Bathing – a poem by Catherine Arra

Bathing


in lavender-fragrant froth
broth-soothing warmth
the spigot a fountain
of water-to-water solace
a patient percussion
slowing the heart drum
reminding me

Float the day

broken stove
ruined quiche
forgotten bills
soured milk
leaf-littered garage
season shifts and endings.

Float the day

before sleep
in purple meditation
water-cocooned massage
my tub, an ocean
my body a raft, buoyant and brave
toes pointing out to sea 
and the next day.


Catherine Arra is the author of four full-length collections and three chapbooks. Her newest work Solitude, Tarot & the Corona Blues is forthcoming from Kelsay Books in 2023. Arra is a native of the Hudson Valley in upstate New York, where she teaches part-time and facilitates local writing groups. Find her at www.catherinearra.com

Undergoing – a poem by Elli Samuels

Undergoing


In a moment still as air that holds smoke in one place
you wish to hitch to the likeness of prayer
—for an appointed god or goddess to register with.

But the twirl of the blood in the puzzle you are
brings pause—trying to figure which cathedral 
within you provides the best sound.

It’s like you want to prove the Lord never stops 
—bare maples to self-replenish
—an acrobat to lift daylight with every, almost-false, move.

Elli Samuels is a poet whose work has been anthologized and published in numerous literary journals such as Maudlin HousePif Magazine, and Tulsa Review. A cookbook author and yogi, Samuels lives in Texas.

God, Capital She – a poem by Annabelle Smith

God, Capital She

Sometimes, an author or a theologist will speak of God 
as She. God has always been something masculine, 

or fatherly, or so far from me that He cannot possibly be human. 
But when someone says She -- a single added letter, 

a softening of that harsh “h” -- She draws closer to this world. 
She could look like my mother, curls sprouting from Her head 

like dandelions. Like V, the only female minister I’ve ever known. 
She could look like me. I see God in my grandmother’s hands, 

thin fingers whispering over pages of her Bible. I see Her
in the women of my church, preaching from passion 

rather than pulpit. I see Her in the female cardinals, pinked 
with pale feathers, the irises blooming violet, the hens 

warming their nests. God is abundant in what is soft, 
what is gentle. Maybe She is not so different from He after all. 

But I cannot help but feel that rush every time I hear She, a glimpse 
of my own femininity in the divine. I cannot help my desire

(however human it is) to see a sliver of my reflection in God. 
If God really is She, then maybe She is more like Her creations 

than I thought. It makes sense; who else can give birth
to the universe, the oceans lapping at white swaths of sand,

the verdant woods teeming with life, 
                                                                but She?

Annabelle Smith studies creative writing at Barbara Ingram School For the Arts. Her work can be read on Every Day Fiction and in a forthcoming publication by TRNSFR.

Absolution – a poem by John Short

Absolution


Athens 


In the obscure district where we live,
my friends have been playing dice
for days, now they’re broke, repentant.
One is Serbian and the other Greek;
both desiring to expunge transgressions.

This morning, with map and water, 
they ride a train some miles up north 
and there locate the path that winds
upwards through dry hills to the church
of the saint who faced a martyr’s death.

Lips and fingers will smudge icons,
prayers rising like candlelit incense.
Later they’ll return with sparkling souls
and consciences pure as fresh bread
then next month do it all over again.





John Short lives near Liverpool again after a previous life in southern Europe. He's appeared most recently in Pennine Platform, Flights e-Journal, Foxglove Journal, Culture Matters and The Bosporus Review. His fourth collection In Search of a Subject is due from Cerasus Press in 2023.

An Accurate Account of the Ineffable – a poem by Maryanne Hannan

An Accurate Account of the Ineffable



My bucket is fuller than it looks.
At least I’ve never seen it empty.
Sometimes I sip its refreshing water. 
But more likely, no; it has that briny taste—
Salty like tears.
I’ve adjusted to an everyday kind of thirst.
Sometimes I use the water from my bucket 
To sprinkle seeds I’ve scattered on the ground.
A few have sprouted but nothing to brag about—
Too puny a crop to satisfy ordinary hunger. 
One day I thought to scoop a cup of water 
From my bucket and sprinkle-spray the sea—
It dispersed without a trace.
No wave of joyful reciprocity 
Arose to meet my droplets.
Disappointing, that it made no difference. 
But the sun was shining that day. 
More light than I needed.

Maryanne Hannan has published poetry in Presence: A Journal of Catholic Poetry, The Christian Century, Windhover,The Curator and elsewhere. She is the author of Rocking like It’s All Intermezzo: 21st Century Psalm Responsorials(Resource Publications, 2019).

Perhaps the hedgerows have it after all – a poem by Daniel Mountain

Perhaps the hedgerows have it after all. 

When I was nine, I was jealous
that my friends knew God and I didn’t. 
I told them I would find him in a hedgerow. 
They laughed, but I persisted. Some nights, I prayed
to my bedroom ceiling by the apocalypse orange
of a suburban streetlight. Nothing. 

But summer days spent flat on grass, tracing
the arc of the sky with my hand, feeling the entire
rock of the earth bracing my spine, or afternoons
following root to stem to leaf and flower, watching
my shadow dance on every open page, 
warm evenings spent staring at stars 
millennia of light dappling my retina. . .
Those were the days of knowing.

Daniel Mountain (@danmtn) is a writer and teacher based in Cheltenham Spa. 

A Vice is a Virtue Occluded – a poem by Alfred Fournier

A Vice is a Virtue Occluded
 
 
A dam in the river where the blood won’t flow.
Debris piled up like misery at the narrow neck.
Boatman on the shore with shadowed face
doesn’t give a damn if you think you want to cross.
He extends a boney hand for your fare, asks
if you’ve considered it’s a one-way trip.
 
In Kundalini yoga, a snake coiled at the base
of the spine tenses with unreleased power.
The day we make accommodations for darkness—
offer her a warm meal and a bed,
look into her eyes over after-dinner wine—
is the day the snake will rise.
 
I’ve carried my desire in bucket-shaped words,
in a hardened knot of muscle braced against the past.
I have to hold it up in my hands
as my ribs hold up my heart,
let it fly with open wings,
innocent as a dove,
 
stretch my body until the dam breaks,
snake rising through a shower of grief,
rising like Egyptian sun—third eye,
flickering tongue tasting
mountains and sky.
White wings disappearing into night.
 
 
 
Based on a lecture by Joseph Campbell, incorporating a line by W.S. Merwin

 

Alfred Fournier is an entomologist, writer and community volunteer from Phoenix, Arizona. He coordinates poetry workshops for Connect and Heal, a local non-profit organization. His poems have appeared in Amethyst Review, Third Wednesday, American Journal of Poetry, The Indianapolis Review, The Main Street Rag and elsewhere. On Twitter: @AlfredFournier4.

Time Change – a poem by Lory Widmer Hess

Time change


The clocks have been turned ahead
but I
haven’t caught up – my body’s not sure
when day begins; I wake before dawn
and can’t recall
if I’m early or late.

Some clocks got changed,
some didn’t. This one
on my shelf still tells me
the real time – as real
as time can be;
aren’t all clocks
an illusion, made to say to the sun
that we’re the ones in charge?

I know someone
whose watch is always wrong, and yet
he can tell what time it is.

I’d like to have that knowledge.
I’d like to never be confused
by worldly signs and symbols,
always aligning
my personal timepiece
with the big one in the sky.

Lory Widmer Hess is an American currently living with her family in Switzerland. She works with adults with developmental disabilities and is in training as spiritual director. Her writing has been published in ParabolaRed Letter ChristiansKosmos QuarterlyRuminate: The WakingChristian Community Perspectives, and other print and online publications. She blogs at enterenchanted.com.

Lola Returns – a poem by Richard Ryal

Lola Returns


With this miracle ended, I miss most the nectar
that saturated me. Long I’ve raged against
all that isn’t nectar
and all that I’ve mistaken for nectar.
My world is now a ghost of honey
that falls like a shadow from the nectar
that shines though me, the nectar
whose golden halo makes me disappear
without dying, lets me disappear
into the flow and folds of this nectar
that bathes me until I emerge
cleaned and perfumed with honey. I emerge

from the world I knew and watch a new world emerge
from the burden of miraculous nectar
I’ve somehow placed on it. I emerge
as a woman I don’t know, and I will emerge
through veils and baffles my spirit will tangle against
because my world is unkind to all who emerge
into it. If I succeed, I will emerge
as a tinge of honey
in the daylight, then a strange glow of darker honey
in the night, and then a memory will emerge 
of someone who had to disappear
to make the old world disappear.

How complicated. How easily this nectar will disappear
and old urges and bitterness emerge
if the new me can’t remember, when I disappear,
the work it took to make my old life disappear
forever in the nectar.
I pray this moment to disappear
so the new me won’t disappear.
I try to sort out this challenge against
the mirror logic of miracles, pit my new self against
my old fears and weaknesses. I want to disappear
into the sacramental honey
that surrounds me here, to drown in this honey

and leave no indentation in the face of the honey.
I pray my reflection will disappear
and light be wasted no more on me. This honey
is its own light, this honey
is a lantern from which golden lights emerge.
This honey
is a perfect food, a healing, this honey
already replaces my memories with nectar,
with new memories of a nectar
that drowned a body, a room, in a world of honey.
And the gates of death will collapse against
the tide of this light, my history will fail against

its flow. I cry out against
my old life, curse it, but a pool of honey
fills my mouth, drowns my tongue against
its sweet pressure. I waver and lean against
my bed, feel my will drain and disappear.
I begin to lose my struggle against
my weariness, the undertow flows against
my heart’s desires. Helpless, I emerge
into a light that isn’t honey. My senses emerge
from the wonders they drank and they flutter against
the sight of this room drained of its nectar.
I am suddenly blind to the honey and nectar.

Later, I’ll be surprised at times by the taste of nectar
but can’t live in constant bliss against
the buzzing in my mind. I’ll often sneak a spoon of honey
and briefly let myself disappear
and try to hide from myself until it’s time to again emerge.

This poem is from an unpublished collection titled The Ecstasy of St. Lola. They consider a young nun named Sister Lola who experiences a profound religious experience. 

A poet, professor, and editor, Richard Ryal has worked in marketing and higher education. He stops for every poem he hasn’t read before, and no one can talk him out of doing that. His recent publications include Notre Dame ReviewSheila-Na-GigThe South Florida Poetry Journal, and Survision.