Behind the Mask – a poem by Deborah Guzzi

Behind the Mask

Like chalk-dust on a blackboard, the sky
hid the sins of the father from the children of Switzerland.
Nationalism fostered by religious intolerance erased
the glorious art of Catholicism by writ, replacing
it with barren rock. This humanist art taught the lessons
of another age, one without Martin Luther.

plaster frescos cringe
beneath the fall of the pick-ax
an artist wails

A daunting stinginess surfaces with white-wash,
taunt linen, hidden wealth, a Godhead of excess
denied the protest removes the jewels caste
before swine. Age after age, worldwide, victors
deface the art of King’s and kingdoms before them.

faceless
folds of golden drapery
halo the Madonna

Under a self-imposed dome the Swiss meander,
oatmeal plain, faces seeped in symmetry with downcast eyes.
Their crowns restrained by the pulling back of poker-straight,
mousy-brown hair. Breeders stroll, chicks in check,
the carriages denote the financial status of their mates.
In a white world, in a daydream screaming of
Logan’s Run, few beyond childbearing years
are seen. The muddy water beneath their feet
occasionally permits a brown-skinned-race
into servitude.

Today, Mark Chagall’s windows enlighten
the dour walls and blank naves of Fraumunster
church. His figures blur, their bodies’ metaphors
restrained by the concept of idolatry. Fractured
by beads of metal and shards of colored glass
the Prophets, Jacob, Christ, and Moses
rise above the ordinary toward heaven.

a relief of color
engulfs the viewer with glory
tears fall

 

Deborah Guzzi is the author of The Hurricane available through Prolific Press. Her poetry appears in Allegro, Amethyst Review, Creative Writing Ink Competition, Shooter, & Foxglove Journal in the UK, also in Canada, Australia, Hong Kong, Singapore, New Zealand, Greece, Spain, France, India & in dozens in the USA.

Grace – a poem by Ariella Katz

Grace

tassel eared red-tinged squirrels scampering
to the top of the birch
inching their bellies upward

on black spring bark wet with dew
paws thumping, tails racing, branches trembling
tails quivering like rival trumpets, teasing

each other to the tip of a slender
branch sagging beneath their weight…
a flash of red

silence
just the tuc tuc tuc of a wood pecker
far below

the two ducks splashing
in a puddle don’t seem to notice falling
or flying squirrels.

 

Ariella Katz is a Boston native living in Moscow, Russia. Her writing has appeared in Arion, The Gate, and East from Chicago. She is the co-editor of Does the Sun Have a Light Switch? A Literary Criminal Almanac, an anthology of stories and poetry by formerly incarcerated people in Moscow.

Meet You Running – a poem by Judy DeCroce

Meet You Running

I am thirty or eighty
asleep, awake, the same,

sliding around a slippery joinery
where dreams occlude phases of
my life.

a child…
a love…
a death…

Here I am without pain
squinting to a sandy ocean…
beside us, a dog smiles.

I flip through events, years.

Awake,
there is not even you, till I close my eyes
     and meet you running.

 

Judy DeCroce, a former teacher, is a poet and flash fiction writer.
She has been published in Pilcrow & Dagger, Amethyst Review, The Sunlight Press, Cherry House Press- Dreamscape:An Anthology, and many others.

She is a professional storyteller and teacher of that genre. Judy lives and works in upstate New York with her husband writer/artist Antoni Ooto

Next – a short story by Wayne-Daniel Berard

Next

(from Tony deMello)

“Well, that’s appropriate. Of course. Leave it to you not to do anything ironic.”

Bernie had just told his best friend that he had an enlarged heart. All johnnied and propped up. In his bed in the emergency room. And Bill was making jokes.

All was right with the world.

Just the tips of Bernie’s lips turned up in that little, enigmatic Buddha smile of his. Appropriate again. As Bernie was a Buddhist.

“So that would make you a Jewbu?” his best friend had said, decades before, when Bernie had revealed his new spiritual orientation. This was the weekend before Bill’s ordination at the Basilica of the Shrine of the Immaculate Conception in Washington, D.C. “Yeah, “he had written on the back of the gold-embossed invitation, “place looks as convoluted as its name. Like a tour of Church kitsch in stone! So wear your Red Sox yarmulke and orange om-shawl — only don’t you dare come to me for communion in front of Bishop Bad Ass! I can’t turn you down, and my first assignment will be chaplain at Our Lady of Antarctica School. Staffed by real penguins.

The two had met as 9th graders at St. Xavier Classical (or as Bill liked to call it, Solomon Schecter Extension; it was the sole private school in the area and prided itself on openness). Close to a quarter of his class was Jewish, including Bernie. Small, skinny and quiet, adept at track and tennis, not football or hockey, and incurably big-hearted, he’d might as well have had a bull’s eye tattooed to his backside. Except for Bill. They’d been paired up in freshman religion class, Catholic Christianity 1– “no exemptions for extenuating circumcisions,” even then Bill was a quipper – and the middle linebacker and rink “enforcer” received his first A with their joint report on the Jewish Jesus. That was all it took. An accommodating AD made sure Bernie and Bill were in all the same classes together; the future two-sport All American never even saw a C. Honestly. Bernie had a faculty for languages, and could translate anything into Yiddish, Polish, or Jockish. Bill never had to cheat, and wouldn’t have asked him. And the budding roshi never had to watch his back. The two were best and life-long friends.

Not long before graduation, Bill had asked Bernie how he liked being a Jew. With his typical sawed-off smile and cadence, he’d answered, “Can’t be sure. Literally. You?” Bill answered the question by entering Catholic seminary. Bernie became a Buddhist monk.

Now, a lifetime later, the two friends sat across a hospital room from each other, a pair of parentheses between which glistened only unbounded trust.

“I know what you’re thinking,” said Bill. ‘What did the Buddhist say to the hot dog vender? Make me one with everything!’ But not yet, buddy. No final oneness for you. Too soon.”

“Not ready,” Bernie’s smile lines sagged just a little. “Still a vacuum cleaner.”

His clerical friend affected the “pastoral pause pose,” head turned and tilted to the side, eyebrows knit together.

‘Wait, I know this one . . . ‘Too many attachments,’ right?”

They laughed. Bernie’s breathing rippled like a tide.

“This could be the perfect time,” he said.

“Oh, don’t start with that stuff again, please, Don’t-Answer-Me!” Bill loved to riff off his friend’s Buddhist name, Doansunim.

“Procedure tomorrow. Never know.”

“I know! And you need to know, too!”

“Can’t be sure,” the monk’s eyes glistened.

“I’m sure I don’t believe in that stuff. You write out a will yet?”

Now Bernie’s eyebrows made namaste.

“I’m assuming you left everything to yourself,” Bill went on. “Seeing as you’re coming back anyway.”

The afterlife, or specifically the nature thereof, was the only thing the two had ever argued about. Bernie called them “spirited discussions.” Bill called him fruit-loopy.

Doansunim leaned closer, so much so that a ringer started chiming.

“Afraid of being wrong? Or right?”

“I’m not afraid of anything, Donuts-n’-Cream!” Father Bill growled. But his eyes showed the one thing; his hands gently guided his friend back toward his pillows.

“Okay, Padre P.O.’d,” said Bernie. “Tired. CD’s in the bag.” And he closed his eyes.
Bill quickly scanned the beeping screens. Nothing changed. He got up and rummaged through the orange sling bag with the embroidered ying-yang beside the bed. Found the CD. Brian Weiss. Guided past-life regression.

“Oh, Done-Suing-Me!” he sighed to himself. But slipped it into his black suit coat pocket.

The next morning, Bill settled in to his recliner in one of the three parish offices he maintained. Solo. Clicked the button on his CD player. Closed his eyes.

A stone stairway. Beautiful garden at the foot of it. Wandering through. Then a door in the garden wall. And . . .

Bill almost shook himself out of it. Everything had gone black. He could hear. Voices, birds, a wind ruffling broad, dry, palm fronds — how did he know that? The only Palms he’d ever seen was the casino hotel in Vegas!

He felt packed dirt beneath bare feet. Knew he had a stick in his right hand. He was blind! But still understood exactly where he was headed.

The path curved upwards; he could sense the grade. Soon the air was cooler; he was shaded now. His stick clacked brittlely against something in his path. A stone step. Then another. Soon he could tell by the cessation of breeze that he was up against something solid. He knocked on it.

“Yahaan aayee-ay,” a voice, strong but pleasant, answered. “Come here,” Bill knew it meant. Somehow.

He gently guided the door back. Stepped inside. Soon he was on his knees, forehead to the teak floor. Natural as can be.

“Mahji,” he said. “Dear Mother. I have a question for you. ”

“Of course, Ramu,” answered the Holy Woman. “Utarana – Rise up. What is it?”

“I would like to know what the color green is?” Bill asked, surprised at how nimbly the blind could rise.

“The color green?” the Woman answered.

“Yes, please. All my life I have heard of it. Wondered about it. They say it is close at hand, everywhere. But I am ignorant of it. So please, Mahji, what is this green that escapes me so?”

Bernie heard a rustle of fabric both stiff and supple (how could that be?) Soon he sensed her near him.

“That is a difficult question. For you, Ramu. But let me attempt an answer.”

Then Bill heard the most beautiful sound he had ever heard in his lives. The Dear Mother was humming. The tune began deeply. Resonating in the chest like the seed of a tide. But slowly, attentive to every note, relishing every pause between them, the music began to grow, to expand like a galaxy from a star-bud. It enveloped him in softness, swaddled him in plush tones, completely cornerless, without edges or strain.

When it stopped, Bill wanted nothing more than to wrap himself in that sound forever.

“So,” he could barely whisper, “ the color green is like beautiful, soothing music.”

“Yes, Ramu,” came the response. “Very much like that . . .”

Similar music was playing in the operating room of Savior Sinai (at the patient’s request). “Nam Myoho Renge Kyo,” it chanted. “I devote myself to the essence of the lotus’ voice.” But the scene was anything but soothing.

“We’re losing him,” someone’s voice muffled its way through a blue mask.

Bernie already knew this, of course. He was hovering above his body, like a four-winged dragonfly over an open lotus. He could hear all of them, could barely see himself through the crowd gathered around his open heart. Still, his only thought was, “Wonder if Bill played it?”

He didn’t as much see the light as began to bathe in it. Then . . .

The light was blinding. Entirely. But he could hear. Voices, birds, a wind ruffling broad, dry, palm fronds — how did he know that? The only palms he’d ever heard ruffle he’d shaken himself, the lulav in his family’s sukkah. A life past.

He felt cool, smooth stone beneath his bare feet. Marble? Knew he had a staff in his right hand. Blind, always had been. But he understood exactly where he was headed.

The path curved upwards; he could sense the grade. Soon the air was cooler; he was shaded as beneath a colonnade of clouds. Then his staff sounded a tone against something in his path. A step like a steeple bell. Then another. Soon he could tell by the cessation of breeze that he was up against something solid. He knocked on it.

“Adveho hic,” a voice, strong but pleasant, answered. “Come here,” Bernie knew it meant. Classically.

He turned his face for one more whiff of that divine breeze, than leaned back into the door. Stepped inside and turned. Soon he was on his knees, then prostrate on the incensed-soaked floor . Natural as can be.

“Mater Beata,” he said. “Blest Mother. I have a question for you. ”

“Of course, Piatus,” answered the Holy Woman. “Surgo– Rise up. What is it?”

“I would like to know what the color green is?” Bernie asked, surprised with what grace the blind could rise.

“The color green?” the Woman answered.

“Yes, please. All my life I have heard of it. Wondered about it. I know it is merely another earthly thing, and that our eyes should be set higher. But still, I have felt so moved to come and ask you this question. Please, Mater, what is this green, that it compels me so?”

Bernie heard a rustle of fabric both stiff and supple (of course it was). Soon he sensed her near him.

“That is a difficult question. For you, Piatus. But let me attempt an answer.”

Then Bernie felt the most beautiful sensation he had ever felt in his lives. It reminded him of his own mother, wrapping him in a great, soft towel after his immersion in the river. But this was even more plush, completely indulgent of him, forgiving of body and forbearing of mind. A seamless robe. Blest Mother encircled him, enfolded him from head to toe in what seemed like yard upon yard of ease without end, so close and devoted was each myriad strand to the other.

Bernie wanted nothing more than to wrap himself in this feeling forever.

“So,” he almost prayed, “the color green is like soft, soothing velvet?”

“Yes, Piatus,” came the response. “Very much like that . . .”

The end of her day. The Mother took her usual walk in the evening breeze. As she approached a bend on the path, she heard a terrible clatter. An argument and more. She rounded the bend.

There were her two visitors. Kicking at each other. Trying to gouge each other’s unseeing eyes. Roaring at each other like cultures at war.

“It’s music!”

“It’s velvet!”

“It’s music!!”

“It’s velvet!!!”

The Dear Mother turned away, but not away, two dots of light reflected in her grey-green eyes.

“Ironically appropriate,” she breathed . . .

Even Bill’s collar couldn’t get him into the ICU. It was nearly two weeks before he could see his friend, back on the regular corridor.

He almost galloped in. Wearing the kelly green clerical shirt he usually reserved for St. Paddy’s Day. And carrying a big shopping bag. He reached into it.

“Bed, Bath. And Beyond,” he grinned. And pulled out an oversized velvet robe. Green.

Bernie, still weak, motioned to the nurse, who took a brown package from his bed tray table. Amazon logo smiled like a Buddha.

Bill ripped it open with one move.

“Velvet Underground? Really?!”

“It’s music,” Bernie’s smile lines rose up.

“It’s metaphor,” Bill sat down hard on the bed. Bernie unsagged.

“What’s a metaphor?” he asked.

His friend stood up tall, set his shoulders, and said in his best John Wayne:

“It’s for grazin’ my cattle, pilgrim.”

“Oy-veh!” said the nurse. The two friends laughed.

“Okay, buddy! In the chair. Time for a spin around the courtyard,” Bill chimed.

“Outside? Can’t be sure . . . ,” started the nurse.

But they were already at the elevators.

“Seinfeld had you deported,” said Bernie.

“That was Babu. Not Ramu. And at least my name wasn’t Pee-at-us!”

The doors closed. Then opened. Onto one beautiful garden.

 

Wayne-Daniel Berard, PhD, teaches Humanities at Nichols College, Dudley, MA. He publishes broadly in poetry, fiction, and non-fiction. His novella, Everything We Want, was published in 2018 by Bloodstone Press. A poetry collection, The Realm of Blessing, will be published in 2020 by Unsolicited Press.

 

In the Woods – a poem by Carolyn Oulton

In the Woods

I can hear without sound,
see shapes without looking.
That is what words do.
Like a match held under wax,
a colour tasted in the dark.

I can carry thoughts where
I feel them, just behind
my face. Scrabbling up
for air though, words get
gummy, stiff as bone.

That is why I’m mumbling.
How so many times now
have you brought me here?
Then suddenly we’re talking,
I’m bouncing on water.

Making bubbles, God
I love you and I love you, God.
I can’t stop laughing.
And I tell you, I have never
Laughed like this before.

 

Carolyn Oulton has been published in magazines including Acumen,Artemis, Envoi, The Frogmore Papers, from the edge, Ink Sweat & Tears,Nine Muses, Orbis, The Poetry Village,The Moth and Seventh Quarry.

Her most recent collection Accidental Fruit is published by Worple Press. Her website is at carolynoulton.co.uk

A Flight Transferred – a poem by Pauline Duchesneau

A Flight Transferred

A Northern Flicker lay
feet curled and still
on the roadside where I walked.

So sad, thought I.
Next instant, Awed, by the
unmarred form so close beside.

Details of the artistry
inspired by eclectic mood
that creation day…

Dramatic contrasting gentle
in style unlike others.
Diverse, their own painted cloaks.

This sweep of pure night, high on chest,
a bib of honor above darkest round
spots on each tiny, pale breast feather’s tip.

Emboldened, the back of neck by
shock of brilliant candy apple red, all the more vibrant
bordering soft gray.

Dark bands on mellow brown back,
underside of tail hidden, unknown,
a burnished butterscotch.

Kindly buff of face, throat, and neck,
strong point of beak lined by
another midnight drop onto cheek.

So benign it seemed to me,
this being of moments before,
whose call and percussive wing-flap familiar.

These features I’d gift to admire,
from bittersweet inertness.
I walked on, new flight of wonder now in me.

 

Pauline Duchesneau’s writings of various sorts have appeared in Dime Show Review, Pilcrow & Dagger, Adelaide, Riggwelter, and Rosette Maleficarum, among others. Her first novel of magical realism seeks its final draft. Pauline’s greatest inspiration wells from her gratitude for the myriad daily gifts.

A Flight Transferred – a poem by Pauline Duchesneau

A Flight Transferred

A Northern Flicker lay
feet curled and still
on the roadside where I walked.

So sad, thought I.
Next instant, Awed, by the
unmarred form so close beside.

Details of the artistry
inspired by eclectic mood
that creation day…

Dramatic contrasting gentle
in style unlike others.
Diverse, their own painted cloaks.

This sweep of pure night, high on chest,
a bib of honor above darkest round
spots on each tiny, pale breast feather’s tip.

Emboldened, the back of neck by
shock of brilliant candy apple red, all the more vibrant
bordering soft gray.

Dark bands on mellow brown back,
underside of tail hidden, unknown,
a burnished butterscotch.

Kindly buff of face, throat, and neck,
strong point of beak lined by
another midnight drop onto cheek.

So benign it seemed to me,
this being of moments before,
whose call and percussive wing-flap familiar.

These features I’d gift to admire,
from bittersweet inertness.
I walked on, new flight of wonder now in me.

 

Pauline Duchesneau’s writings of various sorts have appeared in Dime Show Review, Pilcrow & Dagger, Adelaide, Riggwelter, and Rosette Maleficarum, among others. Her first novel of magical realism seeks its final draft. Pauline’s greatest inspiration wells from her gratitude for the myriad daily gifts.

A Jazz Prayer – a poem by Brett Peruzzi

A Jazz Prayer

Pound the piano keys Thelonius
tap your foot to the odd time signatures
that tick in your head like a clock.

Play the chords Bird
string them together
like pearls on a necklace of sound.

Hold the single note Miles
with a tremelo more delicate
than birds at dawn.

I listen to your music
the way some people salute the flag
or recite the rosary;
but with absolute surrender.

The sounds are like
the most gilded and ornate birdcage
you can ever imagine
except the door never closes.
It just swings daddy
it swings in the perpetual breeze,
a zephyr across time.

Turn your back again
to us Miles.

Spin your body again
in a mad Benzedrine circle Bird.

Nod your head again Thelonius
to the melodies that course through your brain
like a rain-swollen river.

I’m still listening.

 

Brett Peruzzi lives in Framingham, Massachusetts. His poems have appeared in Boston Poetry Magazine, Muse Apprentice Guild,Gloom Cupboard,The 5-2: Crime Poetry Weekly,Modern Haiku,Sahara, Pine Island Journal of New England Poetry, and many other publications.

Reluctant Recidivist – a poem by Patricia Walsh

Reluctant Recidivist

Slow to commit any form of crime
Faithfully deported to suitable lodgings
Hunting heads of the conscientous consumed
Matching like to like, as a jigsaw.

Not a race, therefore not racist. What I would give
For a standard textbook to judge others by!
Forget the stereotypes, bleached to the root
Vainglorious in circumstance tempers the cold.

Coat drenched on another’s chair
Dancing in time to a foreign clap
Eating meat, prayer, upon, consuming
With a wounded conscience looming small.

The days lenghten by degrees.
Controlled fasting becames the determined.
Determined in eyes of the god of hosts
Killing as if we make an educated mistake.

Picking the chicks in a submerged ballroom
Where no light can escape, cross upon back
A journey towards salvation, a criminal’s death
Singing towards home, oblivious to danger.

Not my will, but yours. Killing the solution
If you’re not part of the problem, so what?
Green on red colours the recidivist spirit
An acreage of beauty redeemed for others.

 

Patricia Walsh was born and raised in the parish of Mourneabbey, Co Cork, Ireland.  To date, she has published one novel, titled The Quest for Lost Eire, in 2014, and has published one collection of poetry, titled Continuity Errors, with Lapwing Publications in 2010. She has since been published in a variety of print and online journals.  These include: The Lake; Seventh Quarry Press; Marble Journal; New Binary Press; Stanzas; Crossways; Ygdrasil; Seventh Quarry; The Fractured Nuance; Revival Magazine; Ink Sweat and Tears; Drunk Monkeys; Hesterglock Press; Linnet’s Wing, Narrator International, The Galway Review; Poethead and The Evening Echo.