Say prayer’s correctly rubbing God’s back – a poem by MEH

[Say prayer’s correctly rubbing God’s back]

Say prayer’s correctly rubbing God’s back
like a rabbit’s foot clutched in a pocket,
or an ancient Persian lamp gathering
dust on a shelf, one wish held in reserve.
it’s making sure the horseshoe’s heel faces
up, lest the blessings leak. perhaps prayers
are dreamcatchers aligned like satellites
transmitting psalms to celestial spheres,
or some other means of snapping fingers
in front of God’s face: grabbing attention
without the need for screams emanating
from the red-soaked earth, clay calling Potter
to account for—or at least questioning—
the cracks in the crucifix on the wall.

~ MEH

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MEH is Matthew E. Henry, a Pushcart and Best of the Net nominated poet with works appearing or forthcoming in various publications including Amethyst Review, The Anglican Theological Review, The Other Journal, Relief, Rock and Sling, Spiritus, and The Windhover. The author or Teaching While Black (Main Street Rag. 2020), MEH is an educator who received his MFA from Seattle Pacific University, yet continued to spend money he didn’t have completing a MA in theology and a PhD in education.

Sunrise Variations – a poem by David Chorlton

100_5404Sunrise Variations

I
Frost on the moon; a windy glow
moves down the street
sweeping yesterday aside.
The asphalt warms and the thrashers
thaw from their overnight roost
while long shadows crawl
back into hiding.
……………………..This is the moment
all is quiet after the long
dark hours, quiet enough
to hear hope arrive, tapping
its cane as it goes.

II
It begins with a tremolo
on the horizon before the violins make way
for a mockingbird solo, followed
by the woodwinds playing random phrases
between the waking calls
of Mourning doves. Cellos raise
first light
……………from the underworld, then comes
the brass in all
its shining glory, and trumpets blaze
white fire from the dark.

III
A dove on every streetlamp
is waiting, always
waiting for the sky to awaken. It begins
with an eyelid
folding back, then a yawn releasing
pink edged clouds, and the laser
rays of sunlight piercing Heaven.

IV
The last strands of rain
are tangled in an ocotillo’s arms
and a cloudbank hangs
…………………………………on the slim hook
the moon has become
in the course of a nocturnal vigil
overseeing the conflict
between good
and evil
that masquerades as politics
and never rests,
……………………….not even
when the grackles flock together
to dream their one black dream
until the eucalyptus feels
a ray of warmth and spills them
into daylight.

V
It’s a postcard opera, the breakthrough
light makes when all
the world lies still except a sparrow
in a birdbath washing
darkness from beneath his wing.

VI
Across its east
facing slope the mountain
glows to welcome back wild
creatures from the night. For those few
minutes rocks
…………………..give up their weight. The ravens
at the ridgeline have
their shadows projected so
they float in airborne sunlight
even when the birds descend to pick
their daily ration from the Earth.

VII
The wooden cogs creak
as wheels turn
to pull back the curtains
from a baroque stage
upon which the sun
sits on its throne
wearing a wig with streaming curls
of light and wielding
a scepter with which
to signal time
for the fates to resume
their daily bickering.

VIII
Where two palms stand
next to the back wall, with a sheet
of reeling sky behind them,
yellow bleeds
into red and a pale strip darkens to
the day’s first blue
and a woodpecker clings
to its luck from the flake
of a trunk.

IX
The weight of a departing storm
presses down into the space
between fact and fantasy, from which
the golden message travels
through millennia
to be a moment at the threshold
of a day.

X
Although the details
of each day are different, the hope
remains constant
that no iniquity avoids the searing glare
that strips a monarch
to his bones.

XI
The clouds call out for sacrifice
on days the sun god
wakes up hungry. A gloomy mass
weighs down upon the Earth
with one small crack
where the universe has offered
its own blazing heart
to bring life to the planet or see it
perish.

XII
Even deathly tired, the sun
always finds a way up through the earth
between roots and tendrils, up
the wall to a railing
it can balance on, or it climbs out from
the pond of dreaming water
and shakes itself dry before
it continues its infinite trajectory
inch by incendiary inch.

.

David Chorlton lives in a part of Phoenix where the roofline is low and the dawn view from his front door is often striking, as in this photograph used with permission. (Some more sunrise photos at: http://davidchorlton.mysite.com/ ) In poetry, his latest work is Speech Scroll, a long poem published by Cholla Needles Arts and Literary Library.

Prime Real Estate – a poem by Emily-Sue Sloane

Prime Real Estate

Before anyone carves up the moon and sells it
to the highest bidder for condo-ringed golf courses,
fake palms and wrought iron gates,

tell me, please,

will it be the bright one I see poking through the branches
of the majestic maples in my backyard when I draw
the shades before turning in for the night?

Or the huge orange one surprising drivers
rushing toward the Jericho Turnpike horizon?
As that moon rises, the contours of a face emerge,
happy just to be there. Like Humpty, before his famous fall?

I hope they don’t choose the one lighting up the Long Island Sound
on warm summer nights when fishing boats sidle up to the dock
to unload weary passengers clutching their catch of the day,
poles and tackle boxes perhaps lined with empties

Or the thin crescent of light that floats effortlessly in a crisp dark sky
after the first snowfall, before the plows arrive.

The moon draws the tides into a dance with life itself,
so, no, my moons over Long Island are not for sale.

 

Emily-Sue Sloane lives in Huntington Station, NY, where beautiful vistas hide beyond crowded roadways. Writing poetry helps her to frame her personal observations within wider, more universal truths. Her work has appeared in Front Porch Review, The Bards Annual 2019 Poetry Anthology, Avocet, The Weekly Avocet, and other anthologies.

Magpie – a poem by Brian  Palmer

Magpie

You line this gift of sky with falling arcs—
up, down, then lower down up again, down—
the form of flight less crucial than the flight

itself. You’ve not enough resplendent plumes
that might paint green a Guatemalan jungle.
Instead, you sketch the wind with pencil tail.

You look for shade in cottonwoods; in truth,
as stoic in the heat, you shade yourself
and keep your heart eclipsed by your own wings.

On posts, in tangled snags, along thin lines,
in self-silhouette you prophesy nothing
like the returning bright Quetzalcoatl.

But let me tell you plain and simple bird:
I long to touch your black and white feathers.

.

Brian Palmer is inspired by the idea that everything lies in beauty along a continuum of emergence and decay and at any given moment has the capacity to inspire. Recently, he’s been published at The Ekphrastic Review, in Small Farmer’s Journal, and The Light Ekphrastic

 

Nothing Ordinary about This Fellow – a poem by Neal Whitman

Nothing Ordinary about This Fellow
in memory, a fib poem*

he was always skinny, so a fellow forester
took note that he was a sapling
his name would be ‘pling
the name stuck
modest
much
missed

way
off
blackened
in the sky
in the high mountains
a wedge-tailed eagle motionless
silent ascent at last – the current bore him away

*In a Fibonacci sequence, the first two numbers are 0 and 1. Each subsequent number is the sum of the previous two. A fib poem uses those numbers for syllable count per line. Think of the 0 as the pause before starting to read the poem.

 

Retired in Pacific Grove, California, poet Neal Whitman and his wife, Elaine, a photographer, find that the meeting of land and sea inspire his word-pictures and her visual-pictures. Neal is a member of Bay Area Poets Coalition, Ina Coolbrith Circle, and California Coalition of Chaparral Poets.

Daniel the Prophet and a Spear of Grass – a poem by Janna Schledorn

Daniel the Prophet and a Spear of Grass

Another dream. The king knows what it means—
A fruitful tree chopped, stripped, scattered,
his fall from the roof of Babylon, disgraced,
displaced crazed beast with eagle-feather hair.

This king who cut Israel’s youth, cut life,
cut hope. . .scrapbooks of baptisms and
graduations, buried arrest records, photographs,
drunken daughters in leotards and fairy wings.

What god is this who turns men to oxen
exiled in the dew-wet field? Who fashions
love out of hate. Who springs hope beyond
a home, a wife, a child, a tree.

There is still a stump bound with a band
of iron and bronze, in the tender grass.

 

Janna Schledorn’s poetry has appeared in Adanna Literary Journal, Revelry and other journals. In 2016, she won the Thomas Burnett Swann Poetry Prize from the Gwendolyn Brooks Writers Association of Florida. Poems from this series have also appeared in Presence: A Journal of Catholic Poetry.

Miserere – a poem by Kate Garrett

Miserere

 
“Behold, I was shapen in iniquity; and in sin did my mother conceive me.
Behold, thou desirest truth in the inward parts:
and in the hidden part thou shalt make me to know wisdom.”

Psalm 51:5-6, King James Version

They say things like ‘hate the sin and love the sinner’, but by the time I came here the love of their God had long left me cold. It’s not for lack of trying that I couldn’t rebuild the fire. Whenever a spark shows its flickering face, I throw my soul as paraffin and paper to these small bursts of flame. I want Christ’s love and want to give him mine. I know my heart; I never doubted he could see inside it. But the others brought their bottled water beliefs, pulled me into airless rooms pumped full of their interpretations, smothered every chance at my salvation – they tore grace from my fingers, left swollen twisted knuckles where I tried to keep my grip from slipping.

Now I turn to my friend who brews tea from flowers. I play my guitar in her kitchen. She listens; she says the tuning suits the music the storm makes. Conversation leads to the past, the last century, turns to tales of family and doubts. Pieces of my faith have slipped out into her palm, she looks at them, says God is something we are and live within, then tilts her chin to the window as if the rain has started singing a new hymn. Wait a minute, she grabs her cards and shuffles – draws one and another and another, shows me cups, a hermit, a hanged man, a priest. More cups. She tells me, go back to church. And I know her ways are not for me, but I’m safe here.

 

Kate Garrett is a writer, witch, mama, and drummer who sometimes haunts 450 year old houses (as a heritage volunteer). Her next book, A View from the Phantasmagoria, is due out in October 2020 from Rhythm & Bones Press. She lives halfway up a hillside in Sheffield, England. www.kategarrettwrites.co.uk

Blue Collar Angel – a poem by Mark Tulin

Blue Collar Angel

Dad woke me at 2 a.m.
It was hard to leave a warm bed
and a cherry-colored dream.
“It’s time for us to go to work,” Dad said,
“to buy fruit and vegetables for our store.”

It was bitter cold outside.
The winds rattled the double-pane windows
and the snow came down
hard and heavy
over the darkened houses of our street.

But I could not refuse.
Dad was my blue-collar angel
who told me to wear my long johns
and a heavy coat with the fleece-lined hood.
“And don’t forget your galoshes,” he reminded.

So, I wiped the crust from my eyes,
and left the comfort of the woolen blankets
as we made our way decisively
through the slushy streets of Philadelphia
into the soul of an unforgiving winter.
The two of us, breaking the silence of the morning.

 

Mark Tulin is a former therapist who lives in California. Mark has two poetry books available at Amazon, Magical Yogis and Awkward Grace. The Asthmatic Kid and Other Stories will be published in August of 2020. He’s been featured in Poetry Village, Oddball Magazine, Poppy Road Review, among others.  Follow Mark at Crow On The Wire.

Planetary – a poem by Jesse Wolfe

Planetary

—like hopping on a moving train,
my duffel in hand: someone’s shouting,
maybe at me.

Either you escort me somewhere
or something else carries you.
You dreamed for years of California:
you said, our house may be smaller,
but sun will drench our evenings
(I’d just shoveled our porch
that sludgy Christmas in Vermont)
and your vision, like a planet, bloomed in my mind.
I saw gardens of exotic succulents
on a block of bungalows, so close to a beach
salt-breezes seasoned our meals.

Next, you wove fables around the synagogue:
somehow, our children—if we had them—would flower
in the canopy of my mother’s faith.

But nothing agreed to remain itself.
Not the language of computer coding,
not the markets for your whimsical figurines—
the dinosaur that folds into a car,
the astronaut whose movable arms
appear to dance and swim.
Not the faces of our friends
(Al’s, collapsed in bels palsy and depression,
Stella’s and Dave’s, whisked into memory
when he got hired in Japan),
nor my own, sagging and greying
as you reassessed your dreams.

We met in Milwaukee
(that bar’s now a small grocery store),
Springsteen blaring on the speakers.
You wore earrings then: planet earths, dangling
toward your shoulders.
I opened with a cliché:
something like, is the world your oyster?
You retorted, staring straight into me:
didn’t I think everything was possible?

 

Jesse Wolfe is a professor of English at California State University, Stanislaus. He is the author of Bloomsbury, Modernism, and the Reinvention of Intimacy (Cambridge UP, 2011) and the recipient of an award from the National Endowment for the Humanities. Wolfe is the winner of the Hill-Müller Poetry and August Derleth Poetry Contests, and his work has been published in New Millennium WritingsPenumbraRed River ReviewRiver Poets JournalHenniker ReviewShanti, and elsewhere.

Cape of Good Hope – a poem by Marian Christie

Cape of Good Hope
For my father

Half of you is listening. Half of you sees the mountain, hard lines pushing against the sky. Half of you senses air’s faint breath, feels warmth like fingers where sunlight has sneaked beneath your hat. Your left hand acknowledges my touch.
I only half listened that day last year, as we walked through the fynbos on the slopes above Camps Bay. You spoke in the voice you used for children or for childhood, for stories of Piglet and of Pooh and how you were at school with Christopher Robin.
When the time comes, I want a Daddy to hold me by the hand.
I smiled, said nothing. We were a long way from The Hundred Acres Wood.
Spiked crests of birds of paradise ignite above their leaves. Half of you is present. Is the other half hidden, like the mountain when the south-east wind spreads a tablecloth of cloud? Or has your Daddy taken your right hand gently in His own, to lead the missing half of you past Lion’s Head into the light?
I don’t ask this, but I think this in the shadow of the mountain. Half of you listens to my silence. All of you cannot speak.

 

Marian Christie’s poetry has appeared in, among others, Allegro, Black Bough, Independent Variable and Pushing out the Boat. When not writing or reading poetry, Marian looks at the stars, puzzles over the laws of physics, listens to birdsong and crochets gifts for her grandchildren. She lives in Kent.
Website: https://marianchristiepoetry.net/
Twitter: @marian_v_o.