Holy Week – a poem by Christine E. Black

Holy Week

Crosses
Find me
Everywhere
This holy week:
Circles’ scaffolding,
Star’s center,
Right angles,
Four directions’
Perfect symmetry,
Interlocking curves
Nest this sign
On the Celtic medallion
I held between
Thumb and forefinger
On Palm Sunday.
Square’s supporting beams,
The human form
In da Vinci’s drawings;
Red and purple God’s eye
Weaving my son made
In second grade.
I have it leaning
On the kitchen sill.
Line of the eyes
And nose: Configuration
Of his face
And the faces
Of every animal
I have ever loved.
The shape
Of the body
Outstretched,
Heart open
And broken
At its center.


Christine E. Black
‘s work has been published in Aura Literary Arts Review, Antietam Review, 13thMoon, American Journal of Poetry, New Millennium Writings, Nimrod International, Red Rock Review, The Virginia Journal of Education, Friends Journal, The Veteran, Sojourners Magazine, Iris Magazine, English Journal, and other publications. Her poetry has been nominated for a Pushcart Prize and the Pablo Neruda Prize. She lives in Charlottesville, Virginia with her family.

Far Country – a poem by Greg Huteson

Far Country

Hualien, Taiwan, Christmas Day 2019

The white sheets alone,
ribbed by azul wainscoting
and concrete walls, bleed
a hint of frost and all of that.

The room’s untimely hue
distorts the ordinary calendar.
It’s not the red or green
of festive Christmas.

The lane’s humidity—
the whole town’s drizzle—
obscures for migrants like myself
a history of ardent snow.

We’re unstable in this place,
and still and still the baby’s born.
His fate—gold, a hard rod
and an ice white horse.

And as in all true winter tales,
rumors of the dragon’s end.

.

Greg Huteson‘s poems have appeared in or are forthcoming from The Christian Century, Saint Katherine Review, The Honest Ulsterman, A New Ulster, Better Than Starbucks, and other journals. For the past twenty years, he’s lived in China and Taiwan, and his writing often reflects these contexts.

Body Language – a poem by Stephen Kingsnorth

Body Language
Reflecting on Painting: The Woman taken in Adultery

Why does he lower face,
join the woman in down-cast eyes,
when the other men point with their
calculating, tricky, digit stares?

They unbent, he questions, bends again.

Why does he lower frame,
join the woman’s down-cast norm,
when the other men stand so firm,
bold, strong, cloaked forms?

Is it to give them time to think,
enable them not to lose face,
enable them to lower theirs,
melt, slide, slink away,
before he, with her, stands again?

They are gone,
but he, straightened, there,
with scribbled, scratched and scrawled sand
about his feet, around the ground.

How interesting that the censor’s pen
excised the story, printer’s trim.

Calculating, tricky, digit stares of
bold, strong, cloaked norms
cannot stand sand scribbling.
Crouching woman, better bowed, cowed –
the body language speaks too loud.

 

Stephen Kingsnorth (Cambridge M.A., English & Religious Studies), retired to Wales from ministry in the Methodist Church, has had pieces accepted by over a dozen on-line poetry sites, including Amethyst Review; and Gold Dust, The Seventh Quarry, The Dawntreader, Foxtrot Uniform Poetry Magazines & Vita Brevis Anthology. https://poetrykingsnorth.wordpress.com/

Seven months after you paint my bedroom Marquee/Eggshell – a poem by Julia Bonadies

Seven months after you paint my bedroom Marquee/Eggshell

the halos we wear are hollowed by heartbreak,
and faith is a relic meant to decorate dresser drawers.

we wear silver linings like jewelry.
keep daylight preserved in glass jars

should we forget what answered prayers taste like.
obedience to God is a weight our love was not

made to bear, so I took up the wreckage
and asked my shadow to follow me—

your poems are pressed beneath
my leather-bound Bible

so I may not mistake them for scripture—
it is hard to mourn the dead

when they insist on living inside of you.

 

By day, Julia Bonadies is an 8th-grade English teacher at Greater Hartford Academy of the Arts Middle, and by night she is a professional writing tutor at Manchester Community College. Her work most recent work can be found in The Chronicle, Halfway Down the Stairs, and NEATE’s The Leaflet.

Book of Hours Manuscript 186, Walters Art Museum – a poem by Kyle Laws

Book of Hours Manuscript 186, Walters Art Museum

In a room, specially lit to not fade, lies one page of a manuscript
painted by monks.

I want to know where the rest are. All that’s left is the beauty
of ephemera, like us.

The words are gone, taken from our mouths. Screams at the door
for help

have been melted down as fillings from the mouths of the dead.
How can there be no blood at such a brutal death?

How can it be set in gold? I can believe set in the body of child
consecrated by father.

A crucifixion in which at the last minute the father scoops
up the son and says, This has gone too far.

This is more than I can bear even if he is not my flesh,
but my spirit. No, this is the tale of a woman.

It has pearls, symbol of a purity that cannot be without grit,
the invasion of shell.

 

Kyle Laws is based out of the Arts Alliance Studios Community in Pueblo, CO where she directs Line/Circle: Women Poets in Performance. Her collections include Ride the Pink Horse (Stubborn Mule Press, 2019), Faces of Fishing Creek (Middle Creek Publishing, 2018), This Town: Poems of Correspondence with Jared Smith (Liquid Light Press, 2017), So Bright to Blind (Five Oaks Press, 2015), and Wildwood (Lummox Press, 2014). With eight nominations for a Pushcart Prize, her poems and essays have appeared in magazines and anthologies in the U.S., U.K., Canada, and Germany. She is the editor and publisher of Casa de Cinco Hermanas Press.

Mindlessness – a poem by Daryl Muranaka

Mindlessness

I believe I hear
the cheering of the frogs
I listen with my eyes
closed, legs folded
in seiza trying to get
my Zen on.
Of course,
this is all wrong.
I was never taught
to do it this way
but to sit, half-lotus,
with my eyes wide open
watching the crack
in the wall open
to swallow all my thoughts
like the two mallards
scattering into the trees
because I forgot
to lock my door
two hours ago.

.

Daryl Muranaka lives in the Boston area with his wife and two children.  He enjoys aikido and tai chi chuan and exploring his children’s multiple cultures. His poems have appeared in Gyroscope Review, the Roanoke Review, and Spry Literary Review. He has published one collection and two chapbooks.

Wind, Whispering – a poem by KB Ballentine

Wind, Whispering

Flecks of leaves and sun dust the water –
molasses-brown haze of mud and mangroves,
roots curve in cobwebbed barks.

Wood ducks and song birds summon her,
pink flush just beginning to stipple eggs,
nests etched into cups of twig and straw.

Winter’s mourning wanes.
An egret nods once then pierces
the stillness, a rhythm of ripples spinning –

a moccasin lifts its head, s of its body coiling…
shadow shifting in the root-twisted earth.
In the beginning was darkness

and then came the light.

.

KB Ballentine’s sixth collection, The Light Tears Loose,
appeared this summer with Blue Light Press. Published in Crab Orchard
Review and Haight-Ashbury Literary Journal, among others, her work also
appears in anthologies including Carrying the Branch: Poets in Search of
Peace (2017) and In Plein Air (2017). Learn more at
www.kbballentine.com.

Thrill Seeker – a poem by Emily-Sue Sloane

Thrill Seeker

The one who walks a tightrope across canyons
invites the Specter in
for tea
and
conversation
His balancing pole,
arcing
toward ground,
etches
the line
between
fate
and
faith,
living
and
leaving
His quick,
delicate
steps
bounce
the wire
in an improvised
midair ballet
performed joyfully on the crescendo of silent prayer

 

Emily-Sue Sloane lives in Huntington Station, NY, where beautiful vistas hide beyond crowded roadways. Writing poetry helps her to frame her personal observations within wider, more universal truths. Her work has appeared in Front Porch Review, The Bards Annual 2019 Poetry Anthology, Avocet, The Weekly Avocet, and other anthologies.

All I Ever Had – a short story by Mike Neis

All I Ever Had

Christianity marked us, but it marked you, my dear sister, more than anyone I knew. Mom hated it. She hated anything that threatened the household. I never saw her so angry as when you took me to be baptized. After that, she stopped speaking to you. Dad liked talking about Christianity with his friends, so he sympathized. He drew the line, however, when you started bringing sick people home.

“Go to the sanitarium,” he said. “You’ll find plenty to do there.”

I did not have your gifts. All I ever had was music. I had difficulty with what the priest said, but from the moment I heard the faithful sing, I wanted to join the chorus. Like leaves and branches, music and Christianity came inextricably linked for me. I loved singing the Gloria most. I think the assembly liked it too—they sang it so well at Mass.

I was also skilled with the lyre, which I played at home for Mom. I tried playing in the theater but did not like it. I preferred playing in church. The theatre was cold, and the audience sat back and judged me. In church the assembly was part of me.

The chorus made me their director, even though I had never been much of a leader. One day the deacon approached me after Mass, and put his face in front of mine. “You can’t sing that Jesum Christum Regem song!” he said. “Jesus is not equal with God the Father!”

My heart thumped. “But it’s a good song,” I said. “I can’t just eliminate it.”

The pores in his pink face shouted his anger. “But it’s wrong! How can the earthly son be as great as the eternal father? At least change the words.”

“That’s how the song goes,” I said.

“We’ll see about that,” said the deacon. The floor shook as he walked away.

The church was relentless in its challenges to do more, so I joined you at the sanitarium. The stench of sickness assaulted my nose. I heard crying and moaning. They assigned us to bathe a large woman, but her complaints showed years of unrestrained bitterness. We were too rough. The water was cold. I was stupid and you were the devil. After that we cleaned bed pans which was simpler, even if it smelled awful.

After a few hours I was exhausted, but you remained. You were always stronger than me. I left while you helped a physician reset the broken arm of a screaming boy.

On my way out I stopped at the common room. Patients were resting and staring into space.

“Are you a doctor?” asked an old woman.

“No,” I said.

“Oh,” said the woman, looking down. “My side still hurts. I’ve been here for so long, and I’m so lonely.”

My heart pounded. “I’ll be right back.”

I went home for my lyre. I returned and sat down next to the woman. I sang folk songs and anything I could think of. I was tired and did not sing well, but the patients listened. Some sang along with the popular songs. Then I went home.

***

Dad said to keep quiet when they decreed the new laws against Christians. Persecutions had already swept the land before. Times would change. The emperor’s reign would end.

Enemies can make things happen, however. When they arrested you, I knew you would not back down.

I came to visit you at the detention center. “I want to see my sister,” I said.

“Will you get her to recant?” they asked.

“I want to see my sister,” I repeated. They let me in.

The buzzing of flies hung in the air. You were happy to see me. The magistrate would be coming that afternoon. You shared a cell with four others whom I recognized from church. They sat on the dirt floor and stared into the air, limp, motionless.

My heart thrashed in my chest. I knew what to do. What I was meant to do. I started singing the Gloria, just like in church. The guard jumped as if stung by a hornet. “Shut up!” he said. “Shut up!”

He hit me and I fell. Then I started singing again.

You were horrified. “Brother! No! This is not for you!” The others in the cell looked up, and then they started singing too. My face hurt, but I pulled myself up and bellowed the words. You could not stop me, any more than I could stop you.

More guards came. “He’s one of them.” They picked me up and threw me into the cell. When I got up, the side of my head was bleeding.

At the trial I would not speak. I let you do the talking. The magistrate did not want to pass the decreed sentence. He tried to find some way to make you relent, but you refused. You had eloquence, understanding, and strength.

All I ever had was music.

The next day we walked, hand in hand, into the square to have our heads cut off. I was glad to be with you. I saw our parents in the crowds. Dad watched in a stony silence but Mom did not. She pointed her finger at you as we passed. Her words pierced the still air like a diving hawk.

“You killed my son!” she said. “You killed my son!”

.

Mike Neis lives in Orange County with his family, and works as a technical writer for a commercial laboratory. His work has appeared in Stonecrop Review and Anti-Heroin Chic. Besides writing, his outside activities include church music, walking for health, and teaching English as a second language.

 

Limen – a poem by Marian Christie

Screenshot 2020-02-21 at 12.52.46

 

Marian Christie’s poetry has appeared in, among others, Allegro, Black Bough, Independent Variable and Pushing out the Boat. When not writing or reading poetry, Marian looks at the stars, puzzles over the laws of physics, listens to birdsong and crochets gifts for her grandchildren. She lives in Kent.
Website: https://marianchristiepoetry.net/
Twitter: @marian_v_o.