Prayer for Inflorescence – a poem by Diane Elayne Dees

Prayer for Inflorescence

A single red spider lily, Lycoris radiata,
appears suddenly one September day,
its leafless bloom a tiny burst of fireworks
in my back yard. I planted the bulbs
twenty years ago; a few bloomed,
then disappeared beneath the soil,
presumed dead until now.

I, too, disappeared those twenty years
ago, into a life I would come to regret,
a life that would lead me into a dark place
where even the brightest blossoms lie dormant.

Now I stand in my yard, alone, soaking
up sunshine, like the Naked Lady, waiting
for the same process that coaxed the lily
into its fiery glory to gently force me
into plain view and restore my faded colors.

 

Diane Elayne Dees’s chapbook, I Can’t Recall Exactly When I Died, is forthcoming from Clare Songbirds Publishing House; also forthcoming, from Kelsay Books, is her chapbook, Coronary Truth. Diane also publishes Women Who Serve, a blog that delivers news and commentary on women’s professional tennis throughout the world.

(http://womenwhoserve.blogspot.com)

Sacred Kitchen – a poem by Mark Tulin

Sacred Kitchen

The short-order cook
prepares his spiritual homage
in a sacred kitchen
between the grill
and deep fryers.

His ambition is full of flavor,
adding just the right amount of salt
to his tireless concoctions.

With eyes as bright as the sun,
he creates culinary magic
in his little cove of the paradise
with crispy home-fries
and Caribbean spices.

He flips the meat
into a garnished plate;
a grateful offering
to the Gods of appetite.

He spins his Dodgers’ cap backward
and prepares for the breakfast crowd,
topping off the omelet
with fresh hollandaise
that’s poured over
a perfectly cooked egg
in a drizzle of eternity.

 

Mark Tulin is a former therapist who lives in California.  He has a chapbook, Magical Yogis, and two upcoming books: Awkward Grace, and The Asthmatic Kid and Other Stories. He’s been featured in Fiction on the Web, Ariel Chart, Leaves of Ink, among others.  His website is Crow On The Wire.

Ouroboros Festival – a poem by Patrick Key

Ouroboros Festival

Mired in itself, the circuit goes:
All of the gods have died.
Here, in this ring, we worship,
not only them, but all of nothing.
Our mates are ourselves, centered
in a void. Outside the ring, yet in it.

All momentum is the same.
It will go. It will go nowhere.
The pianist forgot her strokes –
the birth of jazz. She is dead now.
Her child repeats. So does his.
No one clamors for salvation.

 

Patrick Key started writing seriously later in life, thanks to the help of a poetry class during his undergraduate years. His interests revolve around the absurdity of life and love, disillusionment, and the human tendency to struggle with impossibilities. His works have appeared in The Corner Club Press, The Penwood Review, and Argus.

liturgy – a poem by Henry Brown

liturgy

beating of wings,
sky widens in iris
ears perk goosebump pent-up, is it sighing
or singing?

wondering wave of prayer to the streetlamps
from below, where the life is orange!
broke motion,

still-life,
too many fruits.
……………silver plate.

 

Henry Brown is a student/activist from Austin, Texas currently involved with the Democratic Socialists of America at Carleton College, where he is a Religion major/Spanish minor. His poems have been featured in Amethyst Review, Isacoustic, and Eleventh Transmission, and will appear in upcoming issues of The Bitchin’ Kitsch and After The Pause.

The Path of Ghosts – a poem by Antoni Ooto

The Path of Ghosts

huge night unwraps what folds silently
in the half light quivering
in the evening mist

losing the sense of day
the sound,
a different place to sway

familiar specters
with an eye to the next path
moving along losing a little

feeling the world roll beneath
knowing others are present
and coming, coming gently

so long a way from the start

 

Antoni Ooto is a poet and flash fiction writer.  His works have been published in Nixes Mate Review, Pilcrow & Dagger, Red Eft Review, Ink Sweat & Tears, Young Ravens Literary Review, Front Porch Review, Amethyst Review, An Upstate of Mind and Palettes & Quills.

Goddess of Wind – a poem by Kyle Laws

Goddess of Wind

She has a wingspan, chest shaped into kite
that can soar above limestone cliffs over the lake
formed of a river off the Continental Divide.

Puzzled that no one else knows how to fly, so simple
in dreams—stretch out your arms and step off
into a wind that carries you across the sky dotted

with cumulus clouds, soft white across a Colorado
blue once the sun has passed noon on the dial
from where you stand without shadow,

hips slimmer than span, belly rounded above
legs proportioned so that they will steer
you to the other side, land gently on the far shore.

 

Kyle Laws is based out of the Arts Alliance Studios Community in Pueblo, CO where she directs Line/Circle: Women Poets in Performance. Her collections include Ride the Pink Horse (Stubborn Mule Press, 2019), Faces of Fishing Creek (Middle Creek Publishing, 2018), This Town: Poems of Correspondence with Jared Smith (Liquid Light Press, 2017), So Bright to Blind (Five Oaks Press, 2015), and Wildwood (Lummox Press, 2014). With six nominations for a Pushcart Prize, her poems and essays have appeared in magazines and anthologies in the U.S., U.K., Canada, and France. She is the editor and publisher of Casa de Cinco Hermanas Press.

Absence – a poem by Janet Krauss

Absence

Gone is the birch tree
that filled the corner window,
its white amidst the notches of black
quietly assumed peace exists.
I search for the tree in pictures,
lithe, drop shaped leaves
in spring, flurry of color in autumn,
and locked in ice in winter.
So locked in the present is the absence
of all I hold close. I hurry to find
the photo of my friend after we reached
the sky-filled tarn together,.
my mother gazing at her granddaughter
with a smile da Vinci could not equal,
my father feeding his grandson
for the first time afraid to smile for fear
he will lose hold of the fragile, pulsing
life force I placed in his lap.

 

Janet Krauss, who has two books of poetry published, Borrowed Scenery, Yuganta Press, and Through the Trees of Autumn, Spartina Press, has recently retired from teaching English at Fairfield University. Her mission is to help and guide Bridgeport’s  young children through her teaching creative writing, leading book clubs and reading to and engaging a kindergarten class. As a poet, she co-directs the poetry program of the Black Rock Art Guild. In  May, 2018 her poem, “A View from a Window” was published in Amethyst Review.

 

We Christen the Canoe Sunday School – a poem by Dayna Patterson

We Christen the Canoe Sunday School

For silver lake, and mist scudding water,
knocking boats at the dock, and oarlocks,
plastic ponchos made from garbage sacks,
and the hour of rain that made us miserable, thank you.

Thank you for a warm wind luffing us dry,
and blue minnows of smoke rising between pines,
a rope of cloud settled across the green,
its white partition bisecting mountains.

For the rut of college kids on the beach,
their aluminum canoes roped for tug-of-war,
the six packs of boys, thin bikinis of girls,
their laughter rioting across the water, thank you.

Thank you for the visitation of an osprey,
dipping deeply over silver surface,
for her choppy, lop-sided ascent,
spark of scales, tailfin in her talons.

For a rainbow caught on a dry fly,
the rich gold of its coin eyes,
copper flecks in pectoral fins,
silver glimmer of its belly, thank you.

Thank you for a careful knife inserted in the fish’s anus,
for a silent score to accompany the gutting,
these daughters who satellite their father,
hands over mouths as fish viscera drift off. Thank you.

Thank you for teeming canoes and kayaks splashing,
a flotilla of paddleboats churning,
a motorboat’s steady whine and white wake,
and a beatific quiet after its passing.

 

Dayna Patterson is the author of Titania in Yellow (Porkbelly Press, 2019) and If Mother Braids a Waterfall (Signature Books, 2020). Her creative work has appeared recently in POETRY, Crab Orchard Review, and Passages North. She is the founding editor-in-chief of Psaltery & Lyre and a co-editor of Dove Song: Heavenly Mother in Mormon Poetrydaynapatterson.com

All the Time in the World – a poem by Rupert Loydell

All the Time in the World

Imaginary friends are leaving us
and it’s about time. Let new love
start and the city deconstruct
itself before evolution begins.

The architect of ruins has quite
a job, with a pay packet to match,
but he is a two-headed snake
and you should avoid listening to

his hollow lectures and preambles.
From here to there and then on
to everywhere, there is no time
or way to assure our future.

You say that angels weep in heaven
and that we can awaken elsewhere
in golden light and rainbows,
but shadow voices suggest otherwise:

there is no far away and you cannot
carry me to safety or change
what we have become: adrift, bereft,
in need of salvation and song.

© Rupert M Loydell

 

Rupert Loydell is a writer, editor and abstract artist. His many books of poetry include Dear Mary (Shearsman, 2017) and The Return of the Man Who Has Everything (Shearsman 2015); and he has edited anthologies such as Yesterday’s Music Today (co-edited with Mike Ferguson, Knives Forks and Spoons Press 2014), and Troubles Swapped for Something Fresh: manifestos and unmanifestos (Salt, 2010).

THE BACK OF THE TABLETS – a short story by Wayne-Daniel Berard

THE BACK OF THE TABLETS

“Here!” the young man almost shouted and dumped the contents of the bag onto the rebbe’s desk. Pieces of blanched, yellow stone, pock-marked and worn, spilled out across the green blotter.

The young man slumped into a chair in the corner of the office. The rebbe merely sat, unmoved, at his desk.“Two years!” the young man groaned. “Two straight years of work, and I still can’t make heads or tails out of them.”“It is not such a long time . . .” the rebbe spoke quietly.

“It is to me!” The young man leaped up and began to pace around the small office. “My whole career is tied up in those fragments, Professor — my entire life. I’m supposed to defend my dissertation soon, and . . . and there it is, in pieces. Everything. In pieces.”

He dropped again into a chair and buried his head in his hands.
“Jacobson,” began the rebbe. “I’m not even on your committee. You didn’t want me, remember? ‘This is about science, not fairy tales,’ you said. “Biblical archeology . . .”

“But you know!” Jacobson stood up wildly. “You’ve always known, haven’t you! When I found the shards at Horeb . . .”

“Sinai,” murmured the rebbe.

“Yes, yes. And when I devised a way to get them out. . .”

“Stole them!”

“The university disagreed, Professor. They were more than glad to have these treasures here. And, as the peace talks were underway, and actual ownership of the territory in dispute . . .”

The rebbe slammed his palm on his desk as he stood up.

“Coveting academic position for its own sake! Stealing from the most sacred! Lying to everyone! Infidelity! Idol worship!”

“Don’t give me your old commandments, Abramovich! Or rather, let me give them to you. Here. Now.” He pointed to the heap of stones. “Besides, I’ve never been unfaithful to anyone. And what do you mean, ‘idol-worship?’ In this day and age?”

“You clearly have all the answers, young man.” Then, under his breath, “. . . for all the good they’ve done you.”

Jacobson began to circle the room, agitated, frustrated.

“I saw it in your eyes the day I announced their arrival. Whenever we passed in the hall or met on the quad. They were laughing at me, your eyes. You refused to come to the exhibition. You knew I would get nowhere on this.

“I’ve assembled and reassembled these pieces a thousand times. I’ve used the best scientific methods, employed the most complete linguistic sources — hell, you taught me Biblical Hebrew yourself, years ago!”

“I remember,” the rebbe sighed.

“Then why?!” Now it was his turn to slam his hand to the desk. “Why does the answer elude me? What do you know that I don’t? Tell me! Tell me!”

The rebbe turned his back to Jacobson.

“Please!” he whispered.

Then, out of the stillness.

“Torah,” spoke the rebbe.

“What?”

“What you don’t know. You don’t know Torah. Specifically, Exodus 32: 15-16 . . .”

The rebbe pulled a watch from his pocket. “Not to mention 34: 29. Now, if you’ll excuse me, I have a class. Kindly lock up when you leave.” And he swept past the confused graduate student and out the door.

Jacobson stood stunned for a moment, then knelt to burrow in his leather bag. His lap-top was there, notebooks, daybook, but no . . .

His eyes quickly scanned Professor Abramovich’s shelves for a Torah — in English. Jacobson leapt to his feet, tore a volume from the shelf, racing through the pages like a madman. Soon he had found it:

Moses went back down the mountain holding
the two tablets of the Testimony inscribed on
both sides, on the front and on the back. The
tablets were the handiwork of God, and the
writing was God’s writing . . .

“Of course!” he said, slamming the book shut like a shot. “Of course!” And he laughed aloud. “It’s backwards! That’s why I couldn’t decipher it! The commandments on the back of the tablets . . .”

Unceremoniously, he reopened the Torah, searching furiously. He read how Moses had smashed the original tablets at the infidelity of Israel with the calf of gold. That God had recalled him to the mountain to receive them once again . . .

So Moses remained with the Lord forty days and
forty nights without food or drink. The Lord wrote
down the words of the covenant, the Ten Commandments,
on the tablets.

“It doesn’t say, ‘both sides,’ ” Jacobson whispered to himself. “The second time it doesn’t say ‘on both sides!’” And he stared incredulously at the pile of stone pieces before him.

It didn’t take him long after that. He found a dictionary of Biblical Hebrew on the professor’s shelf. Searching through the jig-saw shards that he already knew so well, he began to reassemble the tablets. First, the well-known ten. That done, he slowly, carefully flipped each fragment over, and there it was. The letters backwards from left to right, the commandments from ten to one. The reverse side of the Law.

It was finished. Only then did he stand back and truly begin to read.

Desire what you already possess.
Give true witness to yourself.
Give to each what truly belongs to them. Do justice.
Be faithful.

Honor your children, that they may have long life in the land.
Remember to keep part of the Sabbath in every day.
Make right use of the Lord’s name:
“I SHALL BE WHATEVER I SHALL BE.”

See my image in the self alone.
You, too,“Shall Be Whatever You Shall Be.” Then . . .

Be Whatever You Shall Be,
and thus lead yourselves out of the land of Egypt,
of narrowed straits, of slavery . . .

Jacobson began to swallow hard. He didn’t really want anything that he had, not his knowledge, the students he taught, the professors who taught him. They were all only boring means to an end — scholarship, a high position at a major university. But even that wasn’t what he truly coveted.

To tell the truth, what he really wanted, had always wanted, was prestige, fame, to be looked up to and fussed over by all he met. It just so happened that his gifts lay in books and school — not in, say, hitting a ball or saying the right thing at a party. Or understanding business and landing a high-paying job with just a bachelor’s degree. Or . . .

There was Liza. She admired him, his intellect, his determination. She loved him. He’d never been unfaithful to her, never had the time. The old man was crazy . . .

But then, what did she like to say at department parties when they were together? “Jon’s work is his wife. I’m just his mistress . . . .” Everyone would laugh.
He stared again at the pieces of history before him. He recalled the deception, the bribes involved with bringing them back to America. He’d even sought out another member of the party whom he knew was smuggling drugs back home . . . God!
There was the sound of shuffling in the hall — classes changing. He had missed his teaching assignment that day, and it wasn’t the first. He’d had too much anxiety, important work to do. He hadn’t even posted the cancellation — stupid kids, mindless, half-savages. He was their teacher, but they meant nothing to him, these children of his . . .

His head slumped to the desk. Exhausted. He never stopped working, wheedling, politicking, advancing himself. And now this. Oddly enough, his great discovery did not fill him with energy, with enthusiasm. Quite the opposite. The thought of the work ahead, the papers, lectures, books, appearances, positions and promotions — the idea itself drained him to his soul. His soul was tired. Whatever his soul was . . .

For there lay the long and short of it. Sitting at a metal desk behind ivied walls, his cheek against its cold surface, on the verge of his great triumph, Jacobson began to weep. “You Will Be Whatever You Will Be” — but he had no idea who that was. A beautiful partner, a string of academic honors, and now his future expanding limitlessly before him, and he wept, infinitely strange to himself. A line surfaced of its own before his swollen consciousness, “An infant crying in the night; An infant crying for the light; And with no language but a cry.”

His tears trickled through the cracked spaces between the shards like narrow straits.

He barely heard the office door open or Dr. Abramovich enter. The rebbe placed a thick hand on the younger man’s shoulder. Jacobson turned his head.
“What should I do?”

The professor smiled. “There are one hundred-eighty six chapters in Torah,” he said. “You’ve only glanced at two of them.”

“But the fragments, their message . . . we have to tell somebody, to do something with them . . .?”

The professor paused.

“Moses smashed the tablets because the people worshipped a piece of gold,” he said. “And God chose not to rewrite the back of the commands. Even Moses did not go against that choice, did not reveal the inverse of the Law to the world, even after all that time in the desert . . .”

Dr. Abramovich looked out his high window, across the quad and on to the city skyline in the distance.

“A piece of gold . . . Are we more ready than Israel at Sinai, Jonathan . . .?”

“So . . . we just sit on this?” Jacobson gestured across the desk.

“Begin with the Torah,” answered the rebbe. “Come tonight and we’ll study together. In forty years, we’ll see. Maybe.”

 

Wayne-Daniel Berard, PhD, teaches Humanities at Nichols College, Dudley, MA. He publishes broadly in poetry, fiction, and non-fiction. His novella, Everything We Want, was published in 2018 by Bloodstone Press. A poetry collection, The Realm of Blessing, will be published in 2020 by Unsolicited Press.