and body. And I heard
a haunting, sometimes sorrowful, refrain,
which touched me, note for note, and word for word.
I marveled at the sunlit trees’ reflection
on the water, and I felt my heart expand
to capture this brief moment of perfection,
when music, light and watercolors blend.
I walked home swiftly, the sunshine still my guide,
while pain and beauty never left my side.


Diane Elayne Dees is the author of the chapbook, Coronary Truth (Kelsay Books), and the forthcoming chapbook, The Last Time I Saw You. Diane, who lives in Covington, Louisiana, also publishes Women Who Serve, a blog that delivers news and commentary on women’s professional tennis throughout the world.

Prayers at Sea-level – a poem by Cassy Dorff

Prayers at Sea-level

 
The fourth season
swallows leaves,
glooms inner rooms
and tugs at the
corners of daylight.
 
Yet come renewal,	
grief’s work cannot bloom
without love and
we cannot love
without the hot
magic of wakefulness.
 
Let hooded mergansers
send sizzling
bliss into your flesh and ease
winter off clenched
shoulders.
 
Watch a kingfisher
grip crayfish,
see the pond
expand: life 
spotlights beneath
the sun.
 
We learned to fish creeks
with bamboo poles,
caught grasshoppers
and knocked rocks into a roil
of moccasins.
 
A cry for help can be joyful too.
 
You might not know
the rituals
of your ancestors
or how morning can shade
itself into evening blue.
 
But you can kneel on the banks
in celebration and
knead devotion into the earth.

Cassy Dorff lives in Nashville, Tennessee and teaches courses about politics, data science and writing as an assistant professor of Political Science. Cassy’s poetry is published at Terrain.org and Rust + Moth; academic research publications can be found at the Journal of PoliticsJournal of Peace Research and other outlets.

New Prospects – a story by Elizabeth Morse

New Prospects

Kelsey lost her job as soon as the pandemic started. She was secretly glad because she could wear brightly colored skirts and blouses with embroidery that weren’t business appropriate. One of them showed off her only tattoo, a tiny rose, in her decolletage. Her curly hair grew long. 

Grace, her sister, stopped by from time to time. She looked Kelsey up and down, taking in the vivid shades. “It’s different, but it’s cheerful,” she said, flicking up an eyebrow.

Kelsey began to read poetry at night, savoring the cadence, the hard and soft sounds. The words were so beautiful she wanted to put them away for safekeeping. She had read poems in college, though her mother disapproved. “Study accounting. It’s safer,” she said. Kelsey put the book away. Her mother must be right. 

Armed with a CPA, Kelsey established a career. Working long hours, she felt serious and accomplished wearing her black suits. Now, during the pandemic, this was the longest she’d ever been out of a job. Her sense of pride was gone. What she wanted was poetry. 

As summer ended, she started gardening in window boxes. When the weather got cold, she pulled them inside letting them soak up sun from behind glass. “What are you going to do with those?” Grace said. “Are they going to grow anything?”

Always the commentator, Kelsey thought. Always their mother’s spokesperson. Grace, too, worked in accounting. 

Kelsey didn’t miss the spreadsheets at work. She wanted to keep her new life and resisted sending her resume to recruiters. It had taken her weeks to even prepare an update. She wanted to write a completely new one but couldn’t imagine what it would say. 

She and Grace began to hike in in the park. It was exhilarating to walk the trails, to climb the rocky paths. Kelsey had on her teal green coat while Grace wore a black parka. Despite the chilly weather, moving gave Kelsey an energy she’d never had before.

Kelsey began to have trouble sleeping. Each night, at 3 AM, her eyes opened and she couldn’t fall back to sleep. Her life was losing its sharp edges. The snowed-in silence outside told her so. 

One evening, when she was walking home from the supermarket, a woman crossing Prospect Avenue got hit by a car. The notion of getting entangled made her stomach tighten, so she began to walk faster. Then she stopped, skirt swishing behind her. No one else was there to help. It could happen to anyone. 

The woman was on her back, shouting and crying. Kelsey punched 911. 

Kelsey was grateful that the woman could stand up and walk. She sat on the curb near her, though not too close. Both were masked, at least. 

For a moment, Kelsey thought of getting up and walking away. She was not comfortable with this. The paramedics might have questions. Maybe they would assume that she was the responsible party. When they actually arrived, she spoke calmly, deliberately. 

When the woman was loaded onto a stretcher, she murmured, “Thanks for staying.”

Kelsey had never thought of herself as kind. Maybe she’d just never known.

Her job search took a different direction: homeless shelter, COVID contact tracing, soup kitchen. When she was in college, she’d disdained the helping professions. They were soft, irrational. Now, they seemed exciting. She’d felt worthy helping the woman who had the car accident. So maybe she could sign on for a social work or education degree. Maybe psychology. The state university had lots of courses. If that didn’t work out, there was always online. 

While she was looking at catalogs on her laptop, Grace brought her a cup of tea, touching her shoulder gently. “Remember that woman you helped?”

Kelsey nodded.

“Wherever you’re going, you’re going to get there.”

Kelsey looked up in disbelief. “That means a lot,” she said. 

The next day, Kelsey and Grace went to the park and began walking. Their footfalls shook bits of snow from the trees, and they just kept going. Kelsey’s green coat blended into the bareness of the snow. Miniature icicles dropped to the ground. The sky dimmed until the dark was thick and wondrous. Finally, they came to a clearing where three pines towered over them, and over all the other trees, which stood in shadow by the woods. Branches shimmered with snow, whiteness muffling sound. The Milky Way stretched overhead, like a boundless path. Kelsey had never seen anything so beautiful or so terrifying. 

Elizabeth Morse is a writer who lives in New York’s East Village. Her work has been published in literary magazines such as The Raven’s Perch, Visible, and CafeLit, as well as anthologies such as Crimes of the Beats. She has her MFA from Brooklyn College and supports her writing with a job in information technology.