At St. Patrick’s Cathedral, My Mother Told Her Truth – a poem by Vikram Masson

At St. Patrick’s Cathedral, My Mother Told Her Truth

My mother would sometimes take me
to Saint Patrick’s Cathedral on Saturday afternoons
in the fall, the sky gray and rippled.
We’d sit silently for a few minutes, before rising
to light a candle. She fiddled with the wick
until it stood ready to receive the holy flame,
then placed her hand on top of mine.
Together we’d take a stick and gently draw fire
from another candle and light ours,
amid the whiff of smoke and wax.

I would sometimes ask why we came
to this temple with a man hanging from a cross
when we had an abundance of devas
jostling for devotion in our own home –
Vishnu, Shiva, Lakshmi, Ganesha?
And she would say, The divine is all the same;
Beneath the forms is the One. What Christ and Krishna
pointed to flows like fire through our
pulsing hearts. Eckhart intuited it
and Al-Hallaj died proclaiming it.
It is the oldest of all truths.

She would dab my head with holy water
before we’d walk onto Fifth Avenue, where for years
a wizard of a man drizzled sauerkraut and mustard
on hundreds of hotdogs emerging endlessly
from his cart, which he’d then bundle
in wax paper and serve to his prayerful
customers approaching his cart
under a canted umbrella on the sidewalk.

All the same, my mother would continue to insist
as we walked back to the subway. This is a woman
who saw a man of one religion set a man of another
on fire because he didn’t think it was all the same;
who constantly shrugged off friendly pamphleteers
imploring us to accept the One True Way
so we wouldn’t molder in some made-up hell.
But she glowed with this conviction until the end,
and swore it made her as strong as
the great Atlas heaving up the world
across from the cathedral’s gray spires.

 

Vikram Masson is a lawyer by training who lives in Richmond, Virginia. His poetry is featured or forthcoming in Amethyst Review, Allegro Poetry Journal, Young Ravens Literary Review, and The American Journal of Poetry.

FROM THE CAIRO GENIZAH – a poem by Anne Whitehouse

FROM THE CAIRO GENIZAH

Documents and manuscripts
containing God’s name
couldn’t be destroyed in the usual way.
For a thousand years,
the Egyptian Jews of Fustat
put their old Bibles, prayer books,
and law codes in a hiding place
in Ben Ezra synagogue,
along with shopping lists, business records,
marriage contracts, divorce deeds,
fables and philosophy,
medical books and magical amulets,
and letters by the thousands.

But what was written
did not stay buried.
Eight hundred years later,
in a library in New York,
an old man touched a letter
written by Maimonides,
and he did not court disaster
as superstition predicted
but on the contrary was infused
with so much energy
it buoyed him up
and he practically floated
out the front door
of the library on 122nd Street,
walking as if propelled,
with the gait of a young man,
all the way downtown
to Times Square.

 

Anne Whitehouse is the author of six poetry collections Meteor Shower (2016) is her second collection from Dos Madres Press, following The Refrain in 2012. She is the author of a novel, Fall Love, as well as short stories, essays, features, and reviews. She was born and raised in Birmingham, Alabama, and lives in New York City. You can listen to her lecture, “Longfellow, Poe, and the Little Longfellow War” here.

Poem of Attachment – a poem by Peggy Turnbull

Poem of Attachment

A mindful woman
would usher you away
when you step into her thoughts.

But I am a poet
begging your presence
in a poem.

When will I learn?

The ash from a thousand burning forests
will never be reborn
as paper.

 

Peggy Turnbull studied anthropology in college and has a master’s in library and information science.  She has written all her life, mostly in diaries, but after returning to her birthplace in Wisconsin, she began to write poems.  Read them in Poetry Quarterly, Rat’s Ass Review, and New Verse News or visit https://peggyturnbull.blogspot.com/  .

Egret Trinity – a poem by Diane Elayne Dees

Egret Trinity

A pale, graceful sculpture,
the elegant bird—its legs angled
like a Bauhaus base—
stands perfectly still
before stepping into the water.
Beneath, the egret’s shadow
forms a curious ink drawing
on the grass, while just beyond,
in the algae-painted pond,
the bird’s reflection—a ghostly
Rorschach—ripples a message
I cannot decipher. Three egrets
stand, recline and float
before me, and I, a witness
to sacred art, am rendered
as still as the water at my feet.

 

Diane Elayne Dees‘s poetry has been published in many journals and anthologies. Diane, who lives in Covington, Louisiana, also publishes Women Who Serve, a blog that delivers news and commentary on women’s professional tennis throughout the world. Diane’s chapbook, I Can’t Recall Exactly When I Died, is forthcoming from Clare Songbirds Publishing House.

Jochebed – a poem by Vanessa Stein

Jochebed

It’s not natural
being away from your child
when your child is ill
you’d rather eat your own flesh.

My daughter’s therapist has set
clear goals for her patient:
dig tunnels, keep her mind intact,

stand up to the world.

That’s exactly what I want
for her, for me too.

I tried but I failed
to build a wall around my garden
to build a garden at all,

break open, crack, and then forty days in the desert
but did you know that at the end
you have to make a whole lot of noise to celebrate?

I have never celebrated anything,
been too busy eating my own flesh
been too busy digging tunnels,
worrying at them

(breathing has always been difficult)

but you can hold them in your mind
and they you in theirs.

The law cuts deep. I’ll put my baby
in a basket made of reeds any old time,

but people don’t just disappear
into the ether, into deep voids
that fall away like galaxies.

After the session,
I walk out slowly into the spring night,

(it is now possible to breathe)

carve out a space for the golden calf
in the face of great cruelty.

If they are still there, not fallen,
I’ll learn to blast some trumpets then
I’ll even drink some vino in a cafe window
and praise god, hallelujah
as I sip and slip into dream.

You’ve got to be noisy
the Pharaoh bids us work quietly
so you’ve got to be noisy
(pleasure is your birthright).

What feels intolerable? I ask everybody
who comes to me for advice,
speak up.

I really need to fall off my soapbox
the fight or flight response
is primitive, the therapist informs me.
She’s lost her voice
still she wants me to know
that I should put down my weapons,
that a greater care of me is needed.

But how do you hold someone in mind?

Put down your weapons
lie in the weeds and soak
up the hot Egyptian sun;
some lovely princess
come to take care of them
some lovely soul
come to nurse my darlings.

 

Vanessa Stein is an actress with extensive experience in the theatre . She currently teaches acting and is working on her first full length play and a collection of poems. Vanessa is based in Cambridge, in the UK.

The Witch’s Hearing – a poem by Katerina Neocleous

The Witch’s Hearing

A wasp had flown in earlier
while I’d been busy
getting ready, a creature
easily misunderstood.
I helped it leave my room
.
and asked it, to rid me
of my ills – a heavy task
for such small wings –
or take my plea upwards,
and intercede for me.
.
Outside, the breeze sets
a birch ablaze
with trembling sunlit leaves;
while decollated cherubs
hover over mounted cameras
.
and laminated exit signs:
a stick figure bolts into
an empty square, salvation
indicated by an arrow
pointing down, at court 2.
.
When my secret trial starts
I must not risk contempt
by speaking: the family judge
has alerted everyone about my
poisonous maternal eloquence.
.
I will be a humble appellant and
sit with hands in lap, head down
in a plain shift – surrender to
a higher justice – pray my child
stays with me, protected.

Katerina Neocleous is assistant editor of the poetry journal, Obsessed With Pipework. She is widely published in magazines; and has two pamphlets forthcoming in 2019 – one from Maytree Press, and another through Obsessed With Pipework and Flarestack Publishing. She is also a mother and gardener. For more information please visit her at visionsfromhell.wordpress.com

Her rapture had ended – a poem by Claire Sexton

Her rapture had ended

One memory still persists; of my
mother looking over me; chock-a-block
with disease and pestilence in her
bones and brain but still interested in
whether I am sleeping; remembering
or even seeing in me there another
daughter; with less growth and
neophyte exuberance.

She was suffering and near her
cancer-blackened end, but in the
middle of that summer night she
thought to look in on me, and, and,
when I asked her if she was ‘Okay
Mum?’ she turned and walked away;
shuffling, as if I had broken some
spell she was under.

Her rapture had ended.

 

Claire Sexton is a fifty year old librarian living in Berkshire, but originally from Wales. She lived in London for twenty years and is currently detoxing from this experience. She has been published in Ink, Sweat and Tears, Foxglove Journal, Amethyst Review, and Light: a Journal of Photography and Poetry.

The Size of Infinity – a poem by Robert S. King

The Size of Infinity

How do I explain my body
as more than its own universe
of gravity and undiscovered particles?

No one is tightly bound,
but maybe we’re all micro and macro,
each atom a solar system
sailing in infinite inner space.

Size doesn’t matter.
Space is vast between any bodies,
from galaxy to God Particle.

Imagination may be a signal received.
Yet I fear that enlightenment is local,
how I look inside to see
fireworks of stars exploding
on the low ceiling of my skull.

 

Robert S. King edits Good Works Review. His poems appear widely, including Chariton Review, Kenyon Review, Midwest Quarterly, and Southern Poetry Review. He has published eight poetry collections, most recently Diary of the Last Person on Earth (Sybaritic Press 2014) and Developing a Photograph of God (Glass Lyre Press, 2014).

We Live Among Ghosts – a poem by E. Martin Pedersen

We Live Among Ghosts

We live among ghosts
We prefer their company
Ghosts love us more
God loves us
Jesus loves us
Mary loves us
The evangelists too
The disciples too —
undecided about Judas,
The saints and popes for sure
Lots of dead people love us
We believe only
love outlasts death
trickles down to us
through limestone
fills our pure wells
We all need this liquid
Sing it, dance it
Breathe it, drink it in
Allah, Buddha, Shiva
Adam and Eve, uh
Even Killer Cain loves us
Everybody loves us
Doesn’t it feel good?

Okay, your sister won’t speak to you
about that thing that happened at Christmas
plus, Mom had post-partum depression from
your birth through graduation
Mark, your colleague, that deserved the
promotion you got by blowing
the boss and several more
but there’s comfort available
if you know where to look —
Look to the ghosts

My grandfather taught me to shine shoes
That girl I kissed once got killed
One of my ancestors was a slave
Singing sad slow songs
I love all the ghosts
that I carry with me always
Jimi, Janis, Lennon, Marley
John Kennedy, the president

and Marilyn
in my house all the time
in her silk robe Geisha-style
She says, “Come to me and open wide …
Oh, my wife
doesn’t act or dress like Marilyn
plus, I’m not sure she really loves me

With that love genuine and simple
warm and ecstatic
like Mary and Jesus
all the saints and popes
all the beautiful ghosts.

 

E. Martin Pedersen, originally from San Francisco, has lived for over 35 years in eastern Sicily, where he teaches English at the local university. His poetry has appeared in The James Dickey Review, Ink in Thirds, Mused, Oddville, Former People, The Bitchin’ Kitsch and others. Martin is an alum of the Squaw Valley Community of Writers. He blogs at: emartinpedersenwriter.blogspot.it

Head in the Clouds – a poem by Ellen Chia

Head in the Clouds

Can you ever ask a cloud
To slow down for you,
To stay in such and such
A shape or formation
Of your fancy?

Unfettered, those sky gypsies
Are shapeshifters drifting
Across the endless azure plains,
Doing what they do best –
Inventing and reinventing
Themselves as they go along,
Offering no apologies whatsoever
For not having lived up
To your expectations.

Whilst there have been attempts
To classify them with names
With the likes of cumulus, cirrus,
Stratus, fractus and altocumulus,
Such a list remains inadequate
In the light of their morphing fluidity;
Providing them with ample room
To manoeuvre from the
Limiting labels stamped on them.

Naturally, they are aerial surveyors
In constant contemplation of
The vast expanses,
Amassing as they go along
A trove of variant perspectives
Beyond our accessibility.
And when the occasion
Calls for them to unburden,
They leap into their next
Earthbound adventure;
Finding themselves

Absorbed into a
Gravity-defying vessel tour
In the interior of an
Arboreal antiquity,

Frolicking amongst whales
And other sea monsters,

Another time, plunging over
Some precipices in a
Tropical jungle

Or meditating as a glacier
Beside an emperor penguin
Colony.

Life’s possibilities are for them as
Inexhaustible on earth as it is
In the atmosphere.
And often in my life,
I have wished to be this
Indefinable,
Fluid and adventuresome.

 

Ellen Chia  lives in Thailand and enjoys going on solitary walksin woodlands and along beaches where Nature’s treasure trove impels her to document her findings and impressionsusing the language of poetry. Her works have been published and forthcoming in The Ekphrastic Review, Nature Writing,The Honest Ulsterman, Zingara Poetry Review and The Tiger Moth Review.