Teresa – a poem by Martin Potter

Teresa

stark immured the city
against creeping infestation
its scorched and frosted plateau

abode of the untamed
a seven-dwelling vaulted soul
she gazes out guard-tower

haunting then turns in
sight strives to soak through
cold tangled innards

the forgotten corridors
old doors for fusty stairs
destination unclear

and first hesitant steps
seeks the outsider and inner guest
who grounds the same

Martin Potter (https://martinpotterpoet.home.blog) is a British-Colombian poet and academic, based in Manchester, and his poems have appeared in AcumenThe French Literary ReviewEborakonInk Sweat & TearsThe Poetry Village, and other journals. His pamphlet In the Particular was published by Eyewear in December, 2017. 

Meeting Place – a poem by Cit Ananda

Meeting Place

I have laid out a blanket,
held at four corners by pinpricks of Light.
To meet me here you will have to take a leap of faith.
Believe in the magic of the fire that holds the corners
but never burns the flesh.
Believe in the power of possibility
that explodes you into the cosmos
and deposits you on the floral center
of a pulsing mandala
with a soft, gentle thud.

Believe in emptiness and space.

Within that field lies the butterfly and the rain.
It pulses with life and vibrates with harmonies unsung.
A richness meets the eyes,
though the field is vacant.
What is seen is Divine artwork,
strokes of whimsy meeting gestures of passion
yielding ribbons of Light
and flowing rivers of sacred color
bleed into everything.

I feel the liquid Light bleeding into my body.
As it moves through the sacred vessel
it merges with blood and bone
and finds already flowing there
subtler ribbons of luminous Light.
Threads of familiarity magnetize together
pulled by rapture and affection.

A concert of hums erupts
and the body is moved.
What pulls the head from the Earth?
What draws the feet to the soil?
What winds the body in waves of ecstasy
and morphs the mind into jelly?

It feels so pure and true.

Surrendered like a marionette
in the hands of our puppeteer,
the body receives.
and the waves amplify.
and the body receives.
and the waves amplify.

And just like that
I am exploded into the cosmos,
seated on the floral center
of the rippling mandala of time,
the eternal Now.

Care to leap with me
and picnic among the pricks of Light
and whimsical ecstasy?
Care to lose yourself in the fabric of Eternity?
Care to be unbounded in sacred harmony?

I have laid out our blanket.

Cit Ananda’s poetry is inspired by direct experience, captured in moments between perception when the mind falls quiet and deep silence shares an offering that touches the mystery of life. She will tell you she catches poetry on the winds of the universe. She has work published or forthcoming in Mountain Path, Tiferet Journal, Soul-Lit, and OFFERINGS: A Spiritual Poetry Anthology from Tiferet Journal. Explore more at https://www.vitalrootsherbalism.com/publications.

My Cup – a poem by Allison Grayhurst

My Cup

Dream the light that blazes
over the arch of time.
Plunge in and peel.
Now. You are here.
There is no path, but the path
of intensity, trusting, 
even when you fail.
Shave off the matts, the baggage of loss
that has outlived its necessity.
Step on the grass. Reach. Know you are
on the other side. 
The past and its broken greenhouse
cracked walls, yellowed stems, rotted leaves
are of another country.
No loss was unbearable.
Torment has transformed, 
has been set right and matured. 
Happiness is a horse. 
She stands before you, offers you a ride.
Be brave as a confident child, 
feet off the ground, 
in union, in flight.

Allison Grayhurst is a member of the League of Canadian Poets. Five times nominated for “Best of the Net,” she has over 1300 poems published in over 500 international journals. She has 25 published books of poetry and 6 chapbooks. She lives in Toronto with her family. She also sculpts, working with clay.

To the Hawk Outside the Brand-New Mosque of Lombard, Illinois – a poem by Ali Abid

To the Hawk Outside the Brand-New Mosque of Lombard, Illinois


Unbelieving and prodigal, just here for a funeral, I bargain
as you click a raptor toe on the roof of my hastily parked
soft burrow, which is also my red exit and, as such, all my next days. 

Was this where a homey branch held your childhood 
nest, before you got the tough-loving push? Before the invading 
mammals held out permits and loans in trembling hands,

stretched out black asphalt and put up concrete minarets. Or before 
when they prayed for years in heated tents over gravel, as you circled 
overhead and the white men in orange helmets that we paid

—and sometimes I use we, when speaking to hawks—
drove home each night and made dubious accounts of their aches? 
Or before that, when we were just a potluck in the borrowed space

of the unitarian church, near the campus where the students could pretend 
to eat like they did at home. Where the imam smiled as a skinny
engineering student sat next to me and tried, so earnestly, 

to make conversation and gave me the chance to pretend, too
—were you keen to find others then, were you studying vague 
traces of shell? Or before that, when your well-flapped woods 

were cut by nothing but a strand of blue highway, and my father brought                    me 
to the barely finished basements and cold garages of grocery store owners
—where the creaking cabbies led our bowing and praying, and collections 

were raised for one of the brighter versions of the future, did this hawk
—did you, I say—know that some rituals built into our bodies 
would lead us both here, when all the obligations were reduced to wind 

and ashes? Those same old men, just today, marked on their waistlines
how tall I once stood. Just here, where your talons and our fine memories
find nothing to hold but the sight of a holy remnant of trees

on the far side of the road. They wave to us and cause our flight feathers,
our undyed cotton pennons made for prayer in other climates to wave, 
so earnestly, in response. We listen and retake our positions:

me, an unfulfilled darting along the busy ground, 
you, an unforgiving eye in the hard marble sky—us
in my soft burrow, in your red exit, in all our next days.

Ali Abid (he/him) is a writer, civil rights attorney, and policy advocate. He has been a featured storyteller at Pour One Out, a monthly storytelling series hosted by Volumes Bookcafe. Ali lives and works in Chicago.

Bounce Bunny – a poem by Mary Paulson

Bounce Bunny
 
oh the music
moves elevates a burning pogo stick
kind of jumpiness
when the bass booms
boom my heart is in my throat fist
pumping unrelenting
drumbeat electric star cosmic
Easter egg pigments fly royal
blue sapphire shine dance rabbit! bounce
bunny! there’s a force field of light chasing you down
and this is joy! Unsure rabbit plain jane
rabbit this is your evening blue light soundtrack glow stick
night energy so powerful anyone over sixty
feels they've been hung from a power line oh
when the house the house goes all out
choruses of angels appear in
gold leotards American Apparel knee
socks there's no stopping glory solar flare bouncing
bodies surfing titanic radio waves
fly rabbit! glitter nightingales soar gilded
wings you don’t have to be
small bunny there’s sky fulls light in billions disco
flesh breathing electric pink trembling orange
phoenix fires rhythms rising we are we are
so close to being one body—
 
 

Mary Paulson’s writing has appeared in multiple publications, most recently in ChronogramPine Hills ReviewBackchannels, Discretionary Love, A Thin Slice of Anxiety, Poetica Review, Orchards Poetry Journal, DASH Literary Journal and The Pomegranate London. Her debut chapbook, Paint the Window Open was published by Kelsay Publishing in 2021. She lives in Naples, FL.

If we could only imagine a better arc of flight – a poem by Alfred Fournier

If we could only imagine a better arc of flight


we might spring from the bough     ascend 
with the instinct of light      without goal 
or weight of loss on our wings      
cut      with the diamond-blue edge
of fresh hope      through cool air 
to the thinness      at apogee’s breath      
where we bow      then descend
riding gravity’s flow 
like a boat bent from spirit     
muscle and bone



The title comes from “One in the Hand,” by Jorie Graham.

Alfred Fournier is an entomologist, writer and community volunteer living in Phoenix, Arizona. His nonfiction and poetry have appeared in Amethyst Review, Delmarva Review, American Journal of Poetry, Lunch Ticket, Gyroscope Review, The Indianapolis Review and elsewhere. New work is forthcoming at Blue Unicorn and Drunk Monkeys. His Twitter handle is @AlfredFournier4.

The Feast of Booths – a poem by Gershon Ben-Avraham

The Feast of Booths

A willow which has dried up, or most of its leaves have fallen off…is not valid.
	—Kitzur Shulchan Aruch (136.6)


Lost in a worry of wilted willows,
he sat, perched on the edge of a park bench,
leaning forward, hands crossed, lying lightly
upon the curved polished head of his cane.

At Morning Prayer, he'd waved them gently.
Their leaves fell and like little dying fish,
expiring mottled minnows washed ashore, 
lay scattered on the synagogue's floor. 

He turned his closed eyes to the sun. Its light
shone brightly through his drooping, shuttered lids—
two sheets of yellowed maps, with red borders,
and dark blue, silent, slow-moving, rivers.

He saw the pale thin hands of his teacher,
heard the clay-cold lips of the man long dead:
"Do not become like a willow, without 
taste or smell, a willow which has dried up."

The damp autumn wind smelled of coming rain;
the earthy scent of soil enveloped him.
Pushing against his cane he rose. Buried—
lost in a worry of wilted willows.

Gershon Ben-Avraham’s writing has appeared in journals and magazines, including Amethyst Review, Big Muddy, Gravel, Image, Jewish Literary Journal, Poetica, Psaltery & Lyre, Rappahannock Review, and Tipton Poetry Journal. His short story, “Yoineh Bodek,” (Image) earned “Special Mention” in the Pushcart Prize XLlV: Best of the Small Presses 2020 Edition.

More – a poem by Shane Schick

More


We can ask, we can imagine,
and we can even make friends
with what’s finite the way we wait 
for the wafer to waste away
on the warmth of our tongues.

Yes, we can ask; to constellate
the stars into fresh formations 
so that we could look up nightly
and leave horoscopes behind
for a glimpse beyond astrology.

Yes, we can imagine: to forgive
the sun for shining a rectangle
through the window, a brick 
worthy of an eternal kingdom 
but just one, without mortar.

We can even imagine more
we might ask; not to request
but to interview. And perhaps
the power working in us is
the answer we know is coming. 

Shane Schick is the founder of a publication about customer experience design called 360 Magazine. His poetry has recently appeared in EkstasisMacrina Magazine and other publications. He lives in Whitby, Ont. with his wife, an Anglican priest and their three children. More: ShaneSchick.com/Poetry. Twitter: @ShaneSchick.  

Private obsession – a poem by Melaney Poli

Private obsession

for Michael


Nobody ever asks why I write. They seem to know,
or at least assume. But art leaves me full of excuses.
Is truth the best ruse? I wonder if I should disclose

what goes on—or keep the trade secrets stumm? 
Would I be believed if I admit, “I throw it a few
sentences to keep it quiet, save my skin. So 

the neighbours won’t hear. It leaves me alone 
as long as I feed it.” Or spin, “Translation’s 
a hard work, mining everything. There is no 

language for saying what you do not know.”
No, truth’s the best muse. Better just to confess:
“I am a hunter-gatherer. Every line is a lantern.

Take some paragraphs—my daily bread. Carrots. So 
I can see, have something to eat. A poem is a booth,
gives shelter, thorns. Music forms a scaffolding

to coax me across the impossible. This is a story
I am telling you. See how I scale a morning,
draw down the other side. When night comes

I mark it with blazes. It doesn’t have to be nice, only
make light of risk. I will pick up the pieces, stitch, show
you why nothing can destroy me. Not even this.”

Melaney Poli is an artist, writer, and Episcopalian nun. She is the author of the accidental book of poems You Teach Me Light: Slightly Dangerous Poems and an accidental novel, Playing a Part.

I’m religious only when I speak Spanish – a poem by John Van Dreal

I’m religious only when I speak Spanish.


I don’t actually speak it. I have woven the effort to learn it 
into my daily rites—an app on my phone; smoking Indica 
while watching Telemundo; using Translator to read passages 
from Cormac McCarthy’s Border Trilogy.

I hurriedly learned the basics with hopes of singing in a mariachi 
band but was limited by my lack of voice and talent.

I flirted with old-time Catholicism—took delight in the sparkle and 
texture of its grandeur but veered from tradition—

              I imagine a god who speaks Castilian and admonishes 
              my transgressions in the husky voice of the taxi driver 
              Esmerelda from Pulp Fiction: “Juan, usted es impaciente, 
              arrogante, crítico y en estreñido emocionalmente.” Such 
              is a deity easily adored. 

I adorned loved ones with nicknames: 
              Gatito Asesina—my commandment-breaking, 
              rodent-murdering cat; Perrito Tortuga—my 
              unconditionally loving, elderly, sluggish chihuahua-
              poodle; Dama Deliciosa—my gently seductive, 
              tempting spouse; Gar-Chico—my childlike son, 
              whom I called Buster Boy when he was a youngster; 
              Tejonita—my righteous daughter, who won every 
              argument, earning the title of Badger.

I adopted prayer but limited it to simple requests for redemption 
and the care of those who crash around in my heart— 
              Jesús, mi amigo. Por favor, perdona mi grandiosidad. 
              Por favor, cuidar mi familia y mis mascotas. Ah, y por 
              favor dame una voz para que pueda cantar en español.

A third-generation artist, John Van Dreal began painting and writing at age seven. He earned his formal education in Fine Arts at Humboldt State University and Brigham Young University and educational psychology at Brigham Young University, maintaining careers in both fields while writing. A musician and award-winning artist with work featured in collections throughout the Pacific Northwest, Van Dreal uses his creative vision and accessible writing style to explore both the darker and quirkier sides of human behavior. He resides in Salem, Oregon and is currently preparing his poetry book, titled Sand to Glass, for publication with WordTech Communications’ Cherry Grove Collections imprint (January of 2023).