Lilies – a poem by Jennifer Novotney

Lilies
 
The wind brushes through 
the leaves on the trees
manipulating them to wave
naked bodies dancing
against the grey canvas.
 
The rain tumbles down
getting lost in the rush of air
cold from the mountain
a sigh that never
runs out of breath.
 
The windows are pimpled
with uneven, translucent drops
nature’s avant-garde painting
as if a child has pushed away 
a splattered spoonful of medicine.
 
I see myself in those drops
the gentle curve of my lashes
marble eyes staring back
the long sweep of my nose
the dip where my lip meets chin.
 
I am so small in it
the drop that lingers on the glass
gently falling to the edge
like lilies wilted 
near the end of a funeral.
 
 

Jennifer Novotney holds an M.A. in English from Northern Arizona University. Her work is forthcoming in Buddhist Poetry Review and has appeared in English Journal, Poetry Quarterly, Unbroken Journal, and The Vignette Review, the latter for which she was nominated for a Pushcart Prize. In 2014, she won the Moonbeam Children’s Book Award for her debut novel, Winter in the Soul. She grew up in Los Angeles, CA and lives in North East Pennsylvania with her family where she teaches English and creative writing.

Plainsong – a poem by John Muro

Plainsong
 
                           Bonum est diffusivum sui
                          (The good pours itself out)
                         - St Thomas Aquinas
 
 
Mid-summer sky, hallelujah bright,
Waves rising in exultation, gulls tilt
For ballast and slowly rise like a 
Devotion in gusts of salt-glazed air. 
Wooden grids of cottage windows 
Are filling up with candle light, 
And the rush of incense seeping 
From hedges of sea roses, sherbet-
Pink, consecrates the air or the 
Makings of this day when heaven 
Seems closest to us and would 
Willingly lift, fold and cast all 
Burdens sea-wards leaving for us 
This shoreline’s indelible shining, 
The benediction of milk-blue water and 
Tinseled filaments of whispering light.

A life-long resident of Connecticut, John Muro is a graduate of Trinity College, Wesleyan University and the University of Connecticut. His professional career has been dedicated to conservation and environmental stewardship, and he has held several volunteer and executive positions in those fields. His first volume of poems, In the Lilac Hour, was published last fall by Antrim House, and it is available on Amazon. John’s poems have been published or are forthcoming in Moria, Euphony, Third Wednesday, Clementine Unbound, River Heron, Amethyst Review and several other literary journals.

For Those Who Need Science Before Faith – a poem by Lanette Sweeney

FOR THOSE WHO NEED SCIENCE BEFORE FAITH

1.     Field Study

I once had a childish theory all souls were connected
by invisible wires that could be stretched but never snapped.

The closer two people, the thicker the strand I suspected
ran between them–like phone cables able to grow and adapt.

When I grew up and had children, my theory was subjected
to field study as their braided cables twined and overlapped

with mine, then each other’s. Their spirits arrived unaffected
by doubt; they gazed at me with unfounded trust, utterly rapt.

My theory now seemed fact. My exposed soul spilled unprotected
into theirs. Our shared joints soldered closed; our fused pipelines were mapped.


2.     Microchimerism

Turns out there are scientific names for my long-suspected
concepts: Microchimerism posits fetal cells are apt 

to switch sides–so an embryo’s unique cells are injected
into its mother, while hers spin the skin in which baby’s wrapped.

Older siblings’ cells linger in the mom, then are projected
into future children–which means my son’s particles stayed trapped

in me and his sister, even after he disconnected.
His DNA lives on in us, though his lifeline has been snapped.

Our swapped cells may explain why, when my children were dejected,
their pain overwhelmed me; my face caught fire if theirs was slapped. 

 
3.     Quantum entanglement

In quantum physics, entanglement theory is accepted
proof that some bonds can never be severed. If a photon’s zapped

in two, its split bits act as one no matter where detected
(though they hide this parlor trick if a photo lens is uncapped).  

My son’s first deity fell when I proved human; he’d expected
my perfection, found cracks in all my walls. Angry, he unwrapped

and trashed his greatest gifts: brilliance, faith, love, hope. Disaffected,
he died praying to believe. We fell down with him, thunder-clapped

by grief, our spirits pulsing toward his dead end, misdirected
into doubting we had souls—or else how could he have relapsed?


4.     Post-Traumatic Growth

Long before he learned quantum theories, my son respected
God; he believed without thinking. Cynicism handicapped

him, led his sister to mimic his scorn–’til unexpected
loss tore our shells clean off, left us shivering, terrified, sapped

enough for the hardest lesson: grief comes to reconnect us.
Each tragedy tears off a veil. Spiritually, we’d napped

through our lives, unhumbled. The skepticism we’d erected
was unwinding our frayed strands. Then Post-Traumatic Growth remapped

our wires, pushed us back toward Love. My son’s cord is inflected,
not cut. I must trust our pipes still flow, our connection left intact. 

Lanette Sweeney has worked as a waitress, reporter, editor, mother, fund-raiser, and teacher of English and Women’s Studies; she is now a full-time writer thanks to her wife’s support. Her first book, forthcoming in mid 2021 from Finishing Line Pressis a poetry collection about her son’s addiction and overdose death: What I Should Have Said. She has published her short stories, essays, and poetry in newspapers, journals, and anthologies, including the popular textbook Women: Images and Reality. She and her wife live in South Hadley, MA.

Editor’s note: Lanette has submitted the following poem by her son to be read alongside her own poem:

UNPLUGGED
A Poem for his sister, Jamie, then 22,
by Kyle Fisher-Hertz, age 24

Pipelines emanating from our respective centers
allow now to be entered collectively.
Seven billion perspectives become one 
where the pipelines meet,
our thoughts circulating like blood
pumped by a universal heartbeat.

And in this web of pipes, infinitely tangled
you and I, of course, were angled
side-by-side, adjacently connected
so close that pieces of our souls 
are shared through direct injection,
our pipes flowing and our love growing,
becoming ourselves together,

So when toxic tar like a starless night sky 
began to clog my pipeline,
nothing had a shot of getting through
except for you.
The chatter of the universe was muted.
I was a numb appendage, cut-off circulation
at risk of amputation.

And so you pleaded through the pinhole 
of connectedness that remained
for me to unplug the gunk, recirculate myself,
and love myself like you love me.

Anaphora – a poem by Luke Gilstrap

Anaphora
 
I do not pray for God to make me well. I pray for Him to make me good.
–St. Porphyrios of Kavsokalyvia
 
Pray not for healing and feel no guilt
that you know who your mother and father is,
that you walk on the ground you were born to,
that the rain still comes.
 
Pray not for healing and do not imagine Paradise,
that it may surprise you when it arrives,
how close you would have been to getting it right
had you tried to describe it.
 
Pray not for healing unless of your relationships
then pray as fast as you can.
 
Remember the others and pray not for your healing,
but that you would meet them, in this air or the other’s,
your healing on the brink of their tongues,
your groaning tuned by their bruised or broken ribs.

 


Luke Gilstrap is a writer from Wichita, Kansas, where he lives with his wife, Megan, and his son, Oliver. He received his MFA from Seattle Pacific University and teaches writing at Friends University. A few poems have appeared in River City Poetry and are forthcoming in an anthology published by Darkly Bright Press

And what if colour was a body you could split apart? – poem by Julia Retkova

And what if colour was a body you could split apart?
 
to dream in fields of poppies and amaranths, 
those mountains in miniature, floating soft in songs 
woven fresh and quiet
 
to live inside the contours of memory fed 
on the drops of half-drunk dreams.
So! Now you can see the shapes as echoes.
 
The sky comes streaming down in spools of colour,
and we all have to ask, have to wonder why the symphony’s still blaring, for whom each song 
has been strung for, 
for there is a boy shoveling gallons of paint into the blaze of his eyes, and soon, 
when he speaks, we will not recognise him at all. 
 
He, as the splitting of light. He, as the bursting of brightness. 
What is it to see the inside of colour, torn apart? 
 
And after all, how do we understand what he has become? You rise up to speak to him and when you come back down to share it with the others you find you have no words to speak into existence that which was told. How can you explain something which does not have shape? What string does not break apart when you are lowered back to the heaving earth? 
 
Let it stay divine, let it stay suspended,
exiled in the body of its remembrance.
 
 

Julia Retkova is a King’s College London graduate student with two degrees in Literature and Digital Studies. When not working on an app that connects foreigners with their family overseas, she’s running a small literary journal called Nymphs. She was born in Ukraine, but grew up in the south of Spain. She loves reading books in the sun and writing when everyone’s asleep 🙂

The Way – a poem by Fred Gerhard

The Way
 
You’d think I was crazy if I told you
I saw God once.
            So I won’t.
 
But I sought Jesus who was the Way
and made me examine what being 
and Way-ing might imply,
 
and Buddha who showed a Way
only to be deified,
 
and Tao, ever the Way.
 
Every night I empty these from my head.
 
As a small child I dreamt a sky-high figure,
soaring black and white, and it rumbled,
                        and I knew.
 
Working in the Holyoke projects
I saw a small girl with carefully braided hair
riding her daddy’s tan shoulders, laughing
                        and I saw.
 
One summer, entering a Quaker silence, 
another room opened in me, more silent, 
and warm, where a light reached down from 
behind and held me like a child in arms of light,
                        and I felt.
 
To say that I saw God once
            is a lie.
 
                        Here
                        in me
            I cannot unsee God
                        or the way
                        of God.

Fred Gerhard’s poems have appeared in The Heavy Feather Review, The Wild Musette Journal, Black Moon Magazine, Entropy Magazine, and other magazines and anthologies. He writes from a small town in rural New England where he lives with his wife and son.

The Frogs – a poem by Ryan Scariano

The Frogs  
 
For a moment the frogs 
swim near the surface 
and I’m gazing down at them, 
reaching with my eyes 
and ears and thoughts 
toward their waiting. 
They’re interested, willing 
to give. I listen and want 
to replicate what they offer 
in these sheer seconds. 
To get it right, I must also 
bring to bear the memory 
of dawn gasping 
365 million years ago. 
I’m not yet able to do this, 
but I’m getting closer. 
I’ve begun to sense the bird, 
how there’s only one, 
how it’s tethered 
to this earth. It’s both sides 
of my breath.   

Ryan Scariano is the author of two poetry chapbooks: Smithereens, published by Imperfect Press, and Not Your Happy Dance, forthcoming from Finishing Line Press. He lives in La Grande, Oregon and works at Eastern Oregon University. www.ryanscariano.com

Fields and Flowers – Three Poems by Julie Sampson

Field Workings – Abbotskerswell, Devon

Found Flowers – Germander Speedwell,  Christow, Devon

 Found Flowers – Tufted Vetch, Lydcott, Devon

Julie Sampson’s collections are Tessitura (ShearsmanBooks, 2014) and It Was When It Was When It Was (Dempsey & Windle, 2018 ). Her poems are published in a variety of magazines, including recently in Molly Bloom,  Projectionist’s Playground, Otoliths, Poetry Village and High Window. Her website is Julie Sampson

After the Snowstorm – a poem by Yevgenia Przhebelskaya

After the Snowstorm 

The snowman my neighbor built has melted,
the weather tricks me with its sunshine and chill breeze,
two squirrels play outside my window,
they take turns in a dance like chase.
I want to frolic outside in my pajamas,
attend a concert with five hundred guests,
engage political disagreements without violence.
I want to hug my neighbors and my friends.
I call my friend; his mother died from Covid,
his pain is raw, his voice is trembling still.
We chat about movies, books, our losses,
the strength to shine when the world is frozen still. 
And as I wait my turn for the vaccine,
pandemic winter melts into spring. 

Yevgeniya Przhebelskaya has held a variety of paid and volunteer jobs in the education field, including teaching introductory college classes and facilitating poetry workshops. Yevgeniya’s poems have been published in Time of Singing, Page and Spine, First Literary Review-East, Ancient Paths, and other print and online publications, and were nominated for the Pushcart Prize two times. Check out more of her poems at ypoetry.weebly.com 

On the Rue du Bac – a poem by Martin Potter

On the Rue du Bac
 
Begin by the Quay d’Orsay
And entering the quartier
First a broad and straight few blocks 
Then things start to narrow 
Press of the older city
 
Start to bias leftwards
Steady like a scythe blade
You couldn’t see the end of the long
Street’s shaded inverted
Trajectory always hid
 
Its faces your future a few
Minutes ahead askew
Until you sighted a crossing of roads
Ahead and here’s a doorway
You’re behind Le Bon Marché
 
Nuns are streaming in
A sudden phenomenon
And seeming magnetised you join
Their subterranean movement
The shopping day steps on
 
In its interiority
Courtyard and chapel quietly
When seated something is let free
Under the colour of Mary
And Catherine Labouré

Martin Potter (https://martinpotterpoet.home.blog) is a poet and academic, and his poems have appeared in AcumenThe French Literary ReviewEborakonScintillaInk Sweat & TearsThe Poetry Village, and other journals. His pamphlet In the Particular was published by Eyewear in December, 2017.